• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

C47 Vs. C2700

Mac engineers back in the 70s came up with a phono preamp EQ stage based on the new Signetics designed opamp that outperformed the much more common multiple transistor stages that they and others had been using.

Over the last 40+ years they have been refining and improving upon it.

There have been any number of phono amp stages over the years promising exceptional performance when a phono stage really just has to undo the analog degenerative EQ applied prior to the master being cut.

That EQ process was designed to use capacitance and resistors to lower the level of the bass and midrange in a predictable fashion using non active components in the 60s. That work was done by RCA who then formulated a active tube based correction circuit to recreate the original signal after the cartridge played the signal.

The RIAA EQ standard has held sway ever since.
 
I don’t really know what all this means. It’s probably good I stick with the “low level” C47 to start with and see where that takes me.

I think it should immediately take you to purchase a Optical Digital Audio Cable (not at all expensive) to connect your Yamaha CDX 2020 via an optical digital link to your C47. This will allow the digital to analog conversion to happen in your C47 rather than in the Yamaha (which then just acts as a CD transport) and since DACs are fairly critical and since the C47 has such a good DAC, I predict a noticeable improvement in the CD playback sound. In effect, you'll bring your Yamaha sound (while nice) to become McIntosh sound.
 
Back
Top Bottom