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Carver AL-iii Plus help and opinions

Jordan D.

New Member
I am new to the audiophile world( about a year) and have fallen in love with the different sound that speakers have as well as fixing up old gear to work and sound better. In the past year I have had Thiel CS 1.2, 2.2, Martin logan clarity, bose 901(sorry), ADS, cambridge soundworks T500 and heavily moded and reveneered klipsch Chorus .I recently scored a pair for 250 dollars in perfect condition with no buzz and the surrounds are all intact. Initially I was hesitant to get them as I have read that there are issues that can occur with the ribbons as well asdriving them, but I went out on a limb as it was hard to pass up the . to my surprise driving when I Bi-amped them with my pioneer Elite(150wpc into 8 ohm. I dont know what it is into 4ohm) there really isnt any issue with driving them. I do also have a smaller room which helps in that aspect.

This is my first time I have had dipole speakers as well. In respect to the sound I was amazed by the sound stage. It is slightly receeded but very full and lively with a slight darker tone to it. My brother is a musician and says that ribbon microphones are commonly used in recordingsmusic to get a darker sound. Iamquite satisfied with the low end being quick and deeper than my past speakers but I will need to starte adding absorbing panels to help combat some standing waves that this has caused. One thing I do struggle with is the fact that there is some imaging but it isnt what I am used to with box speakers and was wondering if this is common with dipole speakers. I was wondering if anybody has any tips with room treatment as well just general tips withthese speakers and possible mods I could do as well.
 
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You got a hell of a deal, typically these sell for more than twice that.

Typically you don't want sound absorbing material on the wall behind the speakers because that will obviate most of what the dipole is trying to do. Corner bass traps might be worthwhile. Having owned Magneplanars and now Martin-Logans (both dipolar), I can tell you that they are very sensitive to placement. If you haven't already done so, it would be worth your while to experiment with where you have the speakers and your listening position situated. The manual (if you haven't already read it) has a lot of useful information.
 
You got a hell of a deal, typically these sell for more than twice that.

Typically you don't want sound absorbing material on the wall behind the speakers because that will obviate most of what the dipole is trying to do. Corner bass traps might be worthwhile. Having owned Magneplanars and now Martin-Logans (both dipolar), I can tell you that they are very sensitive to placement. If you haven't already done so, it would be worth your while to experiment with where you have the speakers and your listening position situated. The manual (if you haven't already read it) has a lot of useful information.
I have been moving them around quite a bit and think I have found the best position. I planned on doing bass traps and have hear diffusers behind dipoles works well. just messing around I drapped towels over the back of them just to see what it would do and it did give it a decent amount of clarity but lessened the soundstage slightly. Not a scientific way of doing things, but just having some fun with them. The room is pretty small about tho at about 12 by 14 with 8 foot ceilings. I do have a bay window along one side so I have been trying to fix the first reflections.
 
The room is pretty small about tho at about 12 by 14 with 8 foot ceilings. I do have a bay window along one side so I have been trying to fix the first reflections.
FWIW, I sold my Magnepan MGIIIs partially because I didn't have a room where they could be positioned optimally. YMMV, of course.
 
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