3 cu ft is just about ideal for the LE14A.
IMO&E it makes foggy midrange regardless of box tuning.
3 cu ft is just about ideal for the LE14A.
Sadly, two weeks later someone broke into his apartment and stole them.
I don't understand the first part of your statement but my statement is based on the premium, deserved or not, JBL speakers demand...an extreme example would be a pair of HPM-100s and a pair of JBL Hartsfields.
The Hartfields win the $prize$ however the Pioneers actually sound better(IMHO) believe it or not
EDIT: I own neither

IMO&E it makes foggy midrange regardless of box tuning.
Stereophile thought differently of the Array 1400 which uses the latest version of the LE14:
I don't give a hoot in Hell what Stereophile thinks, never did..
Perhaps you should contact them and explain the finer points of speaker testing..
I think their problem is with speaker listening.
And you know that speakers can test good and sound bad AND test bad and sound good. Then we have the problem of defining what good is supposed to be in the first place....
"Cold hearted orb that rules the night Removes the colours from our sight Red is gray and yellow, white But we decide which is right And which is an illusion"
I often say that when you can measure what you are speaking about, and express it in numbers, you know something about it; but when you cannot measure it, when you cannot express it in numbers, your knowledge is of a meager and unsatisfactory kind. Lord Kelvin
LE14A is not quite the woofer that later versions became, but there are a number of woofers I prefer then even the best LE14 versions.
I think their problem is with speaker listening.
And you know that speakers can test good and sound bad AND test bad and sound good. Then we have the problem of defining what good is supposed to be in the first place....
I'll say one thing for the JBL guys; when you criticize JBL they don't say you "need to use tubes".

This experience (and others) has given me a deep prejudice against the LE-14 woofer
3 cu ft is just about ideal for the LE14A.
IMO&E it makes foggy midrange regardless of box tuning.
Stereophile thought differently of the Array 1400 which uses the latest version of the LE14:
I don't give a hoot in Hell what Stereophile thinks, never did.
You stated:
" . . . from what I've seen and own, I'd have to pay up to 2X the amount for a comparable pair of JBLs...maybe much more"
My simple question was, so what do you own and what did you pay for them? It was your comparison, I'm just asking you to be more specific. In English, one more time: what do you own that would require two-times (or much more) their cost to equal with a JBL? And don't just compare antique JBLs commanding extreme value for their collector status. Why not a pair of L7s with current street value at or below $500 with those HPMs? HPM-100 sales on Ebay in the last 30-days range from $225-$435. The low price gets you corner dings filled with plastic wood. L7s in the same period has asking prices between $200-$400 (Craig's List asking prices since there were none sold on Ebay during that time). That same range is covered on asking-prices for HPMs confirmed by a country-wide CL search a few minutes ago. Some with dented dust-caps and black paint spills, about $150-$375.
The common JBL-bashers' mantra is the L100 compared to the HPM-100. Notwithstanding the JBL engineering involvement with the Pioneers, even JBL fans don't put the L100s up on a pedestal for much beyond their marketing success. We all know they were derived from a control monitor designed to mimic the ubiquitous Altec studio monitors of the day. That's like saying someone's painting of a scene in the style of Impressionism isn't as acccurate as a photograph.
So, since it was your example: what do you own that's so superior to JBLs and what did you pay for them? Simple.![]()
Another one bites the dust.Nevermind.
Another one bites the dust.