Consider this as a filter rather than a crossover. The advantage of a single driver is that you don't have passive circuitry trying to split up a signal into 3 parts and apply it to 3 drivers with different characteristics, in hope that it meshes well. A filter won't cause the signal to be split up into parts, but will purely burn off the lower frequencies that are inaudible. The signal already goes through lots of circuits/filter inside the amps, so I'm not of the opinion that a signal is pure and cannot be filtered- I just enjoy the lack of frequency splitting. Also, low power
My receiver has a tape-out and tape in. In this case do I connect the input of a filter to tape/out and connect the filter output to tape/in?
My alignment is perfect. I don't think the sl-1200 or Planar2 have azimuth adjustment
The "buy more expensive gear" solution is of little help. Turntables in Australia are expensive. In my state there's a used TD-160 for $1,800. I'm not buying that. One of my turntables is a sl-1200 mk2 so rumble is not a problem. Or shouildn't be
No it's not a rumble problem. The speaker cone expension goes along with the bass of the music, but just seems bigger than I would typically be getting off a CD. Either this is the nature of vinyl's bass or I may be getting feedback from my ported (horn) speakers into the tonearm during heavy bass and creating excess bass.
Either way, as my speakers don't create a great deal of bass, the cone is wasting midrange tightness attempting to produce bass that I can't hear anyway
There's no random/unexpected speaker wobbling. It only creates bass where there should be bass. There's just more speaker extension than usual
It sounds like a subsonic filter on the tape may be the easiest solution