Starting a new thread, hope that is okay
Hi, this is Rod Underhill. The Equasound company was owned by my brother, Doug Underhill, and his partner Jeff Coombs. Together they were the designer of the Equasound speakers. One of the wealthy members of the McCulloch family (chain saws, etc) financed the company. The time of it's existence, Doug and Jeff were barely out of high school. My father, Jess Underhill, an engineer, provided some advice from time to time mostly regarding production lines and so forth.
The Equasound speakers were designed to essentially match studio monitor specifics, that is, they were built to have very "flat" sound. The goal was for the speakers to reproduce the studio recording as closely as possible without adding extra (and incorrect) treble, bass or distortion. They were also designed to be played at very high volume levels with minimal distortion.
The speakers themselves were part of an evolution in thinking that Doug and Jeff had. They designed the cloth speaker covers in such a way that designers could replace them with fabric that would make more sense in a design sense, that is, the cloth (if it was properly porous) could be replaced with a different color by the user so it would fit into the decor of any particular room. Already, Doug was getting push back from high end users who were reporting that the speakers were great, but didn't match the decor of their million dollar living rooms...something that bothered him, but something that he paid attention to.
Anyway, the speakers were noticed by Playboy Magazine, who did a write up on them in the tech section of their magazine in a 70's issue. Over time, Doug closed down the factory due to push back from high end clients and created a new company where he custom built speakers into the individual environment. In other words, he would enter the home of the client, check out the room, and put the speakers into the room in a hidden fashion. That company, operating from Phoenix, has been very successful and ended up making him a multi millionaire.
Despite the fact that the Equasound speakers were of monitor quality, his clients were not studio engineers, but rich people who wanted cool speakers. Doug was impressed with Bose' direct/reflecting concepts, and built the speakers so that the tweeters pointed in one specific direction....and the woofers would face the wall, and the mid ranges would point in a certain direction, etc, so that the speakers would have the advantage of bouncing off of certain parts of the room and so forth. He eventually took this concept farther with his new (and current) business by doing that in his client's rooms by engineering custom built in speakers based on the design of the specific room.
From a tech viewpoint, the speakers required 30 watts RMS per channel at minimum to work properly. The more power the better.
I have a pair that he gave me as a present back in the 70's. I had to replace most of the speakers over the years as they eventually rotted out. They still sound great and I use them all the time.
Unfortunately, over the years, the little "Equasound" tags fell off. Wish I could replace them.
Both Doug and I entered the music biz in different ways, but as a representative of the Underhill family, I thank you for your interest in these classic speakers. I am not a speaker engineer, but if any questions come my way I can try to get Doug to answer them and report back.
They are heavy mothers, aren't they? Not easy to move. That's one of their downsides, I guess.
The cross over network was buried in plastic so that people could not learn how it was put together. The details were a company trade secret.
Best
Rod Underhill
Hi, this is Rod Underhill. The Equasound company was owned by my brother, Doug Underhill, and his partner Jeff Coombs. Together they were the designer of the Equasound speakers. One of the wealthy members of the McCulloch family (chain saws, etc) financed the company. The time of it's existence, Doug and Jeff were barely out of high school. My father, Jess Underhill, an engineer, provided some advice from time to time mostly regarding production lines and so forth.
The Equasound speakers were designed to essentially match studio monitor specifics, that is, they were built to have very "flat" sound. The goal was for the speakers to reproduce the studio recording as closely as possible without adding extra (and incorrect) treble, bass or distortion. They were also designed to be played at very high volume levels with minimal distortion.
The speakers themselves were part of an evolution in thinking that Doug and Jeff had. They designed the cloth speaker covers in such a way that designers could replace them with fabric that would make more sense in a design sense, that is, the cloth (if it was properly porous) could be replaced with a different color by the user so it would fit into the decor of any particular room. Already, Doug was getting push back from high end users who were reporting that the speakers were great, but didn't match the decor of their million dollar living rooms...something that bothered him, but something that he paid attention to.
Anyway, the speakers were noticed by Playboy Magazine, who did a write up on them in the tech section of their magazine in a 70's issue. Over time, Doug closed down the factory due to push back from high end clients and created a new company where he custom built speakers into the individual environment. In other words, he would enter the home of the client, check out the room, and put the speakers into the room in a hidden fashion. That company, operating from Phoenix, has been very successful and ended up making him a multi millionaire.
Despite the fact that the Equasound speakers were of monitor quality, his clients were not studio engineers, but rich people who wanted cool speakers. Doug was impressed with Bose' direct/reflecting concepts, and built the speakers so that the tweeters pointed in one specific direction....and the woofers would face the wall, and the mid ranges would point in a certain direction, etc, so that the speakers would have the advantage of bouncing off of certain parts of the room and so forth. He eventually took this concept farther with his new (and current) business by doing that in his client's rooms by engineering custom built in speakers based on the design of the specific room.
From a tech viewpoint, the speakers required 30 watts RMS per channel at minimum to work properly. The more power the better.
I have a pair that he gave me as a present back in the 70's. I had to replace most of the speakers over the years as they eventually rotted out. They still sound great and I use them all the time.
Unfortunately, over the years, the little "Equasound" tags fell off. Wish I could replace them.
Both Doug and I entered the music biz in different ways, but as a representative of the Underhill family, I thank you for your interest in these classic speakers. I am not a speaker engineer, but if any questions come my way I can try to get Doug to answer them and report back.
They are heavy mothers, aren't they? Not easy to move. That's one of their downsides, I guess.
The cross over network was buried in plastic so that people could not learn how it was put together. The details were a company trade secret.
Best
Rod Underhill
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