TobascoKid
Active Member
There is no category for me so I can’t vote. There is no ‘Large & Unusual Modern.’
Confused-us say: one thousand happily singing birds cannot make a lower sound than one mighty mean rhino.
I find that when we want to move volumes of air with least distortion, to give us the most accuracy with efficiency, there is no replacement for displacement. Of course, to get it right, we have to follow the rules. Some are bad at that. We are all engineers (except me) and some are better. Some misunderstand and/or take shortcuts so they suffer less than best consequences. Everyone does best because standards are lower today. But if someone should do it wrong, their mighty rhinos can quack like hoarse-sounding ducks – and they call it good.
Mine? It was an objective. The system is two of everything independently working together.
The controller amp is nothing special. Doesn’t need to be. I use real bi-amping so the amp only powers my custom-made satellite speakers. Amp just runs at low power because midrange & high octaves are efficient. This amp is really is overkill.
Choice of satellites. One set uses Linaeum drivers and the other uses more conventional ribbon tweeters combined with 6.5-inch woofers.
For the bass, I get higher tech. Custom made with extraordinary dual 15-inchers configured in an unusual isobaric (push-pull)/bass-reflex-design. This design gives me full bass at half the distortions coming out of a half sized box. The design shrunk my sub to the size of a mini-refrigerator. The mini-box also contains a 200W amplifier and poking outside is its electronic crossover and volume control. It’s easy to hide.
About that bass – many have been startled. Comes on fast, very tight, and hits hard. It’s clean down to an f3 of a low 19Hz. No ‘one-note’ boomer here. For more action, I should bolt it down. For less interference, I should anchor my picture frames.
My systems use large drivers for the bass.
Confused-us say: one thousand happily singing birds cannot make a lower sound than one mighty mean rhino.
I find that when we want to move volumes of air with least distortion, to give us the most accuracy with efficiency, there is no replacement for displacement. Of course, to get it right, we have to follow the rules. Some are bad at that. We are all engineers (except me) and some are better. Some misunderstand and/or take shortcuts so they suffer less than best consequences. Everyone does best because standards are lower today. But if someone should do it wrong, their mighty rhinos can quack like hoarse-sounding ducks – and they call it good.
Mine? It was an objective. The system is two of everything independently working together.
The controller amp is nothing special. Doesn’t need to be. I use real bi-amping so the amp only powers my custom-made satellite speakers. Amp just runs at low power because midrange & high octaves are efficient. This amp is really is overkill.
Choice of satellites. One set uses Linaeum drivers and the other uses more conventional ribbon tweeters combined with 6.5-inch woofers.
For the bass, I get higher tech. Custom made with extraordinary dual 15-inchers configured in an unusual isobaric (push-pull)/bass-reflex-design. This design gives me full bass at half the distortions coming out of a half sized box. The design shrunk my sub to the size of a mini-refrigerator. The mini-box also contains a 200W amplifier and poking outside is its electronic crossover and volume control. It’s easy to hide.
About that bass – many have been startled. Comes on fast, very tight, and hits hard. It’s clean down to an f3 of a low 19Hz. No ‘one-note’ boomer here. For more action, I should bolt it down. For less interference, I should anchor my picture frames.
My systems use large drivers for the bass.




