tube-a-lou
Addicted Member
Cool Photos, Thanks for sharing, it was a great time in our history when everything
was made here in the good old U.S..
Tube
was made here in the good old U.S..
Tube
TELEVISION & RADIO
Serviceman; must be thoroughly expd;
outstanding perm oppty; sal commensu-
rate with ability; freq increases; Write
or call: Fisher Radio Corp., 33 Bleecker
St., NYC
RADIO WIREMEN
Experienced, quality receivers; excellent
working conditions. freq increases. Fisher
Radio Corp. 33 Bleecker St. N.Y.
I don't own any Fisher . . . yet. My late cousin owned (as near as I can remember) an X-100-3 and an FM-200B (along with a Garrard TT) that he used to drive a set of Altec Lansing custom builds back in the late 60's and I have never forgotten the wow factor I had as a kid. My goal is to someday own the same.
For the Golden Ear
In a small shop near Manhattan's Columbus Circle last week, a few dozen workmen labored overtime, winding coils and wiring circuits for hand-built radio-phonographs.
Business had never been so good; they were twelve weeks behind orders. The Fisher radio-phonograph had sold mostly by word-of-mouth advertising. The New York Times has repeatedly turned down a Fisher ad which called it the "world's best" machine; last month, surveying the field, FORTUNE said it for Fisher.
Said FORTUNE: "The Fisher sells for less than the big-name 'quality' sets and, by ordinary standards, it is worth a good deal more. It reproduces the soft, small tones that give depth and texture to music with a clarity and realism that are startling to owners of average instruments. It is, in fact, perhaps the only set on the market that would completely satisfy a golden ear." The FORTUNE survey passed over lower-priced, lower frequency sets like Crosley, Philco and RCA-Victor, discussed chiefly such visually satisfying high-priced machines ($495 and up) as Scott (with its "impressive assortment of tubes, wires and gadgets on a chromium-plated base"), Capehart (which "holds 20 discs and turns them over automatically") and the Meissner ("offers high fidelity.) . . . Except for its cabinets, which are elegant, it claims no special features"). FORTUNE did not mention the newly imported London phonograph, which has the same record changer (Garrard) as the Fisher and lightweight pickup, but costs much more ($1,495 and $2,500) than the Fisher ($992 up).
The Fisher phonograph has a range so wide (20 to 12,000 cycles) that it can reproduce almost all sounds within the span of human hearing. The narrower ranges of most other machines (50 to 7,000) do not reproduce the full resonance of a symphony orchestra, fail to catch the high overtones of a flute. The popular-priced Zenith's "Cobra Arm" pickup almost eliminates surface scratches, says FORTUNE, but in order to do so also cuts out frequencies higher than 5,000 cycles.
Interesting, no ladies working the line back then.
Nowadays it would be all women wearing antistatic grounding straps (and no sweaters).
g r e a tHere are 3 photographs from inside the Fisher factory.
1. Assemby line - can anyone identify the chassis(s)?
2. Factory - can anyone identify the cabinet models?
3. Testing lab
Hint - these photographs were taken in 1950/1951.