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Fosi Audio ZA3 - Initial Review

Jeromeof

New Member
In my first review for AudioKarma (of many I hope), I will get into the details of the new Fosi Audio ZA3 Amplifier which has just been released. This is the latest TPA3255 amplifier from Fosi Audio and follows on from the amazing V3. I was lucky to receive my ZA3 early via their Kickstarter program with the 48V power supply and i thought it would be a good device for this forum.

Specifically I believe its launch price was $150 but with a discount (typically Fosi Audio usually have a 10% - 20% discount / coupon) so expect to pay say $125 and at either price this is a fantastic bargain and really builds upon the success of the V3 with some great new features specifically for audio nerds. Please read on for more details ...

Fosi Audio ZA3

What is in the Box, internals and overall Build Quality​

The ZA3 arrives in a larger package compared to other Fosi amplifiers. Contents include the ZA3 amplifier itself, a robust 48V 5A power supply unit (PSU) similar to the one that comes with the V3, and a comprehensive manual detailing connectivity options.

Note: depending on your order you will also either get an orange or a black volume control, I picked the orange one.

Here is the excellent power supply:

IMG_9134 Medium.jpeg

Internally the ZA3 is as nicely built as it is externally with the opportunity to swap out the NE5532 op-amp’s for tweaking the sound.
internals.jpeg

The build quality is outstanding, basically using the lesson learned with the V3, Fosi Audio have gone up to the next level with this Amplifier. I love the little design touches for example the quality of the vent holes on the side have a certain class about them:

side view.jpeg

The ZA3 is a little bit bigger than the V3 and the also new Aiyima A07MAX:
IMG_9040 Large.jpeg


This photo from above really shows how much larger the ZA3 is:
IMG_9042 Large.jpeg


The extra size does allow more space for more connections (which I will get to in the Features section below) but also more space between the binding posts.
IMG_9043 Large.jpeg


Though what really sets the ZA3 apart from these 2 other class D amplifiers is its feature, lets look at the features now in detail:

Features​

Compared to the Class D amplifiers that Fosi Audio have previously released, the ZA3 has many new features specially designed to get the best sound quality out of your system. The features alone make it a significant device in the history of class D amplifier, this is the moment when Fosi Audio have upped their audiophile game and we the users who appreciate great sounding music benefit from the extra quality audio experience the ZA3 helps to provide.

Volume Control / Power toggle​

Some recent Class D amplifier can only be turned off my moving the volume back to 0 but for a Mono block especially this can be problematic, not so much with the ZA3. You can fix the volume and press and hold the Volume button to switch on the ZA3. Therefore, when you have matched the volume on 2 setup as monoblock it is key not to have to touch the volume again (typically you would control the volume to both ZA3’s via a pre-amp or in my case via the WiiM Pro Plus).

Mono Switch​

The Mono Mode switch on the front of Fosi Audio ZA3 is a probably its key new feature, enabling users to get the benefits of more power from 2 ZA3 acting in parallel, one ZA3 feeding the left speaker and the other feeding the right Speaker.

Here are the back of 2 ZA3 setup in Mono block mode, in this case one ZA3 is handling the Left and the other is handling the right:
IMG_9054 Large.jpeg


I also subjectively thought this not only provided more power but a cleaner signal, where there is no chance of channel leakage within a ZA3.

Balanced Inputs (as well as the usual RCA)​

Another of ZA3’s standout features is including balanced RCA and XLR/TRS inputs, offering versatility and improved audio quality. Here is an example where I have feed a TRS input into 2 ZA3 to provide extra clean audio using the Mono block setup:

Here is the back of a ‘fully loaded ZA3’ where both the balanced and RCA inputs are connected:

IMG_9130 Medium.jpeg


Simply using the RCA/BAL switch on the front will select the appropriate input. It should go without saying that a Balanced (XLR or TRS) input will potentially have less noise than an RCA but in practice the RCA will also be incredible clean sounding.

Subwoofer Output​

It also features a proper subwoofer output, so unlike previous Class D Amplifier that had a ‘aux out / subwoofer out’ this is a dedicated subwoofer that is controlled by the volume so can be blended with your speakers to provide that extra sub-bass when required. For example, here is an example of a measurement I made with a subwoofer added to the ZA3 providing subbass down to 30Hz where my speakers were rolling off at 50hz:
ZA3-FR.png
I believe the sub-woofer output also has a fixed Low pass filter of 300Hz but there is no high pass filter on the speaker output when the sub-woofer is connected - something to work on in a future version in my opinion.

12V Trigger input​

The 12V trigger input for integrated system control, currently I am using a Wiim Pro Plus as a Streamer and DAC feeding the ZA3 and using the trigger to wake up the ZA3 whenever the music is about to start playing.

trigger-input.jpg


So one nice side effect of this feature is the Amp is only drawing power when its music. A quick comparison of the energy used when in Standby waiting for a trigger and being triggered and playing music is:

ModePower used watts
Standby0.9w
Triggered7.0w
Here is a typical 3.5mm trigger needed for the ZA3 (to work with a WiiM Pro Plus I had to buy a 3.5mm to 2.5mm cable such is the inconsistencies with trigger cables):

IMG_9131 Medium.jpeg


Because the Amp is switching itself on there is no danger of a power on signal damaging your speakers.

Sound quality, Measurements and Specifications​

The ZA3 exhibits clean, powerful sound with excellent stereo separation (especially when used as Mono blocks). The sound will be punchier compared to similar amplifiers due to its neutral frequency response (some similar priced Amplifiers will roll off before the sub bass and roll off the upper treble regions and therefore will not sound as rich and dynamic as the ZA3), When you then add a subwoofer to the ZA3 it is no competition at all with similar priced Class D amplifiers, the ZA3 has a unique set of features at this price point. The unit runs cool even at higher volumes, maintaining energy efficiency.

I will update this review with independent measurements when they become available but currently the official measurements provided by the Fosi Audio for the ZA3 have a SINAD value of 88db which is exactly the same as the Fosi Audio V3 and I would imagine independent measurements will back up this value. The SNR of 106db is actually better than the V3 (but again would need to be verified independently).

Specifications - I have highlight the key measurements below:
Note: I will update this review when I get some independent measurements bu for now these are the measurements provided during the kickstarter program - they are very similar to independently verified measurements of the Fosi Audio V3 (so I would believe these are accurate):
  • Amp Chip: Texas Instrument TPA3255
  • SINAD: 88dB
  • SNR: 106dB
  • Dynamic Range: ≥106dB
  • THD: <0.005%
  • Terminating Impedance: 2-8 Ohm
  • Rated Output Power:
    • Stereo Mode: 180W*2 @ 4 Ohm
    • Mono Mode: 240W @ 4 Ohm
  • Frequency Response: 20Hz-20kHz (‡0.1dB)
  • Power Input: DC 24V-48V
Overall these are exception, but its probably worth nothing that when in Mono Mode you do not get double the power as each ZA3 would get a max 240W into 4 Ohms.

What could be improved​

Very little at the price but possible the following could be implemented in a future ZA3 (maybe the ZA4):
  1. Move mono switch to the back (or underneath as with the Aiyima A07MAX)
  2. Add a switch and implement a High pass filter on the outputs to further take advantage of the subwoofer output.
  3. An implementation with Post Filter Feedback (PFFB) - this is an extension of the TPA-3255 design to better handle distortion and provide a more linear frequency especially in the upper treble when connected to specific speakers with high variations in speaker impedance.
    This will also improve the already impressive THD+N / SINAD of 88db
  4. A trigger out to pass the trigger onto a second ZA3 - this would be useful when the ZA3 is set up as a Monoblock, but you still want triggered input to wake both ZA3’s.
  5. A remote to switch the inputs and control the volume

Summary​

The ZA3 represents tremendous value for money and has some outstanding features like support for subwoofer, trigger input for the price, coupled with a really nice design and excellent measurements this is a top pragmatic choice.

The Fosi Audio ZA3 is an impressive amplifier, offering high-quality sound, versatile features, and efficient operation. Its ability to run cool, coupled with its mono block support and balanced input options, positions it as a competitive option in the audiophile market.
 

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Enjoyed the review. Very comprehensive and well thought out. Thanks for posting. One thing I didn’t understand is that in the pic you posted of the dual mono configuration it looks like you are just running one channel twice. In both units, the input is attached to the same channel and the outputs are as well. Am I seeing this correctly?
 
Enjoyed the review. Very comprehensive and well thought out. Thanks for posting. One thing I didn’t understand is that in the pic you posted of the dual mono configuration it looks like you are just running one channel twice. In both units, the input is attached to the same channel and the outputs are as well. Am I seeing this correctly?
Thanks.

The way it works when you have 2 as Mono blocks you switch the front switch on both to Mono and effectively feed the Left channel into one and the Right channel into the other - then because they are setup as Mono you are using the same 'mono' output channels to each speaker. They are very effectively as Mono blocks (but I personally would have hidden the Mono switch on the back so avoid accidentally switching it instead of the RCA / Balanced switch) especially if you have a good preamp to feed both ZA3, something like a WiiM Pro Plus (with it good DAC implementation) works very well and control the volume via their Remote and/or Mobile app.
 
Thanks, I think I understand what you did. So even though you fed both signals into the ”right” input, one signal was from the left channel and the other from the right. I guess some of my OCD is coming through!
 
Actually its probably not clear in my photos but here is one from Fosi Audio's website that might make it clearer:

1703082460728.png

If you look at the Speaker Output section, when the Mono switch is on, the amp will just drive one set of binding posts but to more power than it would if it was in Stereo mode, this way with 2 ZA3 as Mono blocks you can get more output from a single speaker output (though not double the output) but more than you can with just a single ZA3 in stereo.
 
I just bought one of these to power an HSU passive subwoofer (the ancient barrel 12 inch model). My intention is to run the output from my tube preamp to a Rolls subwoofer crossover and from the crossover to the input of the Za3 set to mono and the subwoofer connected to the mono speaker output setting. I agree that the mono/stereo switch at the front should be switched to the back or undeneath. What happens if the switch is flipped with the amp on? I hope it doesn't blow up... BTW I'm using the Fosi v3 to power my Magneplanar 1.7 it works great.
 
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I caved to audiophile peer pressure and just bought the Fosi ZA3 with the 48v power supply.
I'll probably do the same at some point. The curiosity as to how well it performs is eating away at my will power to take a pass on it. It doesn't help that I bought a Fosi BT30D Pro (it has the same 3255 amp chip as the ZA3) a few months ago to drive a 2.1 system and found it performs quite well. I don't listen at high volumes and if something this small lives up to the hype it could have a big impact on what I use for 2.0 or 2.1 listening. I don't need perfection to be satisfied with a system and I am not prejudiced against using small class D amps if they work for me. IMO, these new, inexpensive class D amps have the potential to change the direction of a big part of the audio market going forward.
 
Got mine from amazon today and its warming up now - and it is a very good experience. I also have the V3 and, in a non scientific point of view, its a good presentations - im running my topping e50 dac in preamp mode into the ZA3 via balanced connections and my vinyl feed into the SE connection from my phono stage via RCAs. The level controlled sub out is a great feature. I had been running my minidsp 6x8 as a preamp/dsp/ source selector/ master volume device - and now the ZA3 allowed to to remove that with no audible downside. And now ive simplified my overall setup. Very nice, not the perfect solution, but the future is getting more clear for me now.
 
Got mine from amazon today and its warming up now - and it is a very good experience. I also have the V3 and, in a non scientific point of view, its a good presentations - im running my topping e50 dac in preamp mode into the ZA3 via balanced connections and my vinyl feed into the SE connection from my phono stage via RCAs. The level controlled sub out is a great feature. I had been running my minidsp 6x8 as a preamp/dsp/ source selector/ master volume device - and now the ZA3 allowed to to remove that with no audible downside. And now ive simplified my overall setup. Very nice, not the perfect solution, but the future is getting more clear for me now.
Yeah, the wheels are a'cranking - I got several big heavy power hungry SS AB amps (and one tube amp with KT 150 tubes) in use around the house. I'm going to try that ZA3 for a while and then, if it holds up, decisions will have to be made. It will be interesting to see if other old farts like me that used to say that class D is only for subwoofers start on this new path or maybe not.
 
I ordered a Fosi ZA3 from Amazon this past Wednesday and it arrived yesterday morning. Upon unboxing the nicely packed amp and 48V-5A power supply, both pieces were ice cold, so I had to allow for everything to warm up to room temperature before powering anything on.

IMG_0119.jpg IMG_0120.jpg IMG_0121.jpg IMG_0123.jpg IMG_0124.jpg IMG_0125.jpg

I connected the ZA3 amp to my Audio Research LS7 tube line stage, and played back tracks through my Raspberry Pi 4 running Volumio 3 connected to an SMSL SU-9 V. 2 DAC. Over a period of 2-3 hours, I could hear the sound signature changing from a bright, etched sound with narrow image and small soundstage to a warmer, full-bodied sound whose soundstage expanded beyond the outer boundaries of my modified Klipsch Forte 2 speakers. The image projected slightly in front of the speakers to behind them and grew in height. I could feel the bass lines coming through the floor and felt the impact of some deep notes through the air. With the Klipsch speaker efficiency rated at 98dB, I found myself dialing the volume down a couple steps as the amp burned in.

In the last photo, the Fosi ZA3 is sitting on top of a Pass DIY Sony VFET push-pull single-ended Class A amp I built several years ago. Next to that is a McIntosh MC-240 tube amp I had rebuilt with new power supply and coupling caps. Over the next several days while I have time off from work, I will compare these amps using my analog set-up, and the above-mentioned digital source
  • Technics SL-1200GR
  • Audio Technica AT33/PTG II LOMC cartridge
  • Audio Research PH5 tube phono stage - single-ended connection
I split my time with work between my home in the Southeast and my apartment in the Twin Cities. In the Twin Cities, I plan to take this amp and try it out in the system there:
  • Bill Neumann (Fix My Dual) rebuilt Dual 1229 idler wheel-drive turntable
  • Shure V15 Type III MM cartridge
  • Schiit Mani 2 phono stage preamp - single-ended connection
  • Raspberry Pi4 running Volumio 3 USB-based streaming source
  • Denafrips Pontus 2 R2R DAC - balanced connection
  • Schiit Freya+ Tube/SS line stage with OS GE 6SN7's with side-getters (gain stage) and Tung Sol 6SN7's (driver stage) - balanced connection
  • Pass DIY Aleph J Single-Ended Class A power amp - balanced connection
  • KEF LS50 speakers
It's with this system that I am most interested in trying the Fosi ZA3 with balanced connections driving the less efficient KEF LS50 speakers. The Copper accents on the Fosi ought to coordinate well with the Copper-colored drivers on my KEF's.

I've ordered some op amps from Fosi Audio to try out as well:
  • Texas Instruments OPA2134
  • Nisshinbo MUSES02
 
I ordered a Fosi ZA3 from Amazon this past Wednesday and it arrived yesterday morning. Upon unboxing the nicely packed amp and 48V-5A power supply, both pieces were ice cold, so I had to allow for everything to warm up to room temperature before powering anything on.

View attachment 3069983 View attachment 3069984 View attachment 3069985 View attachment 3069986 View attachment 3069987 View attachment 3069989

I connected the ZA3 amp to my Audio Research LS7 tube line stage, and played back tracks through my Raspberry Pi 4 running Volumio 3 connected to an SMSL SU-9 V. 2 DAC. Over a period of 2-3 hours, I could hear the sound signature changing from a bright, etched sound with narrow image and small soundstage to a warmer, full-bodied sound whose soundstage expanded beyond the outer boundaries of my modified Klipsch Forte 2 speakers. The image projected slightly in front of the speakers to behind them and grew in height. I could feel the bass lines coming through the floor and felt the impact of some deep notes through the air. With the Klipsch speaker efficiency rated at 98dB, I found myself dialing the volume down a couple steps as the amp burned in.

In the last photo, the Fosi ZA3 is sitting on top of a Pass DIY Sony VFET push-pull single-ended Class A amp I built several years ago. Next to that is a McIntosh MC-240 tube amp I had rebuilt with new power supply and coupling caps. Over the next several days while I have time off from work, I will compare these amps using my analog set-up, and the above-mentioned digital source
  • Technics SL-1200GR
  • Audio Technica AT33/PTG II LOMC cartridge
  • Audio Research PH5 tube phono stage - single-ended connection
I split my time with work between my home in the Southeast and my apartment in the Twin Cities. In the Twin Cities, I plan to take this amp and try it out in the system there:
  • Bill Neumann (Fix My Dual) rebuilt Dual 1229 idler wheel-drive turntable
  • Shure V15 Type III MM cartridge
  • Schiit Mani 2 phono stage preamp - single-ended connection
  • Raspberry Pi4 running Volumio 3 USB-based streaming source
  • Denafrips Pontus 2 R2R DAC - balanced connection
  • Schiit Freya+ Tube/SS line stage with OS GE 6SN7's with side-getters (gain stage) and Tung Sol 6SN7's (driver stage) - balanced connection
  • Pass DIY Aleph J Single-Ended Class A power amp - balanced connection
  • KEF LS50 speakers
It's with this system that I am most interested in trying the Fosi ZA3 with balanced connections driving the less efficient KEF LS50 speakers. The Copper accents on the Fosi ought to coordinate well with the Copper-colored drivers on my KEF's.

I've ordered some op amps from Fosi Audio to try out as well:
  • Texas Instruments OPA2134
  • Nisshinbo MUSES02
I received mine yesterday and just as you experienced, when I first turned it on got this blast of bright etched sound and was thinking oh rats I made a mistake thinking it would be as good sounding as the V3. But as it plays it is leaning more and more in the V3 direction but not quite there yet. Looking forward to your reports on using balanced preamp/sources as that is a direction I have not explored yet. I'm just a kid at 73 learning about all this new stuff. Fun times!
 
A friend recommended leaving the ZA3 powered on, so I left it on all night with the volume turned all the way down. When I spun some vinyl today, I was really impressed with the scale of the soundstage compared to what I heard yesterday. The music has a really solid foundation in terms of imaging and separation. The musicians all have their place in the soundstage, and the tonality is very rich. This amp digs more deeply in the lower bass compared to my Pass DIY Sony VFET Class A amp and the McIntosh MC-240. It’s very dynamic with nice sustained notes. It’s crazy how great this amp sounds for the $130 I spent on it.
 
I was kind of lucky to order before they ran out. I was a bit sceptic of this kind of (class D) budget amps, but boy, was I wrong. After initial listening tests, I ordered a second one for dual mono. That will 'up-the-game' even further. I had a hard time believing (and hearing), this combo outshined my much pricier amp (Audiolab). There's an incredible amount of clarity and nuance, however, never sharp or sibilant and bass is well controlled. There was never a lack of depth or width in the soundstage, although this may vary, depending on the pre- amp or DAC. With the dual mono setup there's a definite step up re. dynamics (and better stereo imaging), although that wasn't lacking in the first place with only one. Incredible value and sound and much true to this review.
 
I was kind of lucky to order before they ran out. I was a bit sceptic of this kind of (class D) budget amps, but boy, was I wrong. After initial listening tests, I ordered a second one for dual mono. That will 'up-the-game' even further. I had a hard time believing (and hearing), this combo outshined my much pricier amp (Audiolab). There's an incredible amount of clarity and nuance, however, never sharp or sibilant and bass is well controlled. There was never a lack of depth or width in the soundstage, although this may vary, depending on the pre- amp or DAC. With the dual mono setup there's a definite step up re. dynamics (and better stereo imaging), although that wasn't lacking in the first place with only one. Incredible value and sound and much true to this review.
Interesting that there is a significant improvement in dynamics with the dual mono. My understanding is that there isn't much more power available when the ZA3 is used as a mono amp vs stereo. I wonder what drives the increase in dynamics?
 
I feel a bandwagon forming! If I hadn't just bought so much I'd be buying one of these. Maybe next month. :beerchug:
 
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