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Hegeman Professional Loudspeaker (Demo video)

knarfor

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After 12 years of research, learning, and labor, I have restored what may be the one and only remaining pair of Hegeman Professional Loudspeakers still in existence.

Here's the story!

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The Hegeman Professional (AKA: "the Pro") was Hegeman's flagship product for decades, famous for its earth shattering bass and unique, groundbreaking design. It was a three-way system in two parts:

(1) A massive bass cabinet containing two specially modified 8-1/2 drivers loaded by a massive 11-1/4 foot "Split Slot-Loaded Conical Horn" that provided bass from 18-200Hz. (3D model of the horn below)

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(2) A midrange/treble cabinet that sat on top of the bass cabinet that housed two specially modified 8-1/2 inch midrange drivers and Hegeman's Lily Tweeter to provide everything else. (Picture of Hegeman next to the midrange/treble section of his Pros below)

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The Pros were available by special order from Hegeman himself and through a few select dealers. My pair made its way directly from Hegeman to its original owners, then to me in 2014 through an intermediary. When I got them, they were visually stunning but functionally in sad shape.

At some point after Hegeman's death, so I was told, one of the owners -- friends of Hegeman's to whom he had gifted the speakers -- dropped the needle on their turntable while the volume was cranked and blew out the midrange drivers and tweeter. They sent the speakers to be repaired, and the guy who did the work butchered them.

He threw out the tweeter and midrange units and replaced them with two 4-inch Utah "full range" drivers, modifying the crossover and hacking off and replacing the baffle in the process. Worse, he cut into the bass horn to give the bass drivers "more room to breathe" when he couldn't figure out why the bass wasn't keeping up with the new drivers he used. Little did he know, those drivers were shot as well.

So what I had were two beautiful but modified cabinets, 2 pairs of original drivers (the defunct bass drivers), and a lot of work to do.

I had very little to go by but was determined to restore these beauties back to their original glory. In the process of figuring out how, I bought, studied, and reverse engineered every Hegeman speaker I could get my hands on, including over 15 pairs in total of EICO HFS-2, Citation X, T-1 Tweeter, M-1 Tweeter (both versions), H1 and H2. And set out finding every article, photo, interview, and description I could involving Hegeman. I even tracked down former Hegeman dealers, and spoke with Richard Shahinian's son (the bass design of the Pros was licensed by Shahinian and sold as the Contra-Bombarde Subwoofer).

In those 12 years, I repaired the bass horn, found and restored a pair of original Lilly Tweeters, and remanufactured, as best I could, a pair of midrange drivers that I think Hegeman would approve of.

Here's how they look:
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And here is how they sound!!!

This is a recording made of my Pros in my listening room playing Camille Saint-Saëns "Organ Symphony" (IIb: Maestoso). I used my measurement mics to record them, so if you have good headphones or speakers that can play very low (to 18Hz) and very high (20kHz+). then you will have some idea of what the Pros massive bass horn, Lilly Tweeter, and bizarre midrange units can do.


I have a full write-up on the Pros and other Hegeman creations here on my website:

www.stewarthegeman.com

It's very much a work in progress, but I am adding to it all the time. I will be documenting everything I learned.
 
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Those midranges and tweeters are so cool! I wonder if it ever was an inspiration for Walsh's "Ice cream cone" super tweeter.
 

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Those midranges and tweeters are so cool!
And all the result of brilliant thinking! Hegeman was chasing time coherence/linear phase, the lack of which he considered one of the most consequential distortions. As a result of that, he wound up designing omnidirectionality into his speakers. Hence the odd designs. I wrote up a thorough explanation of those design ideas here.

As for the Pro's specific drivers:

The midrange's most striking feature is probably the boat-shaped whizzer cone. Its shape is the result of Hegeman's recognition that the symmetry of speaker cones/whizzers was a liability (as have other companies since, look up the JVC SXL33). Resonance loves symmetry. So he designed the whizzer's profile to have a constantly variable length between the edge of the cone and the voice coil. This, Hegeman said, served to smooth and widen its response while reducing resonances.

The whizzer also served as a diffuser for the driver's main cone and also had a diffuser of its own (the cone-shaped foam-filled phase plug in the middle of the speaker). The result is a midrange unit with a hemispherical (omnidirectional) radiation pattern that operates from 200Hz-8kHz.

The Lilly Tweeter is actually a phenomenal tweeter. And who better to describe it than Hegeman (below)? Some of it will sound familiar, as the whizzer and tweeter share the same design principles.

"This tweeter radiates from both sides of the free-edge steep-sided vertical cone or cornet... The outer surface of the cone produces a 360° horizontal radiation pattern. Radiation from the inner surface provides the vertical component for a complete hemispheric dispersion pattern.

If this were a conventional vertical cone with an edge forming a right angle to the voice coil axis, it would have a relatively narrow-band response. What's more, the lateral radiation would all be in one plane while the vertical response would be beamed, not dispersed. In this design the edge of the cone is so cut as to provide a constantly varying distance between the cone's edge and the voice coil. This broadbands the tweeter's response while smoothing it to avoid undesirable peaks. This shaping also spreads the radiation vertically so that it is not restricted to one plane horizontally.

To enhance this “umbrella" coverage further a rigid and nonmoving "acoustical loading cone" or "plug" is inserted concentrically within the radiating cone. This plug forms an air gap between itself and the inner surface of the radiating cone. This gap acts as a ring radiator. Because of the varying distance between its effective radiating surface and the voice coil, this ring radiator produces a desirable displacement between any two more acoustical elements (air particles) in that gap. As a result of this displacement the radiation pattern from the tweeter takes on a hemispherical shape.

An additional benefit from this plug is that it obviates any effects of response peaks or instability which might be caused by radiation from diametrically opposite points on the inner surface of the radiating cone."


I wonder if it ever was an inspiration for Walsh's "Ice cream cone" super tweeter.
Yes, Hegeman's Lilly Tweeter absolutely was the inspiration for Walsh's "Ice Cream Cone" super-tweeter. Walsh built on the theory of sound propagation Hegeman outlined in his patent for the tweeter. They referenced it in their own patent, in fact. If you look long enough, you will see Hegeman's work was the inspiration for a lot of things.
 
Holy Crap~~! Amazing job!

Walsh and Infinity used these tweeters in a few designs, But I've never heard them in good condition.

It's common to see great speakers butchered, Very rare to see them restored so faithfully, Kudos!

Big plus~! Camille Saint-Saëns "Organ Symphony". OMG!

..... Pssst hint, There is almost No Organ for the first 5 minutes! LOL...
 
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Holy Crap~~! Amazing job!

Walsh and Infinity used these tweeters in a few designs, But I've never heard them in good condition.

It's common to see great speakers butchered, Very rare to see them restored so faithfully, Kudos!
Thank you!
Big plus~! Camille Saint-Saëns "Organ Symphony". OMG!

..... Pssst hint, There is No Organ for the first 5 minutes! LOL...
I used the Maestoso. It opens with a huge C-major chord on the organ. I can hear it on the recording. Is it not coming through for you?
 
It's more of a common observation by first time listeners...

I finally have a Mid-range and Subs worthy of Saint-Saëns.

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I have the Stereo Age/Hegeman Labs tweeters that formerly belonged to MRL sitting in my family room. I have yet to actually test them out. I really should do that sometime, maybe I’ll plug them in as supertweeters on my 1961-ish Bozak CGs.
 
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