tau_ceti
Active Member
Hi all, so I joined Audio Karma to find out more about the Nakamichi System One and its components. That is a pretty odd system, the oddest part of which is probably the Nakamichi 610 control preamplifier, which is more than a preamplifier…*to quote Nakamichi…*
(TowerBoss's 610)
What else is out there? Now I'm not talking about tweaks, black boxes meant to reduce dark energy or whatever. I'm thinking about ideas that may have even been good ideas (merge Pro Audio and Hi-Fi, make a 610) but, well …*
Secondly, the Nakamichi 610 is a relatively sophisticated test instrument. Built-in test tone oscillators, pink noise generator, phase checkers and precision dB meters, just to name a few, make the 610 an invaluable tool in the calibration, alignment and evaluation of stereo system components.
Special switching features facilitate the A/B comparison of phono cartridges, tape decks, power amplifiers, loudspeakers, etc.
Last, but not least, the Nakamichi 610 is a mixing console. It allows 5 in/2 out mixing of any of 19 different inputs. This includes 5 wide-dynamic-range microphone inputs. One can, for example, mix two tape decks (stereo, of course) plus center channel voice onto a third tape deck, or two phonographs plus voice, or any combination of these sources. Live recording takes on a new dimension with the 610: with two left, two right and one blend microphone inputs the live recordist can produce some very professional results.
The Nakamichi 610, in short, will become a must for the serious audiophile. Even the audiophile who has everything will wonder how he ever managed to do without the 610.
Special switching features facilitate the A/B comparison of phono cartridges, tape decks, power amplifiers, loudspeakers, etc.
Last, but not least, the Nakamichi 610 is a mixing console. It allows 5 in/2 out mixing of any of 19 different inputs. This includes 5 wide-dynamic-range microphone inputs. One can, for example, mix two tape decks (stereo, of course) plus center channel voice onto a third tape deck, or two phonographs plus voice, or any combination of these sources. Live recording takes on a new dimension with the 610: with two left, two right and one blend microphone inputs the live recordist can produce some very professional results.
The Nakamichi 610, in short, will become a must for the serious audiophile. Even the audiophile who has everything will wonder how he ever managed to do without the 610.
What else is out there? Now I'm not talking about tweaks, black boxes meant to reduce dark energy or whatever. I'm thinking about ideas that may have even been good ideas (merge Pro Audio and Hi-Fi, make a 610) but, well …*