• The move to the new server is done. There are some software and database maintenance updates in process. This has us passing the hat around to help out. We appreciate any donations. Seriously, even a dollar helps. The payment page may be found here - https://www.audiokarma.org/support.html

How do you know if a song is a hit?... What are the elements of a hit song?

Nour

New Member
We have all heard those hit songs that can be considered ‘timeless classics’.

Whether it’s a hip hop track, a rock classic or an 80’s power ballad, these songs share some essential features that ensure they will be on the airwaves for years to come. Obviously there is not one hard and fast rule for this as every song is different, but here is a list of features that many of these hit records share.

A ‘catchy’ song

Starting with the obvious, a hit record must be a great song. Above all the melody must be strong, as this is what a listener focuses on and this should be accompanied by some great lyrics and a good groove. You can apply the best production techniques possible, but if the song is weak then the record will sink without a trace!

A strong vocal

Having a great vocal is a real asset to any record. If you have a quality song and you have a strong vocalist to sing the melody, then this can be the golden ticket to creating a hit record. A great vocal does not necessarily need to be technically proficient, but more to do with how a singer can successfully interpret the emotion in the song i.e. how they can convey the message in the lyrics.

A creative arrangement

After the song and the vocal, you need to ensure you have a strong arrangement. This involves using the right structure and ensuring each section of the music is interesting for the listener. This can be achieved by adding extra instruments, adding a counter melody, changing the drum pattern, or changing the key etc. Have a listen to some hit songs, and pay attention to the subtle differences between each section. How is verse 2 different to verse 1? How is the last chorus different to the first?

An accomplished performance

You may have the heard the crude expression “You can’t goldplate a turd” and this definitely applies to creating a hit record. A track must sound like there is ‘life’ in the performance and no amount of editing in the studio, fiddling with EQ’s, compression or reverb can replicate this. It can be hard to put your finger on it at times, which is all the more frustrating, but sometimes one take just sounds better than another. If you have musicians who put there all into a performance and play with real emotion and intensity, then the production phase becomes far easier!

A well produced track

Although there are examples of hit songs which don’t technically sound very good, generally the really big and timeless records do sound excellent. A well engineered record does not guarantee it will be a smash, especially if the song, vocal, arrangement and performance are not up to scratch, but it can add an extra dimension to the overall sound, if the EQ’s are well balanced and the right amount of reverb and compression is applied.

The timeless factor

Despite having all the previous factors in place, if the track sounds like the last trend, and the musicians or band members look like it too, then the record might not take off as you would like. Having said that, a ‘retro’ look and sound to a band can work out really well if you go back two or more trends.

Are all the above factors essential for every hit song?

Well in short, no.

There will always be some songs which become hit records and cannot be explained. You will find some songs with weak vocals and melodies which take the charts by storm.

However, on most of the really big hits, you will find they contain the majority, if not all, of the factors in this article. Songs like “Merry Christmas Everybody” by Slade will be heard every December in shopping malls and on the radio. Other hits like “Billie Jean” by Michael Jackson and “Imagine” by John Lennon will be played all year round for many years to come.

How do you know if a song is a hit?
A hit song is a song that is actually getting Billboard placement and people are buying it. People buying the song is what makes it a hit. So if your song is not commercially able to spread to the masses where they would want to purchase it… well then you do not have a hit song.

What are the elements of a hit song?
Writing a hit song has always come down to these 5 elements:
Melody: This is what first captures the audiences attention. ...
Story: Everybody loves a good story. ...
Catchy Chorus: While the melody captures the audiences attention. ...
Simplicity: The best songs are always the most simple. ...
Emotion: This world runs on emotion.


Although hit song means any widely played or big-selling song, the specific term hit record usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales.

How many views does a song have to have to be a hit?
“For a song to be successful it starts from at least a million or two million views or so. But yes, around four to five million genuine views would be considered a successful song,” opines singer Kunal Pandit, who has released as many as three solo singles and videos.30 sept. 2019


What makes a song diamond?
Since the official diamond award was unveiled in 1999, it has been awarded sparingly - if a song has moved at least 10 million equivalent units by combining sales and streaming numbers, and if an artist or label requests certification. Only 57 songs in history have been certified diamond by the RIAA.


What makes a song a one hit wonder?
A one-hit wonder is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one hit single that overshadows their other work.
 
Register to hide this ad
I like it if it moves me...:rolleyes:

By the way, are you Alan Cross? If not you should have given credit to his authorship of these words...
 
I have no idea why one tune will get my toe tapping and another similar one won't. I'm thinking the melody and the rhythm are doing it. Lyrics not so much, since instrumentals work as well as songs with vocals do.
 
maybe you didnt relate to the feeling mafia romance.. If you take it with open heart and relax you will feel the notes ♥
 
This has to be the biggest open ended question asked that I've come across on AK.


After a look-see into what the pros/experts have to share on "What makes a hit", there are as many takes/POV's as there are performers/genres in the music industry.

You can measure past and even future success in: simple terms, or get into the psychology and even algorithms that measure the elements of top 100 hits.

Some of the above filters and guessing hold some truths, but being that it's human nature involved, reacting to sound and the affects it produces... is complex interaction.


Good luck on predicting. Keep in mind that less than 4% of all music offerings makes to the top 100 chart.


Q
 
Last edited:
This has to be the biggest open ended question asked that I've come across on AK.


After a look-see into what the pros/experts have to share on "What makes a hit", there are as many takes/POV's as there are performers/genres in the music industry.

You can measure past and even future success in a simple terms, get into the psychology or even algorithms that measure the elements of top 100 hits.

Some of the above filters and guessing hold some truths, but being that it's human nature involved, reacting to sound and the affects it produces... is complex interaction.


Good luck on predicting. Keep in mind that less than 4% of all music offerings makes to the top 100 chart.


Q
On Point G :rockon::lurk:
 
Well , If we are describing a hit, right off the bat it won't be on this album

TOM WAITS
RAIN DOGS

index.php
 
This has to be the biggest open ended question asked that I've come across on AK.


After a look-see into what the pros/experts have to share on "What makes a hit", there are as many takes/POV's as there are performers/genres in the music industry.

You can measure past and even future success in: simple terms, or get into the psychology and even algorithms that measure the elements of top 100 hits.

Some of the above filters and guessing hold some truths, but being that it's human nature involved, reacting to sound and the affects it produces... is complex interaction.


Good luck on predicting. Keep in mind that less than 4% of all music offerings makes to the top 100 chart.


Q
All great points but have to argue the 4% statistic. No way it’s even close to being that. I listen to 100 bands a week that I have never even heard of before. It’s probably closer to 0.00001%
Go on Bandcamp and try to find just one top 100.
But your points are spot on broheim.
 
Also here’s another aspect of such things that I find very interesting. Funny how people will decide they don’t like something but then when the masses DO like it, they’ll come around. A good example of this would be Jimi Hendrix, couldn’t seem to get off the ground in the US. Goes to England and becomes a big success then comes home to find out he’s popular. Odd how that works.
 
In Nashville, If it's modern country, it needs a catch phrase and a rugged male or well or preferably well built female singer that get sent to the industry coaches in Nashville.
They teach them the same fake country accent that they all have. Make up a life story for them, and even a new name... There aren't many actual real life Derks, Trent's or Mavericks that just happen to sing well with a hiccup, or have typical Nashville accents. Those have to be created.
After that, work them up with a band of guys in the studios that usually record most of the hits with hooks..... Pete Anderson, Richard Bennett, and flavor of the month producers etc.
And lastly get them legally hooked up and bound to the 75 or so songwriters in town that all specialise in certain types of songs...If you get a chance to hear sugar sweet Jennifer Nettles scream at a monitor engineer for 3 minutes during a soundcheck, and in a small miracle has lost her southern accent it starts to sink in.
Roughneck drinking songs, Female ballads. Novelty songs etc.
The formula is down to a science.


If it's a current Contemporary Pop song don't event consider more than three chords, or even just use a loop of a prior hit....preferably with no guitar solos that bore the current dolts that digest this garbage. After that you need a great looking delivery vehicle/ singer, male or female, it all depends on what the labels entertainment lawyers and publicists currently need over the next year or two's business cycle.
Having done a ton of backline rentals, and crew gigs over the years all of this is gleaned from conversations or listening to small talk on gigs at places like Merriweather Post, The Lyric, Corporate gigs at Ravens Stadium. etc.
Delbert McClintons road band is also Dolly Partons etc. Marty Stuart's guys play with lots of others....
Its a machine that never ends working . It just trades out formats and management every 8 to ten years like stock on store shelves.

Same in Hollywood. Damian Lewis has a Brittish accent you can cut with a knife. But the speach coaches completely remove it for him to play the parts he plays. Same brittish accent problem with Kevin Costners daughter's character on Yellowstone etc. they coached it right out of her for the show.
It's all just a machine
 
Last edited:
Back
Top Bottom