I don't disagree that Bang and Olufsen is absolutely gorgeous, but it's not always the best sounding at its price point and for that, hard pass.I often listen to the way that my gear looks.
audiokarma.org/forums/threads/blasphemy-or-is-it.246517/page-2#post-2962954
my absorption panels are discreetly placed behind by speakers and my diffusion panels count as art; my partner thinks as much, at least. As for the felt panels in the center, they come down for watching movies, transforming a blank wall into a 103" projection screen. my living room has over a dozen pieces of original art on the walls, with room for more. At some point, I'll get a bigger rug to reduce boundary reflections, but for the time being and the limited amount of money I've spent, it all works pretty well. It's not half bad for a now disabled and retired working-class slob and it's all a work in progress.I get that... I like classy looking gear, but even more than that, I care about the aesthetics of the room that I have all of that gear in. I haven't done a thing to improve the room acoustics, like putting in anything like acoustic panels, bass traps or the like, but if I were to use that kind of stuff, it would mean less room for hanging art and that's not really a compromise I'm willing to make. With the limitations of the window, doors, built-in bookshelves, the amount and positioning of furniture I like to have, the TV and the artwork there are going to be compromises made to the sound. That being said, though I don't really have much to compare it to, it seems like the sound I get in my living room, despite all of the compromises, is pretty good.
As for the gear specifically: I suspect that I might be able to get a bit better amplification for the money that I could fetch for my Marantz 2270, but I'd certainly miss the look of that thing. I don't think that piece is all about the aesthetics, as it also sounds really good to me, but I have to admit that the look is a big part of the appeal. Ditto with my speakers, Jamo C103s, which sound very good to me but more than that have really beautiful real walnut casing. As good as they sound, I wonder if I would choose them over my Dali Oberon 3 speakers, which I have in another room and have never A/B'd, and retailed for maybe only half as much (and sound great to me!), though they don't look nearly as nice...

Looks nice... Kudos on that Tortoise LP I see (I think that's what it is). They're a favorite of mine and definitely the kind of thing that's enhanced by good audio. I saw them within the last year or so when they came though town last. I must have seen them 4 or 5 times over the years...my absorption panels are discreetly placed behind by speakers and my diffusion panels count as art; my partner thinks as much, at least. As for the felt panels in the center, they come down for watching movies, transforming a blank wall into a 103" projection screen. my living room has over a dozen pieces of original art on the walls, with room for more. At some point, I'll get a bigger rug to reduce boundary reflections, but for the time being and the limited amount of money I've spent, it all works pretty well. It's not half bad for a now disabled and retired working-class slob and it's all a work in progress.
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As for your gears, you could always use your 2270 as a preamp and while your Jamo 103's are indeed quite lovely, your Dali are far from ugly and are handsome in their own right.
I've only seen them twice, but I've been into them since their eponymous record came out in '94, and listened to Slint, Tar Babies, Bastro, Gastro Del Sol & Eleventh Dream Day before that. I've seen them in Detroit & Philly, but never caught a show in Chicago, much to my eternal regret.Looks nice... Kudos on that Tortoise LP I see (I think that's what it is). They're a favorite of mine and definitely the kind of thing that's enhanced by good audio. I saw them within the last year or so when they came though town last. I must have seen them 4 or 5 times over the years...
Looks great and is to my taste but for a couple of nits; the negative space of the 2nd shelf and the nearly perfect overall symmetry you’re going for is spoiled by the Freya. Centering it would balance that shelf and balance the rack by aligning the 3 non-conforming pieces vertically. Even better IMO; leave the Freya there, pull the socket savers (once your done tube rolling), pull the butcher boards from under the amps, and put one under the Freya.I like the equipment to look good, but my wife INSISTS that it looks good in her living room- she doesn't want to see all the wires hanging down in the back so I have to put plywood on the back of the rack to hide the mess. The cables go through 1.25" tall/ 6" wide slots cut just above the shelves.
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That first Slint album is a unique, interesting thing. I really like it even if I'm seldom in the mood to put it on. I have just one Eleventh Dream Day album, but I really dig it, though I hadn't heard it in years, until I put it on recently and rediscovered it. I need to seek out more stuff by them.I've only seen them twice, but I've been into them since their eponymous record came out in '94, and listened to Slint, Tar Babies, Bastro, Gastro Del Sol & Eleventh Dream Day before that. I've seen them in Detroit & Philly, but never caught a show in Chicago, much to my eternal regret.
I doubt I'm ever going to try any of those enhancements that you speak of, though I don't doubt that they would improve things a bit. As for your thoughts on my 2270, "It's not a sin to keep it," I'll be taking that part of it to heart!As for your 2270, you might see the most improvement if you vertically bi-amped them- I noticed improved channel separation, definition, soundstage and imaging when I dipped my toes into those waters a few years ago. It was enough to convince me to by more amps and a processor. Now I've got 6 amps driving my horns. That said, your best improvement would be separates, but really, the 2270 is such a nice piece that it's not a sin to keep it, especially if you're pleased with its sound.