:yes: on this, John, we can agree! Yikes.While I'm sure they sound good, those are some ugly turntables.
I'm afraid those turntables would drop right through my floor...I don't imagine you rearrange the room too often with one of those.
Everybody has some sort of common ground, right? I'm happy we've found it.
The first table looks to be the Clearaudio Statement. What's the one with the SME arms?
I love the thought behind that big table. Sheer force of physics to barrel through the issues. Not sold on its looks but the functionality makes sense.Transrotor Artus
Price: $150,000
The Artus turntable comes straight from the house of German company Transrotor. It weighs 220 kg (480lbs.). The Artus has a contact-less magnetic field drive, a balanced arm and new electronics.
It has a magnetically coupled drive assembly, which means no points of contact between motor and platter. It's machined from solid billets of high-grade aluminum, finished to an impeccable sheen. Its deck is gimbal-mounted to freakishly huge counterweights for absolute level and stability (think gyroscope here).
The reason for the high price is being a 4-in-1 product as it includes a LP player, phonograph, gramophone, and a turntable.
Their website is in German, it's fun to dream while looking at pictures for us budget folks. Kids starting college and all.
I love the 4-in-1....But I'd have to sell all 3 of my children to pay for it.:scratch2:
PS...Not to Hijack the thread, but how do you like your VPI Classic? I am considering one, which I'll start a separate thread shortly about. Don't think I'll do a "vs" type thread tho! lol!!!
I love the thought behind that big table. Sheer force of physics to barrel through the issues. Not sold on its looks but the functionality makes sense.
I like the VPI Classic quite a lot, but if I had it all to do over again it would be a tough choice between it and the Well Tempered Amadeus GTA. I like the look of the Classic more (its a beautiful table, and rock solid), I like the sound/workings of the WT by a hair. They're just different. Even if sometime down the road I get a WT Amadeus, I'd keep the Classic as its more a matter of a different flavor, than one being better than the other. If you have ever had any problems with isolation, its incredibly hard to affect it by outside force...it just keeps on playing, never skips, never fumbles. Very good speed stability, too.
So- guy who's owned 6 of them is a poser with a bullshit argument, while guy who's not expressed any indication that he has first hand experience with the other options, with nothing but name-calling and ridicule to back up his point, isn't?
Technics:
Wow and flutter: 0.025% WRMS (mk2)
Rumble: -78dB (mk2)
VPI:
Wow and flutter: less than .02
Rumble: below - 80db.
Speed accuracy: within .1 %
so...yeah, rubber band drive blah blah blah blah. You can solve most problems in any number of ways, and in audio the decision is up to the listener...as it is in this case between these three tables.
Wow and flutter:.
Both BigEric and yourself really make this site miserable - always contriving these arguments and using them over and over in different threads to prove your point that the technics sl1200 is not a great table. You yourself even said the funkfirm version sounded good - however you thought the start/stop button was cheesy? What is so cheesy about a start stop button - that to me is a poser mentality - that the table though could sound great - just doesn't look the part.
I myself haven't said anything negative about the other tables - in fact I really like the RP6. Perhaps your insults stem from what others have said - but I really do not find them that off putting.
I've said this before and I'll say this again - I've auditioned the VPI scout over at Music Lovers in Berkeley. Not one of the tables mentioned - but definitely in the same or better league - one which others wouldn't think twice to complain about. The setup included a VPI Scout with a DV cart (not sure which one - I'm sure it was decent) - I do not recall the amplification - but the Speakers were beautiful tall Paradigms (about 4ft) - cherry wood - oval shaped at the rear - I think they were the model 20 - with speaker cables thicker than the bike lock cable on my Santa Cruz SL. This was a private listening room.
The sales person was a bit of a jerk - what kind of table do you have - I said - a Technics M5G - he said - ohh this is a much better table - blah blah - anyhow - he continued to put on Icky Thump by the White Stripes - immediately sounded terrible - tons of surface noise (he cleaned the album multiple times with a brush prior to play) - pops clicks - very grating sound - sound stage was flat - no definition - very bright - we looked at each other - and decided - bad choice - so he quickly removed it. He then put on some fusion style jazz - the acoustic guitar player sounded like Al Di Meola - much better - sounded good in fact - but certainly didn't beat out my techie. I didn't see the heavens that day. IT WAS NOT BETTER! (sorry for the caps) Equal? Sure - a good basis to try different cartridges with.
My point to all of this is that my deck as it currently stands today (some upgrades of course, beautiful brass bearing etc) works as a perfect framework to allow the cartridge to do its thing. It even did this prior to some of the upgrades.
Think what you want - same cartridge - I bet folks would be hard pressed to point out the better base table.
Both BigEric and yourself really make this site miserable - always contriving these arguments and using them over and over in different threads to prove your point that the technics sl1200 is not a great table. You yourself even said the funkfirm version sounded good - however you thought the start/stop button was cheesy? What is so cheesy about a start stop button - that to me is a poser mentality - that the table though could sound great - just doesn't look the part.
I myself haven't said anything negative about the other tables - in fact I really like the RP6. Perhaps your insults stem from what others have said - but I really do not find them that off putting.
I've said this before and I'll say this again - I've auditioned the VPI scout over at Music Lovers in Berkeley. Not one of the tables mentioned - but definitely in the same or better league - one which others wouldn't think twice to complain about. The setup included a VPI Scout with a DV cart (not sure which one - I'm sure it was decent) - I do not recall the amplification - but the Speakers were beautiful tall Paradigms (about 4ft) - cherry wood - oval shaped at the rear - I think they were the model 20 - with speaker cables thicker than the bike lock cable on my Santa Cruz SL. This was a private listening room.
The sales person was a bit of a jerk - what kind of table do you have - I said - a Technics M5G - he said - ohh this is a much better table - blah blah - anyhow - he continued to put on Icky Thump by the White Stripes - immediately sounded terrible - tons of surface noise (he cleaned the album multiple times with a brush prior to play) - pops clicks - very grating sound - sound stage was flat - no definition - very bright - we looked at each other - and decided - bad choice - so he quickly removed it. He then put on some fusion style jazz - the acoustic guitar player sounded like Al Di Meola - much better - sounded good in fact - but certainly didn't beat out my techie. I didn't see the heavens that day. IT WAS NOT BETTER! (sorry for the caps) Equal? Sure - a good basis to try different cartridges with.
My point to all of this is that my deck as it currently stands today (some upgrades of course, beautiful brass bearing etc) works as a perfect framework to allow the cartridge to do its thing. It even did this prior to some of the upgrades.
Think what you want - same cartridge - I bet folks would be hard pressed to point out the better base table.
Me thinks that somebody having a different opinion than yourself, makes the site miserable for you. I'm merely expressing my opinion and offering my own viewpoints from past listening to back it up. I did like the Funk Firm modified SL-1200, but that's getting into something like a $3000+ table, and at that price, I'd pick something else as I did not think it bettered the Well Tempered Amadeus, or the VPI Classic, even with all the modifications. I didn't think it was bad by any means, as I said, I liked it. I didn't fall in love with it but it was a nice table. I'm not sure what you expect me to do...lie and say I absolutely loved it, when I didn't?
How did You do the comparing with the Technics?
gusten
Well based on all the reading I did a compromise between all.
I boxed back up the original SL-1210mk2 before anything happened to it, and before I played a record on it. I found a few locals already interested in it.
A friend is letting me borrow his gently used SL-1200mk2 for comparison.
I purchased a Marantz TT-15S1 today for a crazy price new from a local dealer. Which has the great clearaudio parts, and very expensive stylus with it.
Trying to convince the same dealer to let me borrow a Rega RP6 to compare them in my room using the speakers I have (B&W CM9s).
Figured based what I was reading the Technics is an amazing turntable, but just needs an arm upgrade to be mind blowing. From a logic standpoint I would rather not take a mint/new turntable and start modifying it right away. It would lose all the value it has as a new table.
So the best compromise is test these 3 turntables side by side, and worst case keep the Marantz, if I ever want an upgrade path take that amazing clearaudio arm that is on it, buy a used technics SL-1200 to mount the clearaudio tonearm on it, and sell the rest of the Marantz parts off on ebay.
Sound like a smart approach?