I swapped out the networks, replacing the H2s with Bob Crites’ rebuilt AA networks. I hooked the Khorns to my little flea-powered SET amp (2.5 watts/side) and was not pleased at all. The right speaker’s bass bin quit again, so I looked in the shadows and saw the speaker wire connecting the bin to the network had some dark tape on it (not sure how I didn’t notice that). Seems the tape was hiding a nice gash, which sometimes broke the connection between the bass bin and the network. A quick replacement with some old speaker wire fixed that. I also had a peek inside the bin to make sure the woofer was okay. I tightened the connections there and closed her up, the tar tape getting all over my fingers. It’s still a nice, tight seal!
But I still was unhappy with the sound. It was bright and brash. The bass was overpowering. Moving the bass and treble tone controls to flatten the sound dropped a veil upon it. It was even worse now. I then tried my McIntosh 225, whose smooth sound had never let me down. Wrong. It let me down.
I used my CD player and tried different CDs that sounded well with my previous speakers, but the Khorns were having none of it. I then tried some 200-gram records, all clean and ready to make nice with the Scout’s JMW-9 Signature tonearm. Donald Fagen’s ‘Morph the Cat’ sure had that overpowering bass sound coupled with sparkly highs that shimmered metallically, nearly blinding me. Fleetwood Mac’s ‘Rumours’ didn’t make the cut, either. What to do next?
I bet the room is too small, so I’ll have to wait until we move next year – and then I’ll enjoy these beautiful monsters! Or perhaps I’ll just sell them. It took me a long time to find these beautiful cabinets, though. I’m not sure I want to lose them yet. Then I got to thinking - all the hype over Khorns for nothing! The Heresy IIs sound much better! Everyone has their own opinion and I respect that, but how could so many people be so wrong?!! But wait! I haven’t tried everything (short of upgrading components). Moving the McIntosh C20’s record compensators from ‘Tape’ to ‘RIAA’ tamed those shrill highs without any veiling. It was back to the magical sound I knew the Khorns could produce – even in a small room without a 6-foot-long wall on one of its sides. It now sounds great in near-field listening and far away (about 20 feet away, where the reflections bounce to). It has great presence that requires me to listen for many, many hours. I put more oil on them, prettying them up to maintain the WAF. I can now hardly wait for the weekend! Maybe I’ll play something the neighbors like, but then again…
-Dave