I spent yesterday morning at a friends who has 20K in his TT and we listened to $1,100 Klipsch LaScala's and it was awesome. So I don't think dollar value is the point. And I don't know anyone that plays LP12's through $40 speakers but the audio lanscape seems to be full of $40 TT's and CDP's with legendary speakers and owners that think even a Rega P3 is a waste of money. Which is fine if you have even heard a P3 which it seems many have not.
The point is I have no problem with the guy that had a great source and decided a moderate one is just as satisfying. It's the life time Dual owner that thinks an LP12 is not much better who is wrong in his dogma.
marc mc
I bet it did sound great! Nothing against LaScalas but my position is a $19k set of Sonus speakers and $2K TT would probably sound better (given everything else the same).

I bet it did sound great! Nothing against LaScalas but my position is a $19k set of Sonus speakers and $2K TT would probably sound better (given everything else the same).
I think the speaker first guys should have to state what sources they have owned first and foremost. I mean I get the feeling from these guys that say $5K CDP's sound like their oppo dvd players, that they have never heard a 5K CDP. And whats the point of yattering on about TT's vs speakers when your expierence is defined by budget TT's with $100 carts? that you "think" sound "almost" as good as a Linn? Because they do not sound anything like a Linn! which of course you don't know because you haven't heard a Linn.
So why don't you guys who are speakers first state what your "source" is and has been.
BTW has anyone ever noticed that the guys who believe in "source first" own killer speakers as well? I have.
marc mc
Have your heard Sonus Faber speakers?
marc mc
I spent yesterday morning at a friends who has 20K in his TT and we listened to $1,100 Klipsch LaScala's and it was awesome. So I don't think dollar value is the point. And I don't know anyone that plays LP12's through $40 speakers but the audio lanscape seems to be full of $40 TT's and CDP's with legendary speakers and owners that think even a Rega P3 is a waste of money. Which is fine if you have even heard a P3 which it seems many have not.
The point is I have no problem with the guy that had a great source and decided a moderate one is just as satisfying. It's the life time Dual owner that thinks an LP12 is not much better who is wrong in his dogma.
marc mc
Just to belly up to the bar ...
1. The recording regardless of medium
2. Look at the freq response of all the components
A. Speakers are the most ragged
B. followed by carts
3. Anybody having a component that makes a bad recording sound good, will also make a good recording sound bad.
4. Nothing repeat NOTHING can give a true live experience
One of my most cherished findings anymore are good recordings. Mid-fi and above systems show gross shortcomings of most modern recordings.
I am not a measurement above ( or conversely an ear above) all person. But measurements do play an important role even in high end gear. But give me relatively flat speakers and cart and I am happy. CDP preamps and amps have much less measurable ( and in my opinion audible) differences.
The only case I have heard that any component can make a bad recording sound good that has any merit IMO is tone controls. But I have had my ears brutalized more often by these same tone controls than I have heard bad recordings made good. Anything else is very suspect. Expanders can be used badly also.
Finally the most important component in the audio system that provides satisfaction is your mind. First lets rule out ears. I have 50 year old ears that I protect daily. I have my ears checked yearly with results that leave the testers shaking their heads. I have yet seen anyone score better on their tests. I have good ears. But if a transistor radio transports you and gives you what the artists want you to get GOOD FOR YOU! I have a several modest systems that get me there. Some people seek and spend endless amounts of money to reach the same satisfaction I already have. Well GOOD FOR YOU ALSO! Because their is someone who will criticize whatever you have regardless of what you have. I will end with a short quote from Mark Twain ( a very smart person in my opinion.)
"We all do no end of feeling and we mistake it for thinking. And out of it we get an aggregation which we consider a boon. Its name is public opinion. It is held in reverence. It settles everything. Some think it is the voice of God."
Trust your own opinion. If it sounds good to you; it is good. Do not confuse the feeling you get when someone criticizes your system (even if it echos the god of public opinion) as anything but pride. We all who have ears and friends can tell you of people who have spent far more on their systems and produce terrible sound in our opinion. Let them enjoy their system with your quiet response. But also be prepared for the flame that comes from offering your opinion. I hope all of you on this forum are listening as you type. If not WTF! Why are you on an audio forum when you could be on an audio forum and listening?
To the OP, what do you think?
Just to belly up to the bar ...
1. The recording regardless of medium
2. Look at the freq response of all the components
A. Speakers are the most ragged
B. followed by carts
3. Anybody having a component that makes a bad recording sound good, will also make a good recording sound bad.
4. Nothing repeat NOTHING can give a true live experience
One of my most cherished findings anymore are good recordings. Mid-fi and above systems show gross shortcomings of most modern recordings.
I am not a measurement above ( or conversely an ear above) all person. But measurements do play an important role even in high end gear. But give me relatively flat speakers and cart and I am happy. CDP preamps and amps have much less measurable ( and in my opinion audible) differences.
The only case I have heard that any component can make a bad recording sound good that has any merit IMO is tone controls. But I have had my ears brutalized more often by these same tone controls than I have heard bad recordings made good. Anything else is very suspect. Expanders can be used badly also.
Finally the most important component in the audio system that provides satisfaction is your mind. First lets rule out ears. I have 50 year old ears that I protect daily. I have my ears checked yearly with results that leave the testers shaking their heads. I have yet seen anyone score better on their tests. I have good ears. But if a transistor radio transports you and gives you what the artists want you to get GOOD FOR YOU! I have a several modest systems that get me there. Some people seek and spend endless amounts of money to reach the same satisfaction I already have. Well GOOD FOR YOU ALSO! Because their is someone who will criticize whatever you have regardless of what you have. I will end with a short quote from Mark Twain ( a very smart person in my opinion.)
"We all do no end of feeling and we mistake it for thinking. And out of it we get an aggregation which we consider a boon. Its name is public opinion. It is held in reverence. It settles everything. Some think it is the voice of God."
Trust your own opinion. If it sounds good to you; it is good. Do not confuse the feeling you get when someone criticizes your system (even if it echos the god of public opinion) as anything but pride. We all who have ears and friends can tell you of people who have spent far more on their systems and produce terrible sound in our opinion. Let them enjoy their system with your quiet response. But also be prepared for the flame that comes from offering your opinion. I hope all of you on this forum are listening as you type. If not WTF! Why are you on an audio forum when you could be on an audio forum and listening?
To the OP, what do you think?
I say speakers and source.
I do not know the answer to your other question regarding the PS3.
Well marc, there seems to be one exception to the rule here. I run 20$ Dynaco A 25 XL's with my LP 12. Don't ask, they just sounded better in my room and to my ears than the Proac Response 2.5, the Sonus Faber Grand Pianos and Concertinos I also owned.
i have also been seeing a lot of people talking about 5k dollar cdp's and i have to say is they are stupid.
i have also been seeing a lot of people talking about 5k dollar cdp's and i have to say is they are stupid. .
And this cuts both ways. Marc, there are plenty of people on this forum who can't or won't afford even your "modest" $800 speakers. You honestly believe that someone with $200 speakers and a dual tt will get 1000 times the value from a $20k 'table?
This person's choice of sources WILL be limited by there speakers' ability to resolve and reproduce the signal. And that's only half of it. Chances are someone with $200 speakers will have other components in a similar budget range. I'm assuming here, but I'd guess that if you see a night and day difference between a budget-price source and a high-end source, you see the same differences between budget pres/amps, and their high-end counterparts, right?
Well, how nice would a high-end component sound if every other piece in the chain cost 10 times less? Would it sound 10 times better than a similar component from the same price-range as the rest of the system? If not, there is a good chance that the owner of this hypothetical system in not going to get the same value from the high-end component that you do in your system, thus the difference in opinion.
From all I've read and heard, it is far cheaper to get substantial improvement from your speakers than any other component. Does this make them more "important" than the source? No, but it does mean that, of you're trying to make a large improvement on a budget, speakers would be a good place to start. If it takes a larger amount of money to create signifcant improvements in your electronics, it stands to reason, you probably can make a couple of steps up from entry-level in your speakers before they start really showing up your other components.
this was not meant in anyway to be an attack on marc, I was simply responding to something he said. Also, "modest" was my own inference about what he seemed to be saying re: his friend's speakers, again, not a jab, though I see now how it might be read that way...