Unfortunately the C40 isn't remote controlled. I wish it were.If you want the extended tone controls of the C33 with a balanced out and remote this would be the C40...
Unfortunately the C40 isn't remote controlled. I wish it were.If you want the extended tone controls of the C33 with a balanced out and remote this would be the C40...
I’m going to switch gears into an integrated with meters and all the pretty stuff. I’d also like it to weigh 50lbs+!
I never knew that!Unfortunately the C40 isn't remote controlled. I wish it were.
I never knew that!
They were contemporaries, the C40 being the upgrade with the monitor amp, compander, and 5 tone controls, ... I just always thought it had a remote like the C38
Odd choice by McIntosh, I'm sure there was a reason.
At this level, any sonic difference between McIntosh amplifiers/preamps of this era (or later) is likely to be so minuscule that it would be a poor basis of choosing one over another. Far more relevant factors to your selection are power requirements, desired features, as well as size, weight and appearance. My two cents.I WISH I could A B test the setups.
I'd love some pearls of wisdom: thanks in advance!
How about . . .
C47 preamp $4000 (skyfiaudio). . .
Yeah, I was looking at this after you mentioned it, and that is one nice integrated amp. If I was going to get something at this point, I would probably go for one of these.At this level, any sonic difference between McIntosh amplifiers/preamps of this era (or later) is likely to be so minuscule that it would be a poor basis of choosing one over another. Far more relevant factors to your selection are power requirements, desired features, as well as size, weight and appearance. My two cents.
I don't know whether you noticed my earlier remark concerning firmware controlled units but you should be aware of the potential issues regarding models with this circuitry which may become troublesome and can only be tended by a talented few. A number of otherwise Mc devotees have sworn off the brand due to factory servicing that took so long, very little of the original warranty remained. A number of these accounts have been well detailed on other audio forums. I'll say it one final time: Get an MA7000 and be done.
Personally, I don’t think McIntosh and low distortion at the same time. I think not all distortion is bad, and it can be damn good.
I far prefer my C24 to my Parasound 200 Pre, and the Parasound is definitely the lower distortion preamp.
Personally, I don’t think McIntosh and low distortion at the same time.
Excellent choice.