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Looking for tube magic, warmth, coloration, or other?

yoder

Active Member
If you care to read it, sorry in advance for my long, rambling post.

I had pretty much sold all my tube gear and decided to try some tubes again for music to add some of the tube warmth I had previously heard.

I am pretty happy with my current system and am continually impressed/pleased with it, but thought it would be nice to add, for lack of a more accurate description in my mind, a tube option with more warmth.

I do not hear differences between various components to the nth degree like some posts or reviews I read. I previously thought that it was my system. That is a factor, but I think it’s also my ears (average?), memory, and brain. Speakers are usually easy, but I really need an A/B switch for detailed comparison. Amplifiers I can discern differences most of the time. Sources I haven’t noticed big differences, though the Vault was a noticeable improvement for streaming. I’m trying to see if based on my experience there are any recommendations for a tube setup, or maybe I should stick with what I have, which I plan to use regardless as my primary setup for TV and background music listening.

My current setup is:

Bluesound Vault 2i source currently primarily as streamer

NAD M51 as DAC and pre-amp

Bryston 3B NRB amplifier

KEF 107 speakers

Rythmik F12 subwoofer

Adequate/audiophile grade interconnects, speaker cables, power conditioner, and power cables.


I started changing up my system last year going down a path to upgrade amplification. I then decided speakers were the limitation and have been very happy with the KEF 107’s for 6 months now. I am settled there.

When I got the 107’s I had ModWright LS100 and KWA150. These were very good, but I decided were more than I needed and decided to free up some cash. I did not have them to do an A/B comparison. I know the ModWrights are superior, but the NAD and Bryston get me about 90% there for my system and ears. Instead of saying detailed, they were so transparent that vocals were very clear and realistic. I notice this more with movies/TV where there is more of a veil with the Bryston. The difference is probably across the board, though I think the Bryston holds its own in bass and is maybe “better” or a little punchier.

I mention the ModWrights because I was able to tell the difference with them, I think mostly with the KWA150SE. They sounded great. I decided I had experienced them and was willing to live with less for a fraction of the price. They are the best and maybe most modern gear I have owned. Although they may have some tube qualities, I think they are very neutral. Maybe I was used to more tube coloration. I would be happy to have them again some day as a great all-around modern tube pre / SS amp combo.

My best experience with tubes was my Grant Fidelity RITA-880 45 WPC integrated with KT-88’s (see avatar). It may not have been the “best” amp, but my overall favorite amp except bass, which is what led me to my first solid state separate while the RITA was in the shop for a year for a simple repair. I sold it primarily due to the 115 lb weight that made it difficult to work with. I don’t feel it was very colored. I don’t know how to describe the sound other than glorious. I didn’t think it would be too hard to get back to that sound down the road with separates…

More recently I tried out a Rogue 88. I thought it sounded very good with some similarities to the Grant Fidelity amp. It had some issues though and the seller took it back. I never did a real A/B comparison with the Bryston though.

Next I tried an Audio Research SP-6A first paired with the Bryston. The sound was more mellow than the ModWright or NAD as pre, but I didn’t feel it smothered the detail. I was really enjoying it and felt it just begged for the volume to be cranked on tracks that I normally find a little harsh (not that KEF 107’s are harsh speakers). It also had some issues. I decided to hang onto it for the price I got it, but am currently in a long wait for repairs (end of the year to evaluate).

Initially thinking to pair it with the SP-6A, I also bought an Audio Research Classic 60. Since I couldn’t, it is now paired with the NAD M51. It sounds great – clear, detailed but smooth, musical, and surprisingly good bass response. Pretty similar to the Bryston actually, which is not a negative for either. When I do an A/B comparison, I cannot discern any differences. I have also done longer listening test. One day I thought we were enjoying an extended relaxing toe tapping experience from the Classic 60, and thought – that’s why I wanted tubes! Turns out that was my blind test and I accidentally still had it set to the Bryston!

While waiting on the SP-6a, I thought I’d try the original ModWright product, the SWL 9.0 SE pre-amp. I cannot hear any differences between it and the NAD M51 as pre.

If you have made it through all that, I am wondering if based on these experiences I am seeking out tube coloration and maybe a not so modern tube sound, have I just not heard the right amps/tubes for my tastes, or what tube amp/s you may recommend? Or should I not worry about and stay put as the differences may be too minor for my ears?

My thoughts for tube amp criteria are below. I would be pairing with the NAD or ModWright for now, and potentially SP-6a later.

- Can be somewhat low wattage. Maybe 20-25 WPC minimum if it can drive the 4 ohm KEF 107 load? Not looking for high volume levels for this setup. 50 WPC tube has previously been enough for me with the 107’s for much louder than I need.

- I don’t want thin sounding, but doesn’t have to have great bass/bass extension. I can supplement if needed with subwoofer.

- Does not need to be extremely detailed. Very detailed and transparent is nice as I heard with ModWrights, but not my priority. Also, I don’t think the 107’s are known to be the most revealing speakers though I find them to be very capable.

- Non-fatiguing would be a high priority.

- Decent rhythm/pace.

- I don’t know if its warmth or lushness, but I want it to sound different than my solid state setup. A little more relaxed and engaging. When the light bulb first went off for me hearing decent tube versus decent solid state was that it was like hearing the differences in tube and solid state guitar amps. Both good, but markedly different.

- Price range (thinking used) preferably $750 - $1500. I have looked at many for sale, but feeling lost at this point.

Thanks in advance for any advice!
 
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If you care to read it, sorry in advance for my long, rambling post.

I had pretty much sold all my tube gear and decided to try some tubes again for music to add some of the tube warmth I had previously heard.

I am pretty happy with my current system and am continually impressed/pleased with it, but thought it would be nice to add, for lack of a more accurate description in my mind, a tube option with more warmth.

I do not hear differences between various components to the nth degree like some posts or reviews I read. I previously thought that it was my system. That is a factor, but I think it’s also my ears (average?), memory, and brain. Speakers are usually easy, but I really need an A/B switch for detailed comparison. Amplifiers I can discern differences most of the time. Sources I haven’t noticed big differences, though the Vault was a noticeable improvement for streaming. I’m trying to see if based on my experience there are any recommendations for a tube setup, or maybe I should stick with what I have, which I plan to use regardless as my primary setup for TV and background music listening.

My current setup is:

Bluesound Vault 2i source currently primarily as streamer

NAD M51 as DAC and pre-amp

Bryston 3B NRB amplifier

KEF 107 speakers

Rythmik F12 subwoofer

Adequate/audiophile grade interconnects, speaker cables, power conditioner, and power cables.


I started changing up my system last year going down a path to upgrade amplification. I then decided speakers were the limitation and have been very happy with the KEF 107’s for 6 months now. I am settled there.

When I got the 107’s I had ModWright LS100 and KWA150. These were very good, but I decided were more than I needed and decided to free up some cash. I did not have them to do an A/B comparison. I know the ModWrights are superior, but the NAD and Bryston get me about 90% there for my system and ears. Instead of saying detailed, they were so transparent that vocals were very clear and realistic. I notice this more with movies/TV where there is more of a veil with the Bryston. The difference is probably across the board, though I think the Bryston holds its own in bass and is maybe “better” or a little punchier.

I mention the ModWrights because I was able to tell the difference with them, I think mostly with the KWA150SE. They sounded great. I decided I had experienced them and was willing to live with less for a fraction of the price. They are the best and maybe most modern gear I have owned. Although they may have some tube qualities, I think they are very neutral. Maybe I was used to more tube coloration. I would be happy to have them again some day as a great all-around modern tube pre / SS amp combo.

My best experience with tubes was my Grant Fidelity RITA-880 45 WPC integrated with KT-88’s (see avatar). It may not have been the “best” amp, but my overall favorite amp except bass, which is what led me to my first solid state separate while the RITA was in the shop for a year for a simple repair. I sold it primarily due to the 115 lb weight that made it difficult to work with. I don’t feel it was very colored. I don’t know how to describe the sound other than glorious. I didn’t think it would be too hard to get back to that sound down the road with separates…

More recently I tried out a Rogue 88. I thought it sounded very good with some similarities to the Grant Fidelity amp. It had some issues though and the seller took it back. I never did a real A/B comparison with the Bryston though.

Next I tried an Audio Research SP-6A first paired with the Bryston. The sound was more mellow than the ModWright or NAD as pre, but I didn’t feel it smothered the detail. I was really enjoying it and felt it just begged for the volume to be cranked on tracks that I normally find a little harsh (not that KEF 107’s are harsh speakers). It also had some issues. I decided to hang onto it for the price I got it, but am currently in a long wait for repairs (end of the year to evaluate).

Initially thinking to pair it with the SP-6A, I also bought an Audio Research Classic 60. Since I couldn’t, it is now paired with the NAD M51. It sounds great – clear, detailed but smooth, musical, and surprisingly good bass response. Pretty similar to the Bryston actually, which is not a negative for either. When I do an A/B comparison, I cannot discern any differences. I have also done longer listening test. One day I thought we were enjoying an extended relaxing toe tapping experience from the Classic 60, and thought – that’s why I wanted tubes! Turns out that was my blind test and I accidentally still had it set to the Bryston!

While waiting on the SP-6a, I thought I’d try the original ModWright product, the SWL 9.0 SE pre-amp. I cannot hear any differences between it and the NAD M51 as pre.

If you have made it through all that, I am wondering if based on these experiences I am seeking out tube coloration and maybe a not so modern tube sound, have I just not heard the right amps/tubes for my tastes, or what tube amp/s you may recommend? Or should I not worry about and stay put as the differences may be too minor for my ears?

My thoughts for tube amp criteria are below. I would be pairing with the NAD or ModWright for now, and potentially SP-6a later.

- Can be somewhat low wattage. Maybe 20-25 WPC minimum if it can drive the 4 ohm KEF 107 load? Not looking for high volume levels for this setup. 50 WPC tube has previously been enough for me with the 107’s for much louder than I need.

- I don’t want thin sounding, but doesn’t have to have great bass/bass extension. I can supplement if needed with subwoofer.

- Does not need to be extremely detailed. Very detailed and transparent is nice as I heard with ModWrights, but not my priority. Also, I don’t think the 107’s are known to be the most revealing speakers though I find them to be very capable.

- Non-fatiguing would be a high priority.

- Decent rhythm/pace.

- I don’t know if its warmth or lushness, but I want it to sound different than my solid state setup. A little more relaxed and engaging. When the light bulb first went off for me hearing decent tube versus decent solid state was that it was like hearing the differences in tube and solid state guitar amps. Both good, but markedly different.

- Price range (thinking used) preferably $750 - $1500. I have looked at many for sale, but feeling lost at this point.

Thanks in advance for any advice!
Get yourself a Fisher KX-200 that's been restored, some efficient speakers like Cornwall's and enjoy. The Fisher has built in adjustments for tube bias and has amazing sound. Keep it simple!
20210715_175057.jpg
 
You can't have mine .... <G>

tube-set-APR18.jpg


Butt seriously. My custom is electronically mostly a Latino ST120 kit with a few minor mods. Basically a Dynaco ST70 with extra beef. It drives a quad of KT120's comfortably, switchable pentode/triode, and just a sweet sounding amp that provides around 70wpc. Helps that it's bulletproof - mines been cooking away trouble free for several years now. Should be well within your target budget if you build one yourself.
 
Get yourself a Fisher KX-200 that's been restored, some efficient speakers like Cornwall's and enjoy. The Fisher has built in adjustments for tube bias and has amazing sound. Keep it simple!

Thanks Steve. I grew up on my Dad's Fisher receiver. We both wish we still had it now. I would like to hear the Klipsch's some day. I'm pretty settled on the 107's for this system, but maybe for a second system some day. Probably on the low end, but 35 WPC might be enough for my goals. I will keep the KX-200 in mind. Even has tone controls. Nice!
 
You know what my friend, I'm asking for a Schiit Vali 2 for my birthday in a couple of months. I'm going to keep it in my headphone set up but I might put it into my speaker arrangement as a pre amp. Don't quite know but that's the fun of playing around. Enjoy.
 
You can't have mine .... <G>

Butt seriously. My custom is electronically mostly a Latino ST120 kit with a few minor mods. Basically a Dynaco ST70 with extra beef. It drives a quad of KT120's comfortably, switchable pentode/triode, and just a sweet sounding amp that provides around 70wpc. Helps that it's bulletproof - mines been cooking away trouble free for several years now. Should be well within your target budget if you build one yourself.

I was thinking of an ST70 before switching gears to Audio Research. I hadn't thought of building one. I have too many house projects right now, but maybe if I practice soldering. There is a used VTA Latino ST120 that's been up for sale for awhile though it has 6550's. Thanks!
 
I think your post is very interesting, and I have a sense of what you're yearning for--warmth and naturalness, and some midrange realism, but not at the expense of control.

I think RS Steve is on the right track--a well-restored Fisher 400, 500 or 800 is one option. I had a friend years ago who used to refit Fisher 500C receivers with Bendix 6384 output tubes, and man, those things were beautiful. Several friends of mine purchased them, and still use them, for all I know. But he's been out of business for quite while. Still, if you can find a really well-restored 500C, that's a beautiful receiver. When properly refitted, the Fisher receivers have a warmth and mid-range beauty that's hard to beat, but they're also very solid and punchy. Another option is vintage Fisher amplifiers (standalones) but these can be hard to find and often pricey. Still, they're out there.

I don't know the KEF's, they seem very efficient, and you mentioned that 20-25 wpc would suffice for your needs. In which case, I would suggest...a Williamson amplifier. The Williamson was the first wide-band consumer amplifer that employed global feedback and had remarkable frequency response. IMO, there's nothing quite like them for beauty of tone, realistic presentation, good control and transparency. The best-known commercial Williamsons are the Heathkit W2, W3, W4 and W5. These are available on popular auction sites for surprisingly low prices. They are relatively easy to restore, if needed, and you can get a lot of help hereabouts.

Yet another option is an old Jolida amplifier, like the 202. These were very well-made and sound excellent. A friend recently sent me one she had used for 20 years, asking me to repair and sell it for her. I replaced the volume pot and...that was all! With fresh tubes it measured very well and sounded great. Hard to beat push-pull EL34s.

To my ears, there are tube amps that have a lot of power but lack beauty, then there are those that have a lot of beauty but no power. There's a middle ground where you get both. Scott, Fisher, Heathkit units fit that niche, I think.
 
I have had Sherwood, Dynaco, Scott, Grommes, RCA and a few others. The Sherwood s5500 is the only one that stayed.

The Sherwood has the best combination of rich bass with a really good punch along with sparkly highs. And the midrange just explodes with a huge soundstage.

The Scott has a rich tubey sound as well. Not as extended as the Sherwood.

The Dynacos I had were the Mark III monoblocks. They never really wowed me to be honest.

The Grommes and RCA were both pilfered from theaters. And they sounded like PA amps pretty much.
 
I’ve been conflicted for much of my audio life, seeking better and better components, as deemed ‘better’ by the audio rags. For years, I pretended to listen to music as I was reading Stereopile or whatever but it was as much a project as it was any pretense of musical enjoyment.
The last few years have brought me back to assembling a system that connects me to the music and, to the degree possible, forgetting about the equipment.
Buy a Dynaco ST-70 and tube preamp. Then forget about it, enjoy the music.
Dynaco was considered class D or C in Stereopile when I was in diapers and the Marantz 8B was C or B. Who cares?
Choose the gear that gets you further into the joy of music. That’s all there is.
 
I’ve had tube integrated from Eico, Grommes, Scott, Stromberg Carlson and maybe more. Don’t remember. The only tube power amps I’ve had are a few Magnavox pulls and the ST-70. The Dynaco doesn’t quite get me there but it is fairly neutral, has a sweet midrange, doesn’t sound particularly ‘tubey’, and is fairly affordable. It’s ubiquitous and a known quantity, such that a restored amp can deliver the goods for years, and years, and years.
 
I’ve owned several Dynaco PAS preamps over the years. The Chinese Marantz 7 clone is a much better sounding preamp and comes with a motorized volume control/remote.
 
I use a Sherwood S-5000II integrated amp and a Dynaco ST-70 regularly. I'd recommend either, though right now, the Sherwood sounds really nice!
S-5000ii.jpg Top.JPG
(I cannot quickly find a pic of the Dynaco cleaned up and tubed)
 
A good vacuum tube amplifier does not sound "tubey." It will be accurate and transparent, and it will lack the grain, edginess and listening fatigue common to many solid state amps. Most vintage integrated tube amps are not audiophile quality. They generally fail in this respect due to A) worn components, B) ceramic PECs and C) grossly inaccurate tone controls, just to mention a few issues. Most were never designed to meet the standards we expect today, and you would be wise to avoid them unless you have the technical ability to make many changes and/or a sufficient budget to pay a competent tech. The latter can easily double the cost of any vintage purchase.

Tube amplifiers also need to be intelligently paired with the proper speakers. The KEFs were designed to benefit from the high damping factors of solid state, so they may or may not be compatible. System damping (Q) is the big consideration here.

I would strongly encourage you to buy something less than 15 years old and to consider a separate preamp and power amp. Stick to the major Western brands and look for minimalism in terms of circuit design. Considering the current state of the world, it would also be smart to ascertain whether the specific tubes used in the gear you select are still available.

Jack
 
A good vacuum tube amplifier does not sound "tubey." It will be accurate and transparent, and it will lack the grain, edginess and listening fatigue common to many solid state amps. Most vintage integrated tube amps are not audiophile quality. They generally fail in this respect due to A) worn components, B) ceramic PECs and C) grossly inaccurate tone controls, just to mention a few issues. Most were never designed to meet the standards we expect today, and you would be wise to avoid them unless you have the technical ability to make many changes and/or a sufficient budget to pay a competent tech. The latter can easily double the cost of any vintage purchase.

Tube amplifiers also need to be intelligently paired with the proper speakers. The KEFs were designed to benefit from the high damping factors of solid state, so they may or may not be compatible. System damping (Q) is the big consideration here.

I would strongly encourage you to buy something less than 15 years old and to consider a separate preamp and power amp. Stick to the major Western brands and look for minimalism in terms of circuit design. Considering the current state of the world, it would also be smart to ascertain whether the specific tubes used in the gear you select are still available.

Jack

Good points, Jack.
 
A good vacuum tube amplifier does not sound "tubey." It will be accurate and transparent, and it will lack the grain, edginess and listening fatigue common to many solid state amps. Most vintage integrated tube amps are not audiophile quality. They generally fail in this respect due to A) worn components, B) ceramic PECs and C) grossly inaccurate tone controls, just to mention a few issues. Most were never designed to meet the standards we expect today, and you would be wise to avoid them unless you have the technical ability to make many changes and/or a sufficient budget to pay a competent tech. The latter can easily double the cost of any vintage purchase.

Tube amplifiers also need to be intelligently paired with the proper speakers. The KEFs were designed to benefit from the high damping factors of solid state, so they may or may not be compatible. System damping (Q) is the big consideration here.

I would strongly encourage you to buy something less than 15 years old and to consider a separate preamp and power amp. Stick to the major Western brands and look for minimalism in terms of circuit design. Considering the current state of the world, it would also be smart to ascertain whether the specific tubes used in the gear you select are still available.

Jack
Very good points. Every vintage integrated or preamp I’ve had suffered from old pots and carbon resistors which added a veil. Although I wouldn’t claim that my ST-70 is the bees knees, metal film resistors and caps improved it to the point that I’m enjoying listening through it.
 
I think the Fisher 500c would be the most warm, colored, and tube sounding amp I've listened to. Of the many restored vintage amps/receivers I've heard it's not even close really, at least as far as coloring the sound goes.

I think more modern amps try not to color the sound at all and you've already tried a few of them. Of course going vintage will be a challenge to find a good working model with a build you can trust, but it might just be what you're looking for. One of the big Fishers should have enough power for the Kefs?
 
A good vacuum tube amplifier does not sound "tubey." It will be accurate and transparent, and it will lack the grain, edginess and listening fatigue common to many solid state amps. Most vintage integrated tube amps are not audiophile quality. They generally fail in this respect due to A) worn components, B) ceramic PECs and C) grossly inaccurate tone controls, just to mention a few issues. Most were never designed to meet the standards we expect today, and you would be wise to avoid them unless you have the technical ability to make many changes and/or a sufficient budget to pay a competent tech. The latter can easily double the cost of any vintage purchase.

Tube amplifiers also need to be intelligently paired with the proper speakers. The KEFs were designed to benefit from the high damping factors of solid state, so they may or may not be compatible. System damping (Q) is the big consideration here.

I would strongly encourage you to buy something less than 15 years old and to consider a separate preamp and power amp. Stick to the major Western brands and look for minimalism in terms of circuit design. Considering the current state of the world, it would also be smart to ascertain whether the specific tubes used in the gear you select are still available.

Jack

I will third that I think these are all great points. To your first point I'm wondering if my tastes lean towards a more colored, possibly less than, tubey amp. I think the Grant Fidelity was a very good amp though. I also had/sold a Modwright KWA100SE (solid state) that gave up a little in imaging and had a slight veil when downgrading from and comparing to an Audio Research REF75SE. Also that soundstage was wider if not quite as tall while the bass and mid-bass were a bit more life like. I can't just go by that, but it didn't make me want to trade in my KWA150SE solid state for a REF75SE tube amp that have comparable retail prices.

Good points on condition, especially if not reconditioned and potentially even if it is. Since I have needed various repairs at any vintage I'm considering who is going to repair, how much will they charge, are parts available, schematics etc. I wouldn't mind getting into repairs, but troubleshooting a circuit diagram isn't my strength.

I'm not sure who minimizes circuit design, but makes me wonder how much the point to point wiring of the Grant Fidelity was a part of what I liked about it's sound. Other than lack of availability and service some Blue Circle options looked interesting in this regard.

The 107s may not have been designed with tubes in mind, but the Classic 60 drives them very well. I'm not changing out the KEFs, but maybe I should try some other speakers to see if they pair better or I can hear differences. I could try my Ascend Acoustics Sierra-1's.
 
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