And I'm very happy for you!My records have all of the interactive/visceral elements you describe. The only difference is that mine are in (much) better condition.
I'm not sure what you mean by "going to the record store and playing regardless of the record condition," but it sounds like you're talking about putting up with used albums that are far from mint. Now the OP may well do that, I know I do, but my take on the original post was that this was about enjoying records you had damaged yourself, and hearing the defects in an album is actually a pleasant reminder of good times with friends, or whatever event or accident took place when this particular piece of vinyl became less than pristine.
The original post, in part, said:
"I have LP records that go back to the late 60s when myself, my sister and my brother began purchasing them. One album, circa 1970 I had just found at a record store and was so excited I did not bungee it fully down on my Honda CL350 Scrambler in a hurry and I tore out to my friend's house to play it on his dad's system (a huge console) and the album came off, flew across the road, tumbled end to end several times and then got ran over. Well, it still plays to this day but it is not minty, it has surface noise and the almighty forbid but the cover is a little scuffed shall I say.
What brings this up is that I have many, many records from the day and they are not mint or even close because they got used and transported to parties and played over and over and even got run over. . . I do not care if it pops and cracks, as long as it does not skip it is good to go. I quite enjoy the pops and cracks because I often remember the cause of the defect fondly."
Edit: The OP has just weighed in, and while he seems to be back-tracking a bit from his original post, which he says was "meant to be a little over the top," I still take what I quoted from him above at face value and can say I relate fully. I've got some damaged albums that I have no intention of replacing because the defects are part of the value to me.
Going nuts over record care is certainly one more way people can engage in the hobby!Yeah, I care about condition of my LPs, both owned and when purchasing.
But, I also care a great deal for my time and my monetary funds...
I really can not afford to be OCD over condition or even care, of my records. I barely get time enough to listen to ONE album a week, if I was overly concerned with cleaning regiments etc. I'd get NO time to actually enjoy the discs.
Now, give me more time and more funds... I could get 26-shades of nuts over my records.. and probably, happily so.

Ya might want to digitize before donating. You can eliminate noise and pops and the product can be placed in iTunes for convenient play. I used to do that but now I just download from Apple Music the tunes which I have on LP that snap, crackle, and pop.I have found that if I pick up a used record with too much surface noise, scratches, etc I will just donate it to the thrift store (or return it if I bought it at a record shop). The older I get the less patience I have for poor quality LP’s. But......I also don’t go crazy with cleaning them. I clean them, put them in a quality sleeve, and move on. I certainly don’t worry about various concoctions of cleaning fluids and all that.
In contrast to my youth when I blew the cigarette ashes off the record before tossing it on the turntable? Yea, I guess I’ve taken it up a level.
If I purchase a new record or a used record sold to me as VG(+) and I play it for the first time, well, I do not put on gloves, but I do listen to it carefully. And the result is that I do not enjoy it as an experience in the same way as when I grab an old friend out of the crates and play it mostly as background while I work in my adjacent basement shop. I just do not hear the clicks or pops. And I often enjoy that incidental/casual experience more, when I get to a favorite cut or a particular section I may go and sit at the turntable and listen in a more involved way, not to be critical of the source, but just to appreciate the music. And certainly in that case, excessive source noise can be distracting to the more involved listening experience. But I ain't throwing them away!
Going nuts over record care is certainly one more way people can engage in the hobby!
About 36 years ago I read and followed the suggestions made by Linn about record care. Basically, you just take the record out of its sleeve, being careful not to get your skin oil (or chicken grease!) on the playing surface, play the record, then put it back in its sleeve. Linn said that light surface dust on a record can be ignored, and any that collects on the stylus shank during play can be quickly and easily brushed away. I'm in the habit of giving my stylus a couple swipes with a dry brush provided by Sumiko at the end of each side whether I see dust or not. Records I bought new and treated this way continue to play great after decades of use.
Used records are another matter because I don't know what's been done to them before I bought them. After gumming up my stylus a couple times with who knows what was in the grooves of some used records I bought, I decided to get a Nitty Gritty record cleaner. Once cleaned, I treat the used records the same as the ones I bought new. For any record, if I fumble it a bit when getting it in or out of its sleeve and get my fingers on the playing surface, or for albums I've loaned out to friends, I give it another clean with the Nitty Gritty; otherwise, playing records is simply putting it on the turntable, playing it, and putting it away.
My condolences on only being able to play one album per week! I'm fortunate to have time to enjoy multiple albums just about every day.
Congratulations on taking such a strong stance against all those who recommended that you throw them away. Oh, wait...no one made such a recommendation.
Do as you like, enjoy in any way you choose. And don't disparage others for doing the same.
Ya might want to digitize before donating.
With all due respect, I don't imagine that many here are too concerned with that. In the age of cassette tape I dubbed many albums and even then I realized that there were legal issues with doing so... but I didn't care and don't remember knowing of a single person who didn't tape for that reason...You do realize what you're suggesting is illegal? It's likely no one will ever come after you for it. However, that doesn't change the illegality.
My taping days are long over so that even if I were likely to face some heat for it, I have no doubt that the statute of limitations would guarantee my freedom...Although it's fairly certain many posters here do exactly what you suggested, we (yes I'm one also) don't usually publicly admit to it.![]()