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Morel/Renaissance Audio Duets and Preludes, and more...

thedelihaus

Nocturnal transmissions
Very interesting series of events recently.

I have a set of pre-production Morel USA (now Renaissance Audio) Duets here at my place. These are a prototype of the top bookshelf monitors offered by what was formally Morel USA before some legal wrangling took place and they were no longer allowed to use the Morel USA name (Morel decided to market their own line of speakers worldwide and did not want any confusion betwixt the US distributor/speaker builder and the parent company).


I had no intention to grab any more speakers, but these, my friends, are extra special for many reasons.

•First and foremost, a good acquaintance of mine who has recently passed from sudden unexpected illness was the original owner. Paul was a great fella and I spent many hours chatting about music and gear with this warm, friendly, intelligent man. His wife Mary proved equally kind and gentle and sweet. These are very special people.

•Second, they are built in Brookline, Mass- I have a fondness of all things hifi that were built here in my neighborhood- Apt Holman, Apogee, AR, Boston Acoustics, a/d/s/, etc. I lived very close to the Morel USA headquarters at one time.

•Third, these are early prototypes- the final model was a transmission line design- these are a sealed box. No serial numbers. The sealed box was said to be ideal for the Morel drivers- top of the line drive units (triple magnet tweeter, dual magnet woofer with 3-inch voice coil, hexagonal voice coil wire, etc). The transmission line designs that were finally given the green light go lower, deeper in the bass region and are quite well received, and I'm aware these will not go as low, but I'm interested in seeing what the sealed box can do- supposedly they will perform better, just with reduced low end grunt.

Now, I also have a set of unrelated Morel MLP 202.2 models due to arrive. These are the second from top of the line 2-way models right before the Duets, and are also sealed- always were. It was a chance acquisition but made perfect sense.

Lastly, there is a set of the floor standing Morel Preludes that I hope to bring home too. I need to arrange picking up from my friend Paul's house, which may prove tricky due to my physical limitations, but let's hope for the best. These too, may very well be prototypes- I'm not sure. A two way transmission line tower that reaches mid-30's, and again uses the top of the line Morel drivers, however this pair may be a prototype sealed design as well.


It's somewhat a peculiar acquisition for me. The man who passed, Paul, was a great fella- one of the few I knew outside of our group that was as passionate about music as equally as he was about the gear. I feel, in a way, extremely honored to have picked up this gear, and will think of Paul every listening session. I fondly remember him telling me when he picked these up- literally saved them from being destroyed as they were not the final design (sealed vs transmission line) chosen for production.



What I am hoping for (and ultimately believe I'll achieve) is to find harmony with these speakers in my three applications here at my place, and maybe finally getting off the vicious circle of gear chasing. I currently have some great speakers, making the whittling down difficult, but with this turn of events perhaps I'll finally resolve this.

Now, it's more than just the gear- it's a strong piece of nostalgia, both for my friend Paul and for my fond memories of my dear old neighborhood, which due to events and health related issues that were beyond my control, I had to leave behind.

Paul had great taste in gear- some real premium stuff- Moscode, Audible Illusions, Meadowlark, Apogee, PS Audio, Audio Alchemy, Bel Canto, Linn.

But for me, these humble, locally made Morels are perhaps the perfect fit. They already hold a dear, warm, important place in my heart.
 
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Paul's wife also has some ACI Sapphire IIIs. These are currently in the living room. I advised Mary that she'd be hard pressed to replace them with something better in Paul's collection- the exceptions being the Apogees and Meadowlarks, but with the demands that come with owning and running both of these higher-maintenance speakers.

Also, due to the relatively obscure name of ACI, resale value would be unimpressive and below their worth. My advice was for her to not sell them, but enjoy the ACIs as much as Paul did.

I have spoken with an AKer, however, about snagging a pair of the ACIs too. Ideal, as I do like to have an additional pair of speakers to rotate, and the ACIs seem to be a smart choice.
 
I really like morel stuff. I ran morels in my car for a long time and have a set of speakers I built in my garage around a pair of 6" morel woofer that were $$$ new.
 
It may be a lateral move, it may be a mild move up- I dunno.

But I think it may be a wise move anyhow I look at it.
 
You'll only have to worry when you have so many speakers there that you can no longer make any moves. :para:
 
It's close to that, Don.

Trusting JohnVF's ears and yours, and hearing your Spendors, if these remind the two reviewers like a poorer man's Version of either brand, I can be content.
 
+1 Enjoy the speakers along with your memories of a good friend.

cubdog

I've got the Dahlquist DQ-10s that are another dear and important speaker that will stay, as long as I have the room to keep. Restored by a few good pals of mine, those, too, mean the world to me.

Some decisions are easy to make.:thmbsp:
 
Great idea!

And a little updating on my end-

The Dahlquists are hanging out at a friends house as of late. Bigger, better room for them, and he'll be mirror-imaging them- something I never got around to doing.

The Duets and Preludes have been joined by a set of Merlin monitors- the Merlins use the same woofer and same family of tweeter but are a. It more advanced via crossover by Merlin's big cheese, Bobby Palcovick.

My years of speaker ownership from some excellent vintage kit that stood the test of time, like the Dahlquists DQ-10s, Vamdersteen 2Cs, a/d/s/ L1230s and L1290 IIs, AR 9LSi- classics for a reason- are not shamed by the Morel/Rennaisance/Merlin trio, but the Morel/Rennaisance/Merlin trio are truly a step up, in clarity, imaging, accuracy.

The Sony SS-M7 would give them some stiff cpetition, but they are. Of really an old speaker at 10 or 15 years old. A great speaker that Sony, although a touch rolled off in my opinion, and they never worked well in my space- purely a result as to how they worked in interacting with my place- as my friend owns them now and they work fantastic in his location.

The closest in performance were, of all things, a late model (early 90's) pair of Thiel CS2s- these were the last of the big Thiels that used a soft dome tweeter (Dynaudio D28-AF- a darling of a tweet) and were truly a reference speaker.

But the Morel/Rennaisance/Merlin trio are a great match for my available space. Not perfect, like the $180,000 Magico Q7s I was privy to hear, but nonetheless good enough to keep me off the upgrade path for 18 months.
 
Currently running either a Musical Fidelity a3CR amp, or Conrad Johnson MF-2250 amp, or The under-rated B&K EX-442 Sonata amp, behind a Threshold Fet-2 Series II pre. Dynavector Karat 17D3 or Ortofon Kontrapunkt B cart on the end of an EPA 100 or EPA 250 ToneArm mounted to a Technics SP25 in factory plinth with mods. Running a plethora of fancy cabling and speaker wire. CD duty is either the beloved Teac PD-H600 or Rega Apollo R.

Vinyl playback is glorious. CD playback is almost there- I am thinking I am better suited for NOS CD playback. While the upsampling players offer incredible detail and clarity, the process seems to excite some distress in me, in listening sessions that are long or loud. Cheaper midrange upsampling decks not as much- but upsampling players in the $1500-$3000 range seem to excite this issue for me.

Part of the factor possibly is the incredibly capable tweeters used in these speakers- Morel doesn't screw around with the quality of these drivers, their top shelf until just very recently.

The Merlins are by far the clearest, cleanest, most honest, most accurate. Ruthless at times. But a clear window to the heart of the recording and spacious, open, revealing to elements of recordings, despite having owned for decades, I only now pick up on.

The Duets are a respectable cousin to the Merlins. A well executed speaker with a no-nonsense approach to proper and honest music playback.

The Preludes are a wonderful transmission line design and despite being a two wAy with a 6.5" woofer, they are a true full range speaker, digging easily into the 30s.

Not quite as disappearing as the stand mount monitors, nonetheless they do a respectable job on this. Coherence is excellent across the drivers, and vocals are rich and true.

Very, very complex music with extreme dynamic range at times may get them congested- it is a humble tweeter/6.5" woofer in a transmission line after all, and will reach, as stated, down in the 30s. This is under extremes only, and is either easily lived with, or remedied by adding subs and lightening the demand on the 6.5" woofer.

Overall, I've pretty much hit a nice level here. I may tweak here and there, but I'm not driven any longer to find that missing element to my listening sessions.
 
Thanks Don.

A few wrinkles to work out, but that's about it. It's become less about a "need" to update, more of a luxury to slowly improve, when the right pieces turn up, for the right price, and when the funds are there.

I won't say I no longer get tempted here and there with gear- the Kef LS50s for example, but this isn't a needed item.

Further tube experimentation is a real possibility and likely. Streamlining the speaker wire and interconnect selection. A few spare styli for my favorite carts.

Little things. Refinements.
 
KEF offerings are always tempting. I've been tempted once or twice on RDM-2 monitors. But I really need to focus on making sense of these Morel projects.

The faux-Duets are not ready for prime time yet, but close.

In the mean time, I'm running a set of Morel Integra-12 coaxial drivers mounted on a 2x4 piece of OBX. My first OB project and first experiment with Morel coaxials. The more I listen to them, the more I am entranced. I'm starting to fall for the OB concept.

Paul, it's great to hear that at some point, if all the stars align, the gear madness can stop and I can get back to listening to music again.

But for now, I'm infected.



Sent from my iPhone using Tapatalk
 
There will always be "better", but when you get to real, real good, it's easier to kick back and enjoy the tunes.

I'm glad you're having such fun with the Morels. They set the bar pretty high.
 
Very cool thread Paul, you have accumulated some lovely gear there. There is no way around it, the Merlin are exceptional speakers. Certainly the Morel are not shabby by any stretch of the imagination. Glad to see that you have found contentment, if anyone deserves it, it is you.

Didn't know you had a 17D3 in the house. How do you like the cartridge? Take care and talk to you soon.

Regards
Mister Pig
 
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John- the 17D3 is an excellent performer. I understand all the fuss about it.

The Ortofon, however, remains champion. It seems to have that oft-elusive synergy in my system we all chase.
 
A quick note- this thread started back in July 2012. It's been nice for things to hold steady for a bit.
 
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