Overated
Pink Floyd
While the Syd Barrett years provided some excellent music, David Gilmour and the rest of them really failed to live up to the standards Syd set for the band. The Floyd have never made any really wretched albums, but they have made plenty of mediocre ones. Most Floyd "fans" are drawn to either
Dark Side Of The Moon,
The Wall or
Wish You Were Here and ignore the rest. Recently a new generation of listeners have been getting into
Piper At The Gates Of Dawn, although because of Syd's "drug causality" status and not because he happened to be one of the best song writers that Great Britain ever produced.
Rolling Stones
From 1963-1972 they produced some of the best music along with such bands as The Who, Creation and The Pretty Things. From 1972 to today they have been coasting on auto pilot. Ron Wood was better in the Faces anyway.
Tangerine Dream
They were sort of interesting from 1969-73, although beyond that era they have produced mainly sleep inducing new age music. Do not operate heavy machinery while partaking.
The Beatles solo
The Beatles were a fantastic band, although was it George Martin who help make part of the magic or did John, Paul, George and Ringo keep each other in check? True, Paul produced both
Band On The Run and
Ram which were fantastic albums, although everything else was either sappy or lacking direction. George also did have is solo moment in the sun with
All Things Must Past, but there was little after that to get excited about. Ringo produced some great singles, although I cannot say I could handle him for a full album's length. Lastly John was too preachy, too angry and too self indulgent. There were some fantastic solo songs in John's solo career, but there were some horrendous experimental material (
Two Virgins, Life With The Lions, and Wedding Album) and much substandard material to wade through. He really started to produce excellent stuff with his comeback album
Double Fantasy, but sadly we know what happened after that.
Underrated
Can
Possibly as important than the Beatles to the future of rock music. Certainly more important that post-Syd Pink Floyd. It was a bit of a rarity to have four talented musicians in one band in the 70's and not have a bunch of techo flash
ala Emerson, Lake and Palmer. Can compositions were more akin to improvisational jazz than rock, except rather than have each member solo the band worked together like a machine (at least in their early days) driven by the wonderful rhythm section of Jaki Leibeziet (percussion) and Holger Czukay (bass). Often the melody lines were handled by Michael Karoli (guitar), Irmin Schmidt (keyboards) and the vocalists Malcolm Mooney and during their peak 1970-74 period, Damo Suzuki. It is interesting that their influence can be felt in both the punk music and eurodisco of the late 70's.
The Soft Machine (the Robert Wyatt era)
Excellent band with massively skilled musicians. Started as part of the band
The Wilde Flowers out of which grew the Soft Machine as well as Caravan, although Soft Machine were the artier of the two bands. The original line-up featured Robert Wyatt, Daevid Allen, Kevin Ayers and Michael Ratledge. Allen was the first to leave after a single and an albums worth of demos, but before their proper debut album because of drug related immigration issues. He remained in France and formed Bananamoon and later Gong. The Softs continued as a trio, although Ayers left in 1968 to go solo and was replaced by Hugh Hopper. This line-up often augmented with a horn section produced the psychedelic classic
Volume Two and the fantastic avant-garde jazz oriented
Third. Wyatt left in 1971 and the Softs lost a lot their charm and magic. Their real downfall was in 1974 when Karl Jenkins became the dominant force and they started producing some rather unremarkable fusion.
The Pretty Things
Nastier than the Stones and Punk long before the Pistols, in fact lead vocalist Phil May even slept with Nancy Spungen before she met Sid Vicious. Produced the sadly overlooked psychedelic classic
S.F. Sorrow and easily one of the best albums of 1969,
Parachute has often drawn comparisons with the Beatles best work.