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NAD Owner's - Unite

I think that I may have mentioned this before somewhere, but my experience of NAD is that they had some very clever people working for them.
Let me explain. I have had a few NAD amps over the years and currently use a modified C320 integrated amp as a preamp - except it now isn't really a NAD amp.
The C series amplifiers (and preamps) use a pair of buffer amp modules in the preamp section. These are class A with a JFET front end buffer transistor which provides a very high input impedance. Being class A these modules exhibit a high DC offset on their outputs which requires a large blocking capacitor (100uF) in the output signal line. This blocking cap also acts as a high pass filter which rolls the bass response off.
These amplifiers were usually paired (price range) with 2 way bookshelf sized loudspeakers which have a tendency to have a limited bass response and a sharp treble (bright exciting sounding speakers sell better in the hifi store). NAD knew this and developed the NAD sound in these preamps and amplifiers. This tends to temper the treble response while at the same time cutting back on the low bass that the speakers will struggle with. This created a more balanced overall response which is non-fatiguing and slightly warm and smooth in character. Some people refer to them as having a laid back sound. Paired correctly they sounded great and sold very well.

I am using the C320 purely as a preamp in a large fully active system, so my speakers can handle the full audio range.. The power amps in the NAD (which are very good by the way) are disconnected internally because they are not used in this setup. The 'preamp' has the BEE version mods carried out, but the main change is that the buffer modules have been removed and replaced with low noise OPAmps Burr Brown 2134s with a JFET front end. These exhibit almost zero DC offset at their outputs so the electrolytic blocking 100uF caps are not needed and have been replaced with good quality 1uF film caps. The result of these changes was massive. To say 'It was like taking a blanket off of the speakers' was certainly true in this case. O.K., the changes altered the sound, but the fact it is so good is also testament to how good the amplifier design was in the first place.
 
About the 3400.
I've ordered some nichicon UES biploar.
To change 2 of the 33uf caps the input signal to pwr amp...
Anyone might know if it's other caps that could be replaced with bipolar, and will give any benefit?
Another question, how will this 33uf effect the sound, if the value changes...

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Chain of command in the TVcave : Spotify - Dragonfly - NAK610 - twin NAD S200's - JBL/ribbon Frankenspeakers
1977-2020 summed up
96408372-6BD5-49DC-9210-08EA09DDB318.jpeg
 
Manged to put in 15000uf instead of 10000uf. Thight fit. Had to grind the holes a bit.

Nad 3400.

Not sure if I gain any benefit though
 

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Can someone explain short, how the protection mode works for NAD amplifier.

The level of protection varies with different models and year of manufacture, but they generally include one or more of the following functions:

1. Supply line fuses on the power amplifier power rails will blow on excess current.
2. Detection of excessive DC voltage at the outputs.(protecting loudspeakers from high DC current)
3. Detection of excessive current flowing through the emitter resistors (output stage overload - possibly from speaker/ cable short circuit)
4. Detection of excessive heatsink temperature.(power transistors getting too hot)
5. On some integrated amps the preamp outputs will also be muted when the main protection system activates.
 
NAD 1600
Anyone done recap, or mods that improves the sound?

Will start change pwr caps, and so on.

Also red a thread about putting smaller caps in parallel over the big filter caps, to lower the esr...
So how big should they be, if main caps are 15000uf...
 
My re-capped 7030 has been getting some serious listening time lately. Other than the 7020, which gets some attention because of its relation to the 3020, It really amazes me that the 70X0 series of recievers are so unknown. And it's a shame, because the 7030 is really something. Comparing it to my 7020, the 7030 bests it in almost every way. Everything sounds extremely musical and just... big. The soundstage is massive and it drives speakers better than you'd think a 30wpc amp would. The phono stage probably one of the best I've heard on a vintage amp. If you run across one of these in the wild for a decent price, grab it and give it a chance.
 
New here, and NAD fan.

Monitor series 3400 amp daily driver, C525BEE cd player, C355BEE recent acquisition (not sure if it’s better then the 20 years older 3400).
Both the 3400 and the C355BEE look like they are original and not recapped. I checked the idle current today, both a little off, but not much and easily adjusted.
Also have a Marantz KI Pearl-lite. But both NAD’s sound better in my opinion. Especially the low frequencies are more controlled, snappier. I’m not very experienced in audio but that’s how I would subscribe the difference.
 
Tn
The level of protection varies with different models and year of manufacture, but they generally include one or more of the following functions:

1. Supply line fuses on the power amplifier power rails will blow on excess current.
2. Detection of excessive DC voltage at the outputs.(protecting loudspeakers from high DC current)
3. Detection of excessive current flowing through the emitter resistors (output stage overload - possibly from speaker/ cable short circuit)
4. Detection of excessive heatsink temperature.(power transistors getting too hot)
5. On some integrated amps the preamp outputs will also be muted when the main protection system activates.
Tnx for your answer...
 
Well...

Couldn't say no to this monster of a 218 THX...biggest amp I ever owned regarding power....
My primare A30. 5 beats the weight...

Guess it has some issues since I got it cheap...
 

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