Multiplex
Appease my earhole.
It's been a while since I've attempted a homebrew retip. It is time. Muahahaha!
So, I've had this MP-30 for a while. Three years maybe? When I first got it, the suspension was shot. It sounded horrible, sagged and and dragged it's belly after about 30 seconds in the groove. I WD-40'd it, and it was better, but the tip was shot as well. Sounded about like tuning in FM radio while driving through a canyon when in the inner grooves. So it got tossed in the box and forgotten about.
Flash forward to last night...
I dug out the Nag, wondering if the WD-40 was still working it's magic. Indeed it was. I was feeling destructive, so I pried the old stylus off the boron rod cantilever. The nude square shank diamond held on by a glob of epoxy, gave way and went zinging across the room never to be seen again. I wanted to try to retip rather than just do a cantilever transplant. That tiny boron cantilever is what made this cartridge great. So, I found a .3x.7 elliptical donor stylus, in a brand new generic Swiss Shure N91E that wouldn't track worth crap. The bonded diamond actually looked decent on it. Light passed through it easily, and the cut looked alright, though slightly asymmetrical. Good enough!
I dabbed a tiny dot of glue on the flat bias-cut end of the cantilever, pried out the donor diamond and plopped it down in the glue. Did I get it right the first time? Of course not. I had to remove it, clean the surface and try again. Nope? Guess the third time was a charm. I finally got it rotated into place and dialed in the SRA and Azimuth as best I could by positioning it with the tip of a razor blade with some tacky glue on the blade edge. I got it to set, then added several thin layers of glue around the base and left it to dry overnight.
This morning I came back and added one more layer of glue, then after a bit, proceeded to mount the cartridge in a headshell.
First impression: Wow, that's nice. No distortion, actually really good tracking, and clean inner grooves. A success! It's smooth, warm, and detailed. Almost a little too subdued, but it has dynamics when necessary. Almost reminds me of a Micro Acoustics MA 2002e. Very nice!
Flash forward to now...
I'm rounding the bend on hour four... I've done some setup work and added a thicker platter mat. This thing has really opened up and livened up nicely. Separation is great and tonal balance is even. Detail is present without being harsh or too bright. Inner groove performance is spectacular. I'm thrilled! Hope this lasts a while! Assuming it does, it's not leaving my main system any time soon.

No one is going to accuse me of a beautiful glue job. Probably went overboard, but better to be safe than sorry. I'd rather have a little extra tip mass than a missing tip.

I don't care if it looks ugly, as long as it doesn't sound ugly. It most certainly does not!

So, I've had this MP-30 for a while. Three years maybe? When I first got it, the suspension was shot. It sounded horrible, sagged and and dragged it's belly after about 30 seconds in the groove. I WD-40'd it, and it was better, but the tip was shot as well. Sounded about like tuning in FM radio while driving through a canyon when in the inner grooves. So it got tossed in the box and forgotten about.
Flash forward to last night...
I dug out the Nag, wondering if the WD-40 was still working it's magic. Indeed it was. I was feeling destructive, so I pried the old stylus off the boron rod cantilever. The nude square shank diamond held on by a glob of epoxy, gave way and went zinging across the room never to be seen again. I wanted to try to retip rather than just do a cantilever transplant. That tiny boron cantilever is what made this cartridge great. So, I found a .3x.7 elliptical donor stylus, in a brand new generic Swiss Shure N91E that wouldn't track worth crap. The bonded diamond actually looked decent on it. Light passed through it easily, and the cut looked alright, though slightly asymmetrical. Good enough!
I dabbed a tiny dot of glue on the flat bias-cut end of the cantilever, pried out the donor diamond and plopped it down in the glue. Did I get it right the first time? Of course not. I had to remove it, clean the surface and try again. Nope? Guess the third time was a charm. I finally got it rotated into place and dialed in the SRA and Azimuth as best I could by positioning it with the tip of a razor blade with some tacky glue on the blade edge. I got it to set, then added several thin layers of glue around the base and left it to dry overnight.
This morning I came back and added one more layer of glue, then after a bit, proceeded to mount the cartridge in a headshell.
First impression: Wow, that's nice. No distortion, actually really good tracking, and clean inner grooves. A success! It's smooth, warm, and detailed. Almost a little too subdued, but it has dynamics when necessary. Almost reminds me of a Micro Acoustics MA 2002e. Very nice!
Flash forward to now...
I'm rounding the bend on hour four... I've done some setup work and added a thicker platter mat. This thing has really opened up and livened up nicely. Separation is great and tonal balance is even. Detail is present without being harsh or too bright. Inner groove performance is spectacular. I'm thrilled! Hope this lasts a while! Assuming it does, it's not leaving my main system any time soon.

No one is going to accuse me of a beautiful glue job. Probably went overboard, but better to be safe than sorry. I'd rather have a little extra tip mass than a missing tip.

I don't care if it looks ugly, as long as it doesn't sound ugly. It most certainly does not!

