Loss Leader Pioneers might've had some alignment problems (I haven't encountered any), but the TOTL's (CT-1250, CT-95, CT-93, CT-43) are pretty much World Beaters in terms of imaging and overall audio quality. But (I say this everywhere I see this never-ending food fight, and I believe it is objectively true) there is NO ultimate cassette deck. The Naks lack Dolby S and many lack speed control. But the Pioneers lack on the fly azimuth and independent head adjustment. (I've had machines where it could have made a difference but for most, it doesn't.) Pioneers are by far the most finicky to work on, SHORT of what's been stated about the PVC content in the Nak Decks. I own and have restored four 1250's, A CT-93, CT-43, a Nak Dragon, RX-505, DR-1, and BX-300. (And I've worked on traded/flipped countless others, some of which were very good decks as well.) The last-gen Pioneer's SQ (if that's your priority) takes the "gold", but God help you when it's time to change the belts because of the automatic door feature and the SM has no pertinent advice about the positioning of the cam. (I've done it twice. I hope this time these belts outlast me-I've got one last set sealed up in storage) Nak (like Mac for Tuners with the MR-78) set the standards that Pioneer (very successfully) plinked away at, so they both should get all the respect they've earned, but it doesn't make Pioneer "next best". Closer to "different" best. It depends on one's priorities. The other (small) issue is that back in the day, Pioneer shipped a TON of those machines to Long Beach and oftentimes either owing to the trip over or the sheer production run pace, they didn't always arrive on our shores the way they left Japan. The 1250's, in particular, had problems with electrical alignment "out of the box". Once set-up, they're a pretty fearsome beast, if not in S/N ratio (Dolby B, is what it is) then in the way they throw a very specific stereo image. VERY un-1 7/8 ips like.