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old Ashly MOSFET amps

Reportedly these are very very good amps. I've not used one personally, but have used a lot of Ashly gear over the years, and their gear is some of the best sounding pro-audio gear out there. I've toyed with getting an FET series Ashly amp to drive my woofers in a horizontal passive bi-amp arrangement. Havn't done it yet, but I've thought about it as these amps can be bought for pretty reasonable prices.
 
I got a Crown XLS 1002 DriveCore instead much lighter and it sounds great with my tube preamp.
Crown makes good amps. The old MacroTech and MicroTech amps are amazing - but VERY heavy. Lots of good comments and reviews of the new "light weight" Crowns. I'm sure they are good, but the old school iron laden clas A/B Macro/Micro's were the bomb.
 
I say just pass on the Ashly amp and let the next guy buy it. You don’t want to carry around that big old heavy thing.
 
I have a FET-1500c... wow what an amp. Great control over the woofers, super clean and warm sound. Every time I'm swing it into the mix I like it. Crazy robust. Yes fan is loud. Fantastic for driving my Magnepans.
 
Crown makes good amps. The old MacroTech and MicroTech amps are amazing - but VERY heavy. Lots of good comments and reviews of the new "light weight" Crowns. I'm sure they are good, but the old school iron laden clas A/B Macro/Micro's were the bomb.
I have mine being driven by a Music Angel Tube pre-amp, along with a Jolida JD9 tube phono amp, and the XLS1002 Drive Core just sounds great with vinyl. It is a bit rolled off but I really like it.
I keep returning to it even though I have a few other stereo set ups. I think the way the XLS series sounds may be greatly influenced by the preamp sources. I want to say that my Crown sounds like a very smooth FM radio broadcast but without the "hiss." Sort of dark or dry perhaps but I like it like that.
 
No, it stays at home with the other three Ashley-s.

I have a few Ashly’s myself. But if we say too many good things about them the prices will go up, then I can’t afford to buy any more. So yeah, they’re heavy and old.

Oh and all pro amps suck for HiFi ;)
 
Anyone here run an old Ashly MOSFET amp in their home audio setup? If so, tell me about it. I've got a possible line on a FET-500 and am wondering if it's worth pursuing.

I know the Ashly stuff is well thought of in the pro audio world, but not sure about home/hifi. I have/had pro Crown amps and think they're great, so just because it is pro and has a fan does not turn me off (the Crown's fan is pretty quiet anyways).
I just auditioned a CFT 1800 against a Parasound HCA 800ii and an Adcom GFA 545 and it had noticeably more body and clarity on top and just played bigger on Boston Acoustics A 70sin my B rig than these well-regarded amps. The Adcom just surpassed the Parasound with slightly cleaners highs and more robust upper bass. The Ashley barely edged out a B &K EX442 Sonata driving 2 horizontally stacked per side Boston Acoustics CR 75s in my A rig. The input attenuators on the Ashley were helpful for gain matching in my system. Front end is a Harman Kardon HK 3390 2 channel receiver. I'm using its internal DACS to decode the bitstream out of a Sony Blu-Ray I'm using for CD playback. The HK amp channels are driving 2 Boston Acoustics CR 65s in a Hafler/Dynaquad arrangement, with a Boston Acoustics CR 400 powered for under 60hz foundation. I've owned Monarchy Audio and Golden Tube electronics, Vero Soundwave speakers, and the A rig sounds as good, if not better than anything I've had.
 
I've had a FET-200 for many years, since the 80's. I mainly used it for parties, weddings etc with my Cerwin Vega S-1s, never in my home system. They are bullet proof, literally. One wedding I did, blew a power fuse, no spares, found a .22 case and crushed it to fit. It's still in there. :rflmao:

I should drag it out of the basement, it's been many years since power up.

Thanks for the memories.

Cheers
 
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