I like it quite a bit, so much so that I bought a none working one for spares. I saw the Thorens and thought it was a good price, so I thought I'd ask about it's performance vs the 212. I think I'll stick with the 212 for the foreseeable future, it sounds good to my ears and I like it's quirkiness.Hang on to the Philips 212 if it's in good working order. It makes a nice platform for affordable High-ish compliance cartridges despite its toy-like ( but actually decent sounding) tonearm. It's a very musical sounding turntable when paired with a cartridge that suits its arm mass and the pitch controls are nice to have on a belt drive. It's speed stability is also pretty solid considering it's circa 1972 origins.
The suspended isolation system is pretty good too although the further you can place it from your speakers the better, and preferably on light but sturdy shelf. I think its also a pretty nice looking turntable in its own right.
It's sometimes hard to compare turntables on specs alone but a Thorens at a good price with a tonearm that has good bearings ( no play ) is always worth a look. Depending on what arm is fitted ( especially its effective mass) it might actually allow you to use cartridges with a medium or low compliance suspension which don't mate well mechanically with turntables like the Philips ( or some Dual turntables with the ULM arm) that uses a low mass design. Maybe someone who has that model can offer some tips. I've heard later Thorens Td160s IV with a Rega RB250 arm and they do sound nice , but better ? is subjective...it all depends on how you set them up, what cartidge you pair them with , where you site them what surface they sit on...alignment geometry etc..and even then..you can still end up liking BOTH for what they do individually. Short answer... it took me 5 turntable to work out if I preferred, 3 point suspended ( Ariston RD60/ Ar-EB-101) , minimalist belt drive ( Rega Planar 3) , Semi Auto convenience ( Akai AP-206c) ..MId Century Cool factor that happens to sound good also( Philips GA-212 )... and I still can't part with any of them so kept all 5.I like it quite a bit, so much so that I bought a none working one for spares. I saw the Thorens and thought it was a good price, so I thought I'd ask about it's performance vs the 212. I think I'll stick with the 212 for the foreseeable future, it sounds good to my ears and I like it's quirkiness.
The turntable I've had that I really liked was a Realistic Lab 400, I stupidly sold it when I had a brain fart and thought "I won't bother with records now I stream music". So I sold it and my records, I regret that like you wouldn't believe.It's sometimes hard to compare turntables on specs alone but a Thorens at a good price with a tonearm that has good bearings ( no play ) is always worth a look. Depending on what arm is fitted ( especially its effective mass) it might actually allow you to use cartridges with a medium or low compliance suspension which don't mate well mechanically with turntables like the Philips ( or some Dual turntables with the ULM arm) that uses a low mass design. Maybe someone who has that model can offer some tips. I've heard later Thorens Td160s IV with a Rega RB250 arm and they do sound nice , but better ? is subjective...it all depends on how you set them up, what cartidge you pair them with , where you site them what surface they sit on...alignment geometry etc..and even then..you can still end up liking BOTH for what they do individually. Short answer... it took me 5 turntable to work out if I preferred, 3 point suspended ( Ariston RD60/ Ar-EB-101) , minimalist belt drive ( Rega Planar 3) , Semi Auto convenience ( Akai AP-206c) ..MId Century Cool factor that happens to sound good also( Philips GA-212 )... and I still can't part with any of them so kept all 5.