I hesitate to add to anything Ken Kantor has written (but fools rush in, so here goes).
It seems to me that the original poster was under the impression that higher order crossovers were inherently better than first or second order crossovers. My understanding is that this is just wrong: There is the issue of efficiency, and then there is that of sound -- one poster did mention that 6db crossovers can pass a square wave whereas steeper slope ones can't -- I was under the impression that with steeper slopes you get ripple or even ringing, and that's why they have problems with square waves.
The advantage of steeper slopes is better protection for the tweeter and more supression of bad out of band behavior of the drivers (though unless the slope is infinite, that bad behavior may be audible anyway).
The art of speaker design comes not in adding complexity and cost (any bonehead can do that), but in simplifying, while still achieving the desired sound. That's where someone like Burhoe (who, if I recall correctly, was involved in the design of the AR 4 or 4x) shows his worth -- a simple cap, and sometimes a voice coil used as an inductor with fine results because the drivers were well designed to work synergistically with simple crossovers.
I think this case may be one where if it ain't broke, don't fix it. If the OP is determined to fix it until it is broke (and there's a lot of fun and learning to be had doing so), do one speaker at a time, so it can be compared to the original, and hang on to the original crossover just in case we are all right in our naysaying.