Room interaction.How can there be a spike to correct with these tight tolerances?
You like this more than the CP10? That’s incredible! I really want to fix mine now, not that I didn’t before but now I know I’ll not need another EQ than my own 926I have one for "system vs room" correction. Also its important to realize, while various people think their system sounds "awesome" without EQ, this all well and good, but it changes with the varying volumes you may listen to music...
My system sounds "awesome" without EQ too, but unfortunately our hearing doesnt quite work like that.....
I use mine to fatten the system up when I'm listening to it at low levels...
If I have the system cranked, I often soften it up around our hearings most sensitive frequency.....
No two recordings are the same, and to maintain consistency a small amount of EQ can help this....
Often the sound of a recording may have something which can not really be noticed at lower levels, but when its cranked, sometimes little things can poke through and need adjusting.....
There are so many variables in music that I believe an EQ can be quite useful....
Only to be used sparingly, because shhhh, theres not much left in the world, so if you use too much there will be none left....
I use a BSS FCS 926 Varicurve. Its a stereo 6 band parametric EQ. It actually has analogue filters which are digitally controlled.
It has an RTA, a pink noise generator output (mic level). It also has 50 memory presets
It has a remote control (wired) as well which works through an interface, which uses BSS's own protocol over midi of all things....
The remote can control up to 16 Varicurves at once.
They came out in about 1994 and have recently been discontinued....
I have been using them since then, they are possibly the best sounding EQ I have ever used, and in my job I have been fortunate enough to have used almost everything....
Heres the Varicurve EQ sitting on top of my BSS FDS360 crossover
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This is the remote, which sits next to me on the couch in the listening sweet spot....
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Other brands I recommend.....
Graphics, are XTA GQ600, Klark Teknik DN3600, DN360, DN27, BSS FCS960.
Parametric I like are , the BSS Varicurve FCS926, Meyer CP10.....
Kevzep is still active here after 14 years. It will be interesting what sort of reply comes back.You like this more than the CP10? That’s incredible! I really want to fix mine now, not that I didn’t before but now I know I’ll not need another EQ than my own 926
I think you are a sound engineerWhenever I listen to music at home I am a member of the band. The instrument I play is the EQ.![]()
Apparently, he thought that madenit go to eleven . . . .For me, White Instruments, Klark-Teknik, and Pultecs rule. That BSS appears to be a superb and useful instrument.

A friend way back had a graphic EQ with which he always had all of the sliders pushed to the maximum.
Never knew why he did this.
A friend way back had a graphic EQ with which he always had all of the sliders pushed to the maximum.
Never knew why he did this.
I would have liked to have known his thinking process about it.That would be because he did NOT know how to use his equalizer.
I would have liked to have known his thinking process about it.
Have you compared this to nicer orban EQs? Nice to know this is better than Meyer CP10I have one for "system vs room" correction. Also its important to realize, while various people think their system sounds "awesome" without EQ, this all well and good, but it changes with the varying volumes you may listen to music...
My system sounds "awesome" without EQ too, but unfortunately our hearing doesnt quite work like that.....
I use mine to fatten the system up when I'm listening to it at low levels...
If I have the system cranked, I often soften it up around our hearings most sensitive frequency.....
No two recordings are the same, and to maintain consistency a small amount of EQ can help this....
Often the sound of a recording may have something which can not really be noticed at lower levels, but when its cranked, sometimes little things can poke through and need adjusting.....
There are so many variables in music that I believe an EQ can be quite useful....
Only to be used sparingly, because shhhh, theres not much left in the world, so if you use too much there will be none left....
I use a BSS FCS 926 Varicurve. Its a stereo 6 band parametric EQ. It actually has analogue filters which are digitally controlled.
It has an RTA, a pink noise generator output (mic level). It also has 50 memory presets
It has a remote control (wired) as well which works through an interface, which uses BSS's own protocol over midi of all things....
The remote can control up to 16 Varicurves at once.
They came out in about 1994 and have recently been discontinued....
I have been using them since then, they are possibly the best sounding EQ I have ever used, and in my job I have been fortunate enough to have used almost everything....
Heres the Varicurve EQ sitting on top of my BSS FDS360 crossover
![]()
![]()
This is the remote, which sits next to me on the couch in the listening sweet spot....
![]()
Other brands I recommend.....
Graphics, are XTA GQ600, Klark Teknik DN3600, DN360, DN27, BSS FCS960.
Parametric I like are , the BSS Varicurve FCS926, Meyer CP10.....