Blue Shadow
Waiting for Vintage Gear from this century
A simple "like for like" won't maintain the Infinite Slope x-over benefits.
Must be the ESR is critical in the caps used by JSEThat makes absolutely no sense.
A simple "like for like" won't maintain the Infinite Slope x-over benefits.
Must be the ESR is critical in the caps used by JSEThat makes absolutely no sense.
Just curious , did you send Millersound that picture you posted.-----
FWIW - I just heard back from Millersound. They're definitely of the "don't touch them unless absolutely necessary" school of thought. Thanks for the feedback this AM.
Wouldn't the ESR be just as liable to drift as the capacitance?Must be the ESR is critical in the caps used by JSE
You see this sometimes when the cost of higher value film caps are much higher than an electrolytic. I have several crossovers where the higher values caps are electrolytic. I just recapped a pair of Ditton's that had 5 electrolytic caps per crossover. One was 60uf. I found one on closeout for just under $5. They are sold everywhere else for $47 to $55. If I hadn't found that one I would have used a lytic. Plus the size for higher value film caps are huge. And the only reason I replaced the original caps was due to several texting out of spec.They're certainly running lots of films paralleled/bypassed? with electrolytics which seems a bit.. different (at least to me). Maybe just a cheap way to increase capacitance with some of the larger valued caps while also maintaining increased performance somewhat? I know both electrolytics and films are used everywhere in speaker crossovers, and that electrolytics don't necessarily sound "bad" in speaker crossovers. I've just never seen them combined like this before. Seems like a pseudo-enhanced approach.
One was 60uf. I found one on closeout for just under $5.
Just curious , did you send Millersound that picture you posted.
Perhaps there is too much risk involved with messing with those connections. Too easy to inadvertently screw something up, but I believe there are ways to mitigate that problem.
Wouldn't the ESR be just as liable to drift as the capacitance?
You see this sometimes when the cost of higher value film caps are much higher than an electrolytic. I have several crossovers where the higher values caps are electrolytic. I just recapped a pair of Ditton's that had 5 electrolytic caps per crossover. One was 60uf. I found one on closeout for just under $5. They are sold everywhere else for $47 to $55. If I hadn't found that one I would have used a lytic. Plus the size for higher value film caps are huge. And the only reason I replaced the original caps was due to several texting out of spec.
The 60uf cap I found was almost as big around as a beer can and half as tall.
I had to glue it to the bottom and back of the cabinet.

everything is relative. One of those Duelund caps costs more than an entire pair of JSE 1.8. Just saying.
Was that my Snell Type C crossover you did? You should have shown the picture of what you did to itExactly
Look into VMPS crossovers. Those are a total mess.
Some Apogee speakers don't look much different on the inside.
Ever opened up a set of Nolas?
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Snell C for reference
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Sjöfn "The Clue" crossovers have the components glued right the rear of the baffle. (sometimes incorrectly, I might add....)
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And here's what JSE Model 2 look like for posterity. Absolutely beautiful sounds those speakers made.
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Check out partsconexion. They have a killer deal on those motor run film caps. They work great for crossovers.I'd like to find some 80s for pairs of 40 for low coin like that.
Not the ASC caps I used, but still kinda cheap. <edit> wow, the only ASC film caps they have left are the 60uf. The others sold out fast.I'd like to find some 80s for pairs of 40 for low coin like that.