IMHO, carbon-film resistors are a good "compromise" for vintage units.
There is some evidence, that metal-film resistors can upset the tonal balance in some vintage audio units (making them "bright" or "hard" sounding), while original-style carbon-composition resistors are SO variable and unpredictable in performance (they drift badly, in some cases)... that leaves carbon film as a reasonably stable, reasonably "normal-sounding" resistor for these units.
I've tended to use these carbon-film resistor whenever possible... fortunately, they're relatively easy to get (Mouser, DigiKey, Radio Shack, etc, etc, etc...). As mentioned above, it's good to get MORE quantity than you need, for two reasons: 1) it's easy to accidentally break off a lead, and it will happen at the time where NOBODY is open to get a replacement (ie, like Sunday night), and 2) it makes resistor-matching possible. Getting the tolerances close can and will usually make for better soundstaging/imaging (better control of gain, so both channels behave the same as far as level, feedback, and such, are concerned)... both channels will wind up at closer to the exact same volume level at the same volume control setting, that way...
Regards,
Gordon.