According to the passive crossover schematic, connecting an amp up to the woofer terminals will not bypass the inductors and large NPEs in the woofer circuit-- you will need these for proper operation of the Watkins woofer so this is a good thing.
I am wondering how you bypass the upper crossover, do you just connect up to the EMIM and EMIT terminals in the upper rear of the speaker or maybe connect to their terminals in the passive crossover?
I find a 100 Hz crossover is too low in my room with these speakers, I get quite a bit of dipolar cancellation in the 100-200 Hz region. This actually sounds a bit thin on many recordings and I confirmed it with pink noise and a 1/3 octave spectrum analyzer (Phonic PAA2). I prefer crossing over at 200-220 Hz, either 6 dB/octave or 24 dB/octave L-R. I can get quite a flat response with the pink noise using this crossover. I mostly use either a Bryston 10B or Marchand XM-26 active crossover.
I find the passive crossover (late version) and a powerful single amp can be quite good as well, and occasionally prefer this to biamping. Lately I have been biamping using tubes on top (Music Ref RM-9) and Mac solid state on the bottom to good effect.
I am wondering how you bypass the upper crossover, do you just connect up to the EMIM and EMIT terminals in the upper rear of the speaker or maybe connect to their terminals in the passive crossover?
I find a 100 Hz crossover is too low in my room with these speakers, I get quite a bit of dipolar cancellation in the 100-200 Hz region. This actually sounds a bit thin on many recordings and I confirmed it with pink noise and a 1/3 octave spectrum analyzer (Phonic PAA2). I prefer crossing over at 200-220 Hz, either 6 dB/octave or 24 dB/octave L-R. I can get quite a flat response with the pink noise using this crossover. I mostly use either a Bryston 10B or Marchand XM-26 active crossover.
I find the passive crossover (late version) and a powerful single amp can be quite good as well, and occasionally prefer this to biamping. Lately I have been biamping using tubes on top (Music Ref RM-9) and Mac solid state on the bottom to good effect.