beatcomber
AK Member
I just scored via eBay a circa 1959 ESL S-1000 arm complete with armboard for mono/78 duty on my Thorens TD-124. (The cool one with the black Ortofon-style headshell.) The arm is already fitted with a Shure M7D.
I was planning to use my vintage white body Shure M44-7 with either a Shure N-44G stylus (for mono microgroove) or a Pfanstiehl 78 stylus on the ESL, but I'm curious about the M7D. I know that the M3D and M7D have quite a cult surrounding them.
Has anyone ever compared the M7D and M44-G? How would you describe their relative strengths and weaknesses? Obviously this heavy old arm is a perfect match.
I just ordered a Pfanstiehl-marketed (*757-D7) NOS Shure N21 and plan on trying it out. If I like what I hear, I'll go ahead and spring for the hard-to-find 78 stylus from turntableneedles.com.
I was planning to use my vintage white body Shure M44-7 with either a Shure N-44G stylus (for mono microgroove) or a Pfanstiehl 78 stylus on the ESL, but I'm curious about the M7D. I know that the M3D and M7D have quite a cult surrounding them.
Has anyone ever compared the M7D and M44-G? How would you describe their relative strengths and weaknesses? Obviously this heavy old arm is a perfect match.
I just ordered a Pfanstiehl-marketed (*757-D7) NOS Shure N21 and plan on trying it out. If I like what I hear, I'll go ahead and spring for the hard-to-find 78 stylus from turntableneedles.com.
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