I was hesitant to post due to a couple of reasons.
One is: I just do my thing. I don't want to advertise for audio work using this forum. Although that statement is slightly hypocritical.
And I have a real 40 hour a week job, so lately, I only take on audio work if its interesting and unique, or I don't have anything in the Queue.
"bgm1911" contacted me about the restore on his 1250 and I had read this thread. I normally keep quiet about recommendations on service and system combinations.
He wondered, if me being second choice to Echowars (Glen) was something that bothered me. I was already able except the fact he was probably finished with his six year audio mission and I lived near enough to drive the 1250 to LAS and make a weekend out of it for him and his wife.

Wonderful gentleman and a retired service member who is a discerning audio enthusiast. How do I know this?
Wait till you see his 1250.
Getting this working is nothing. It could just sit there and be enough.
I've seen lot's amps and receivers to know I'll never see anything as nice as this 1250.
It's like it just arrived in the box from 1976.
I'm actually scared to work it.
Never been serviced and appears, never exposed to the atmosphere.
I had my buddy come over to help unpack it and we both witnessed the unveiling. Wow.
Bgm1911 and I, talked about what should be done and a basic approach to the audio restoration. We discussed the lighting and we are not that sure on what to do. All the lamps function. They are original, as is the rubber mountings, which are pristine. This is where I begin to wonder.
I started on the amps and removable boards - after stowing the pretty bits in a safe comfortable location away from the shop and people.