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Top 10 holy grail cassette decks?

Hands down The Nakamichi Dragon, you can expect a Dragon that has not been overhaul to work properly for to good that it sounds. Mine is overhaul and kills all out there including Tandberg 3014A, had it. Perry is amazing working on the Dragons, ZX-9 and ZX-7. I have all 3, they all sound flawless. And only top by the best of Decks, I have a recap overhaul by Gerhard Technics RS-1520 and is the bomb, something else, sounds oh my... all that you want in a deck. The Technics RS-1500 is awesome, but Dragon is there. The Tascam BR-20 I have from new is very nice also. My latest acquisition, Pioneer RT-909 completely recap with Nichicon gold caps sounds nice, and the one waiting to received the same treatment Pioneer CT-F1250 and Pioneer RT-2044, this is a great deck.
 
I'm digging that Pioneer thaitanic, that compo series is pretty neat looking when flat was cool for a short while. I've never seen any of those in person.
 
I'd like to nominate the Nakamichi CR-5A. In some listening/recording tests it outperforms the much more expensive CR-7A, however it's less prone to breaking down and less expensive to service because it lacks the front panel azimuth adjustment and auto calibration, as well as real time tape counter and peak hold meters, and built in IR remote capability. Otherwise it's exactly the same machine with the same transport, meters, dimensions, etc. cr7-5.jpg
 
hello guys i just scored a mint PIONEER CT S 710 , after cleanup and belts change I must say , this is a killer deck , auto BLES makes outstanding recordings even on most basic normal position cassette in good condition , what a machine he is .......for years and years I used CT 737 mk2 and CT A7 as my mains recording decks , PIONEER really was a big name in cassette decks , not to mention audio in general
 
I may probably be -- or not -- more of a tinkerer than others here, I don't really know.

But I figure, for PLAYBACK, what is required is only a real "playback" head and a good playback amp. To that end, I replaced the head on a 1970s Philips cassette "changer" with a head from a Nakamichi TD-9 car cassette unit (I presume it is playback-only since car units have no provision for recording). This is not difficult but requires saintly patience with endless trial-and-error.

Then, there is this two-part machine mentioned several times on this thread, the Technics RS-9900. Those go for thousands but I happened upon just the amp unit, for a more reasonable price. Unfortunately its power supply is in the mechanical unit (which I do not have, of course) and it requires +23V, +6V, +5V and -12V... took me a while to build all of that. I then by-passed all Philips electronics and connected the Nakamichi head to the Technics.

I am blown away by the result! So far I only listen to prerecorded cassettes. But the sound is extremely satisfying. I do have test cassettes and will run some tests but to my ears cassette has never sounded better.

For recording I have a Nakamichi 700 and a Tandberg 440A. I will experiment with both combinations shortly, as soon as I find a new pinch roller for the Tandberg.

My point is, good combinations can also be made, not just bought...maybe of interest in this ever more expensive market.
 
Why does the Tandberg 3014 keep coming up as a "holy grail deck??? These things are "holy problems.
It's about time we tell sellers to take these VERyC broken turds back to the landfill they found them in before they started jumping for joy dreaming of riches they would get and put their outstretched hands right back in their pockets. I have never seen such idiotic engineering in my life, and don't EVER ask me to fix one of these horrors. THERE ARE SPECIALITS dumb enough to take them. PLEASE, SEND YOUR 3014 TURD to THEM TO POLISH IT. SURE, THEY SOUND GOOD, BUT DAMN! WHO DESIGNED this stuff??

Fortunately I AM NOW retired and no longer have to give a damn. YOU WANT TO OWN A PROBLEM CHILD... GO RIGHT AHEAD.:p
 
There needs to be a points system along sound, reliability, head durability, other part availability, tech availability, belt availability, recording quality, playback quality; for recordings, compatibility with other decks; last for me looks (different categories for chrome vs plastic vs meters plus size). Also layout and ease of use for recordings; can you use Metal tapes and calibrate to different tapes easily.

Also people who give ratings should clarify what equipment they use: what amp and speakers. Is it in the living room or a dedicated sound room. If you use headphones, is it via the inbuilt headphone amp vs line out and separate headphone amp.

I had an OCD crisis because an overhauled BX300 had rhythmic static noise in the headphone signal, which we pinned down to the cheap replacement motor for the original one that develops a dead spot. So I hunted down another original motor from a Yamaha deck, and a friend replaced it for me. If I had used the line out, probably would not have bothered. If I had not used headphones at all, probably would not have noticed. But now when someone says BX300, I cringe. If your tech knows how to rebuild the original motor, maybe no longer an issue. Then also the bias pot that breaks and the replacements don’t have a middle point. Then also the issues with poor meters and the controversial sliders for recording. Good non-slipping idlers are hard to find. Overall, great playback machine but with shortcomings that now put it off my list. Yet some people have used it as a reference recording deck.

RX 505? Awesome deck but there is only one good belt source in the States, otherwise your w&f shoots >0.10%. My JVC m70 boombox has better w&f than this.
Dragon? Ok but make sure its serial is between 20,000 and 30,000 and make sure it’s had little use :) if It’s <8000 good luck finding a tech.

For me I listen via a boombox (a good one like the JVC PC 55 or Panasonic DT8) in a room with a poor placement of the sound source, to my side; or via headphones, and often on walkmans, so I value universal recorders that are reliable.

So it’s like cars indeed, a Ferrari is awesome as a toy but for a farm where I want to carry hay or tools, I’d rather have a pick-up truck for daily use. There needs to be a point system, with real-world constraints around maintenance today.

I actually worry most of all about two things: belts and techs. Both require the skills of people who learned decks in the last century and are getting older now. Maybe younger people will pick up these skills, who knows. They are being made lazy by mechanics-free music that you don’t even needs hands to play.

If you want to get a holy grail, make sure you have a plan how to keep it running.
 
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