After a few years listening to my SA-9100's, I got to upgrading my listening room (room treatments) and my speakers (OLA->Monitor Audio Silver 100's) and have since been fiddling withe the componentry. Long story short, after having tried various setups I love how things sound with the sa-9100 amp between the schiit saga preamp and my monitor audios.
That said, I was bottom fishing the bay and got an sa8500-ii clean but wouldn't power on a year ago, and an sa-9500 that had been mistreated and left for dead. The first one just seemed neglected, but the second smelled like broken dreams Seemed like the her handler didn't even care enough to wrap her well, and looks like it got dropped on one of the cable management handles in shipping
I'd thought no power at all might be simple problem in the unregulated p/s part in the 1st unit. The 2nd unit, the seller said it clicked a second after turning it on, but no light came on. I'd guessed this might just be a lamp out. Turns out I was lucky on both. A tech fixed the former with a diode, and the latter didn't need a fix. Both amps make terrible popping, scratching, intermittent channels out in the pre-stage, but if separated and using a different pre work fine, though I haven't pressed my luck by listening to them long o hard.
So I'm interested in interviewing each of these amps between my schiit pre and my monitor audios. After the last ordeal with my 2nd sa-9100 where another tech had added workarounds, subbed wrong parts, reinstalled boards with resistor legs lifted out of circuit, I had sworn not to inflict audiokarma or myself to another repair, yet starting with working (kinda) units seem a more known quantity.
I'm not sure, but I feel like best practices have changed in the last 15 years, but I'm thinking, power supply board(s), amp board(s), main caps? I'm not sure from the threads I've read if this means all transistors or just the problem ones, all electrolytics with thoughtful substitution with film caps, and new trim pots. For my purposes, other than de-oxit I'd leave the pre stages alone for now?
That said, I was bottom fishing the bay and got an sa8500-ii clean but wouldn't power on a year ago, and an sa-9500 that had been mistreated and left for dead. The first one just seemed neglected, but the second smelled like broken dreams Seemed like the her handler didn't even care enough to wrap her well, and looks like it got dropped on one of the cable management handles in shipping
I'd thought no power at all might be simple problem in the unregulated p/s part in the 1st unit. The 2nd unit, the seller said it clicked a second after turning it on, but no light came on. I'd guessed this might just be a lamp out. Turns out I was lucky on both. A tech fixed the former with a diode, and the latter didn't need a fix. Both amps make terrible popping, scratching, intermittent channels out in the pre-stage, but if separated and using a different pre work fine, though I haven't pressed my luck by listening to them long o hard.
So I'm interested in interviewing each of these amps between my schiit pre and my monitor audios. After the last ordeal with my 2nd sa-9100 where another tech had added workarounds, subbed wrong parts, reinstalled boards with resistor legs lifted out of circuit, I had sworn not to inflict audiokarma or myself to another repair, yet starting with working (kinda) units seem a more known quantity.
I'm not sure, but I feel like best practices have changed in the last 15 years, but I'm thinking, power supply board(s), amp board(s), main caps? I'm not sure from the threads I've read if this means all transistors or just the problem ones, all electrolytics with thoughtful substitution with film caps, and new trim pots. For my purposes, other than de-oxit I'd leave the pre stages alone for now?

