Sonic Analysis of the HPM-100 with the MV Audio Crossover
Preamble: I've owned my HPM-100s for nearly a decade so I'm quite familiar with their signature characteristics. I am familiar with the upper midrange forward "west coast" voicing, the "beamy" woofer playing midrange, the bass bump at 65Hz, coherency issues, etc etc - all of which has been covered here ad nauseam. To compensate, I've experimented endlessly with placement (off-axis was always best), EQ, and the front panel attenuators trying to obtain the optimum tonal balance.
And just when I think I had it, I would listen to music on different speakers, then revisit the same songs on the HPM-100s only to come away a bit dissatisfied with my latest effort. Think of it as a labor of love - I've always
loved the classic appearance of the HPM; in my opinion the aesthetics are A1 Vintage-Awesome. I just wanted the sonic performance to equally match the great looks.
Enter the MV Audio crossover: I stumbled upon the MV Audio crossover by accident. I'd just did a google search on the HPM-100 one day to see what the latest "chatter" was and found myself immersed in his writeup. For one, I thought his stock analysis was
spot-on to my own observations, plus he said he was a musician (as am I - I've found most musicians I know have pretty good ears), and with the design tools at his disposal, I was interested in trying his new crossover.
Listening Impressions:
Test amplification: Pioneer SX-1250 fully recapped
Test songs:
- Fleetwood Mac - Warm ways, Never going back again
- Fiona Apple - Sullen girl
- Dire Straits - So far away, Your greatest trick, Brothers in arms
- Basement Jaxx - Rendez-vu
- Steely Dan - Home at last
- Billie Eilish - ilomio
- Eagles - I can't tell you why
I can say unequivocally this is the best I've ever heard the HPM-100 sound. Everything is so right! The coherency issues are gone, the "beamy-ness" is gone, the harshness of the "west coast" upper mids and treble are gone. As
@z-adamson pointed out, the balance between the midrange and tweeter is spot-on. Imaging and depth are vastly improved. The system now has a very smooth, natural, vintage warmth and refinement. It does not sound like a modern speaker. Nor should it given the 45 year old driver technology. But, I honestly believe this is as good as the HPM-100 can possibly sound.
I cannot give a higher recommendation for this upgrade. The guy at MV Audio absolutely nailed it.