Klipsch via Tannoy
When I was a student my local hi-fi shop had a pair of Electrovoice horns in the upstairs dem room. They could be so loud, the neighbouring shops had got an agreement from the hi-fi shop that they shouldn't be used during normal opening hours! But occasionally if I was there early or late we switched them on (usually with a TMA3 amp and the original Cranfield Rock TT) and revelled in them. Their clarity and dynamics were completely different to anything else I'd then heard, and better than almost anything I've heard since.
Fast forward a while, and I'm looking for a new system. I hear Glenn Croft demoing a Garrard 301 with Leak Stereo 20 and ELS57s and a Harrogate hi-fi show. It sounds more like music than anything else at the show. We talk and he says Leaks are best with either Quads or horns.
I buy a Leak and have it modded by Glenn's erstwhile partner Peter Bruty. I find a perfect 301. And I find Guy Holdsworth who deals in horns. I can't afford Tannoys but I end up with Acoustas.
Several years and various upgrades later, I need better speakers for a new listening room. I go back to Guy, who no longer deals with Tannoys but now imports Klipsch. I ask to hear the CF-4s that I'd heard at a show a few years previously. In my room at least, they were pretty average. He then says, "Try these Forte IIs". Completely different, and so much better. I buy them. That was about 8 years ago.
Since then I've got a new NA Dais deck and new monoblok'ed Trends class-T amps. I've fitted Chris Munson crossovers, Bob Crites tweeter diaphragms and some Deflex panels inside. They've never sounded better.
Perhaps one day I'll get Cornwalls, Khorns, or even Tannoy Westminsters. Until then, I enjoy my modded Forte IIs.