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What blank cassette tapes to look for

ra7c7er

Hoarding records since 1990
I've decided to record some of my vinyl to cassette for now till i get a DAC and I would like to make a couple mix tapes. I was wondering what brands and types of cassettes should I be looking for that are considered quality.
 
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I look for high bias and metal if I can find them, I've done some good recordings with the maxell xl II's. I have a few denon metal tapes I'm saving for a special occasion...like when I can find a decent 4 track..
All that said, I'll pretty much get any tapes as long as they're sealed.
 
I've also been taping the rebel vinyl from the local classic rock station, using maxell UR 90's with good results. Those are normal bias though.
 
I am personally finding a lot of unopened Maxell XL-II's at the thrift stores in my area, with a few TDK SA's thrown in as well. I have had good results with both in the past. Metal tapes are nice, but are a bit harder to find used or as unopened NOS since they were never produced in the kinds of numbers that Type I and II tapes were produced in.
 
TDK SA-X and Maxell XL-IIS.

I agree. If you can find them they are great. They are just not that easy to find, or are quite a bit more expensive when you do find them. This is especially true if you end up buying them on that big auction site.
 
Pretty much any sealed cassette from Sony, TDK, Maxell, or Fuji will give you good results. My experience is that the CR02 cassettes are the best value. I find them on occasion for less than a buck at thrifts. I have only found 1 sealed metal one, after about 5 years of looking.

My personal preference is for a Cr02 blank, recorded on an HX Pro deck, with 'Standard' or 120us equalization, and Dolby B
 
I'm new to the tapehead scene - my favourite tape so far is a Sony UX Chrome. I have got a Sony Metal XR 60 waiting to be used, but am going to wait until my Sony KA6ES deck is trust worthy before putting a more expensive tape on.

I only buy chrome tapes - they sound better and the general opinion I've acquired through research is that they are kinder to tape heads, which is a good thing as my deck uses Permalloy heads (not the strongest variant) and I would bet spares are difficult to obtain.
 
The most common brands you will find will probably be Maxell and TDK. If you find those in Type II then that's great! But even a good Type I like a TDK D90 or a Fuji DR-I will produce solid results so don't turn those down if you find them for a good price. Other brands that produce quality tapes are Fuji, Sony, Denon and BASF. The only tapes I ever really pass up are oddball offbrands with names like ToneMaster or Wal-Mart brand stuff. If you look hard enough you should be able to find some good tape although I've noticed they've become a little more sparse lately. Good luck!
 
Don't buy any tapes longer than 90 minutes - they're made too thin in order to support longer recording times and you can hear the difference easily. 60 or 90 only. 60 is generally too short for a typical rock album, so 90 tends to be the favorite. As others have said, the TDK or Maxell high-bias chrome tapes only. Nothing else.
 
Very good advice here. I would only add to the listing of brands (TDK and Maxell high bias) the Basf CrO2 tapes and second the advice of looking for 60 or 90 minutes tapes only.
 
Use high-bias c-60's in multitrack cassette recorders (off-topic but important just the same). They last longer, because the tape stock is thicker. You will be rewinding a lot to get the tracks right, and mixing requires lots of rewinds and locates too.
 
I look for high bias and metal if I can find them, I've done some good recordings with the maxell xl II's. I have a few denon metal tapes I'm saving for a special occasion...like when I can find a decent 4 track..
All that said, I'll pretty much get any tapes as long as they're sealed.

++ on the XL II's. That was my preferred medium back when I did that.
 
Sony Metal-SR are the best and were fairly common in the mid-late 80s. Maxell XLII90 are second and were the most commonly used, having a good price point ($2 per). TDKSA90 were good as well, equivalent to the XLII. XLIIS and TDKSAX were good but I could never distinguish them as better from their cheaper counterparts.

Don't bother with anything else. Fuji and Denon were budget-priced and inferior. For Sony, don't buy their cheaper line of CD-IT or UX chrome tapes. They are inferior.

I used to be a Dead taper and owned over a thousand 0-2 gen boards and aud tapes.

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I typically find Maxell XLII's, I always pick those up. I don't bother with the normal ones unless some high bias ones are mixed in the bag (at thrift stores). Once I get my Nak deck cleaned up I'll start playing around with recording.
 
I presently have over 50 New unopened 60 & 90 Minute Tapes from all major brands like Sony/Fuji/Maxell/TDK/BASF and counting.All from local thrifts for Pennies on the Dollar/PEANUTS for each!They all sound great as I use the ones I opened for use daily!Finding them almost everyday that I look:)
 
Thanks for the information guys.

I found my first blank tape score and a little extra. All sealed all from the same place.

Maxell UR90 x 5
Memorex MRX I 60x 1
RCA RC90 x2
TDK D90 x1
TDK SA90 x2 (still in 2 pack)
TDK Head Cleaner
D.J. Jazzy Jeff and the Fresh Prince - Rock the House

I know from what you all have told me only the SA90s are high quality but for the price, 25 cents for all, I couldn't pass them up. Stopped at one garage sale today and I am glad I did.
 
I went through hundreds of tapes in the late '70s and early '80s. I went with type II CrO2 Maxell and TDK brand. I preferred TDK because they were about 3-4 minutes longer than specified, also Maxell tapes smelled weird.
 
Yeah TDK SA/SAX, Maxell XLII, BASF CR-S II......I don't use Metal Tapes, they are really hard on the Heads, they will shorten head life significantly...
 
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