tmad40blue
"I can hear forever!"
Do the refoaming yourself. It's not difficult by any means – recapping is probably harder in that you have to solder things
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Too funny. I knew almost instantly RS catalog! Just think, look at those prices, but more importantly "monthly" installments! Now you know how many people were able to get better quality gear. A lot of people often write here about "how could people afford that equipment?" Answer was most couldn't, but with monthly installments people found a way.AR-3a.
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(sorry this was pre-AR-3a; the AR-3 was the original version - the AR-3a had a smaller HF dome with improved HF extension)
It's very preference dependent. The ADD series that the 10pi belongs to started a slow drift in the AR "family sound" toward the more forward balance that most consumers preferred in the mid-70's, and the 9s go even further.Recently, I have been reading about the Ar-9’s. It is said that they are yet even better than the Ar-10pi’s.
I have never heard a pair of the 9’s, but after my experience with the 2ax’s - 3a’s and 10pi’s, my imagination has been telling me that’s where (Audio) Nirvana ultimately exists .
The 3a, descended from the AR-1 and 3, was AR's top speaker at the time of its release. The 2-series speakers were the next lower cost range.
AR also introduced the 5 as a companion to the 3a that was intended to equal the 3a's MR and HF performance but with a woofer that was better matched to lower amplifier power and smaller rooms, but it didn't sell well because most people felt the 2ax was close enough to the 3a at a lower price than the 5.
Yes, the AR-12 is in the ADD series (1976-1979). The ADD series was the changeover from the classic AR styling and sound, but was not a company change. Teledyne bought AR from Edgar Villchur in 1967 and held the company until 1990 when they sold it to Jensen.Is the AR12 in the ADD series? And was that when AR changed over companies ?
