JimJ[VT];2808513 said:
What's "affordable"?
$250 in DIY speakers can make a pretty good result, and there's more than a few high-quality integrated amps that can be picked up new for under $1000...
Threads like this always overlook one thing.
Heavy, high quality, 2 channel, reliable, silver or beautifully finished gear with wood cases or panels, aluminum faces, legible markings, intuitive, simple and ergonomic controls, that sounds as good as or even better than a 35 year old piece of gear IS being made today.
And if you take inflation into account, it's being made at nearly the SAME pricepoint as it was in the 60s and 70s. The $30-40 thrift store silver faced units we scoop up today were NOT cheap when new.
Not really overlooking that. The difference is that those monsters of yesteryear were being widely advertised in general-circulation magazines and sold heavily to the general public, even if most people could only afford the smaller, lower-end models. But even those more affordable smaller models (think SX-424 or G-5200 etc...) still had aluminum-slab faceplates, wooden end panels and steel cases.
Today's equivalent is home theater/surround stuff. Two-channel stereo is a footnote and a niche market now; the mass market is all about 5.1, 7.1, THX, etc...
And frankly, as an individual I have to compare the cost of used vintage gear --even after thorough restoration by a top tech-- and find it significantly lower than anything I can buy new. Granted, comparing "old" to "new" is not "fair", but as a consumer --one of the few (AK types) who is into vintage-quality gear-- that is exactly what I do! If a much larger percentage of the market were into stereo, instead of just HT, then the manufacturers would no doubt switch their emphasis back, and we'd see more good stereos made available again.
Witness what is happening with turntables. There was a time when almost no one made them any more, but now there are a number of companies competing to feed the even-more-obvious market of all those people buying newly-released and re-released vinyl LPs. The result is a better selection of new TTs in the market now, than there has been for 15 years or more. But not for 2-channel stereo.
There is another factor which remains unchanged, though, which all manufacturers face. The growth of major new economies in what used to be "the third world" --places like China and India, in particular, but also other parts of Asia and East Europe-- has significantly increased the demand for raw materials like metals (aluminum, steel), and even wood, well beyond any increases in production. This has pushed the prices of these commodities well up above their former levels. Remember all those huge chrome bumpers on 1950s cars? They could be made affordably back then; today, it would be almost unthinkable, because of the increase in materials prices. Those same increased (even after inflation) materials costs face audio makers today who wish to build high-end gear. They HAVE to charge those higher prices to cover those costs, even though often the costs of the insides have actually dropped.
As far as starting the trend I would give credit(either good or bad depending how you look at it) to Sansui.They produced the black face integrated throughout the 70's which style was eventually picked up by the rest in the early 80's.Nice pickup on that 717.I also found a thrift tu-717 a couple of years ago in fabulous condition for $20.Still waiting for the au to surface.
That's funny. I've had the AU-717 for a couple of years, and am still seeking the TU-717 to match. Saw one in a shop recently, but they wanted more than an eBay price for it, so I passed.
There was a functional reason for the military use of the black/white, particularly in aircraft.
Black was used in the cockpit of planes or a tanks so there were no distractions. The background was all the same color with no interruptions, and no reflections from inside or outside the cockpit. The matte finish was to further eliminate reflections or ghost images. The "enemy" can sometimes see those as well.
The white was obviously used for the ultimate contrast. It also afforded the greatest illumination when mixed with radium or tritium on the dial faces and pointers (glow in the dark without underlying lighting). When flying (or driving) in blackout conditions or at night, all the operator saw was pertinent information, with little or no distractions.
I'm sure this military "macho" look had something to do with it's use in audio equipment, although they refined it a bit to make it appealing as opposed to functional. Radioactive isn't good in home stereo.
Interesting and very logical. Radiation --other than that of sound waves-- doesn't sound so good for domestic audio, but I do get a kick out of people's reactions when I explain to them that the Beryllium in my NS-1000M drivers is a controlled substance, partly because it is extremely toxic/carcinogenic, but also because it is used in making atomic bombs...
:scratch2: I wonder if I should put one of those radiation/hazmat stickers on them?
JimJ[VT];2808967 said:
Black face gear...hmm :scratch2:
Good one! That reminds me a lot of my 1923 Stromberg-Carlson Neutrodyne. Love the look of those oldies! :yes:
Thinking along those lines, who STARTED it? I suppose
Thomas Edison really did, since his original cylindrical players were BLACK! But that wasn't really the start of the big market-trend shift the OP was referring to, was it?