RunOutGroove
Addicted Member
I have been buying records since I was a kid and will continue to buy records until the day I die. I have thousands. That said, I also have a Spotify account, but I only listen to it when walking the dogs, on public transport, driving, or if using a bluetooth speaker either outside in the summer or if I take it on holiday.
I think the discovery of new music - especially obscure music - has been around for ages. For example, so many obscure psych bands were being discovered in the 70s via 'Nuggets' compilation and then later in the 80s via bootleg labels like Psycho, Midnight Records, Eva etc. This helped get obscure and hard to find records or long forgotten bands into the hands of people like myself who wanted to dive deeper. Those "needle drop" bootlegs (sourced from an LP rather than master tapes) played a huge part in me discovering very obscure bands from the late 60s and early 70s. The audio quality may not have been great, but hell...this was the 80s and back then we didn't have things like hi-def. We were still adjusting antennas and playing our original Atari thinking it was great as we didn't know any different.
Also, there are so many great compilation labels. The 'Brown Acid' comp that was originally posted on page one of this thread is a good example, Numero is also a great label that have put out so many amazing compilations. They employ good obsessive music nerds to curate and find all the great, deep, obscure cuts and put them out on their beautifully packaged physical releases. However, to buy them all is an expensive hobby and of course does take up space. Obviously, one could just stream them as Numero have put everything on Spotify.
What I will say about Streaming that I think is great is when an album or playlist is done and it goes into "more like this" that are randomly picked by Spotify or the said band name's "Radio" - that does a great job of curating similar stuff that may be new discoveries. I have definitely discovered a handful of bands/albums that way, but then I went out and tracked down the physical LP either in local record stores or, if needed, on Discogs.
I can relate... I too have been collecting records since I was a kid and don't quite feel like I'm going to break the habitat anytime soon. Like you seem to be, I'm not really interested in collecting stuff that's necessarily valuable or in exploring different versions of the same batch of classic albums, I'm more into building a really eclectic type library, with a really wide range of different sounds and stuff that would never be heard if I didn't really have my ear to the ground. I only use streaming occasionally, through Spotify on my Roku TV (I don't have any other computer type device hooked up to my stereo) and then it's only the free, lower res, with commercial version of that, but it can be useful to sample music that isn't available to hear otherwise... unless I want to buy everything that I'm curious about, but I don't have that deep pockets...
I could actually see myself springing for some kind of real streaming service as I think that it's a great resource, but I'd probably still be buying albums and such. Lately it doesn't seem like I'm listening to music all that often (which is fine as when I do listen, I really enjoy it) and when I do, I kind of like picking through my collection to find stuff that though I may own a copy, I don't really know the music that well. To have a large collection, particularly if you aren't listening for many hours a day means that you're able to actually "discover" stuff that you've owned for years.
especially high resolution FLAC, but I cannot stand streaming. I love the look and feel of physical media.