I got this nonworking CA-610 II from an AK member (thank you!).
I have a bit of a soft spot for Yamaha - the first motorcycle I rode at age 14 was a RD-250. First synth I ever played (tried to play that is) was a DX-7. My kids learned piano on a Yamaha upright grand. My AVR is a Yamaha. My bench receiver was a RX-830 that developed a bad channel. The RX-830 is a modest receiver, but it's leagues ahead of the plain-jane Onkyo that's filling in for it. I will definitely fix the RX-830.
In my experience, Yamaha products usually beat the competition within a given market segment. But I have no experience with their vintage hi-fi, so I was excited to have a chance to work on this late-70s 50wpc amplifier.

It doesn't hurt that the CA-610 II is, in my view at least, one of the best-looking amps of the period. Clean lines, minimalist design, all brushed aluminum and wood-grain, I think it looks more Scandinavian than Japanese. In some ways it is almost reminiscent of Dieter Rams' 1960's pioneering work for Braun, minus the architectural high concept of course.

Look at this face! How could anyone not be smitten?
I have a bit of a soft spot for Yamaha - the first motorcycle I rode at age 14 was a RD-250. First synth I ever played (tried to play that is) was a DX-7. My kids learned piano on a Yamaha upright grand. My AVR is a Yamaha. My bench receiver was a RX-830 that developed a bad channel. The RX-830 is a modest receiver, but it's leagues ahead of the plain-jane Onkyo that's filling in for it. I will definitely fix the RX-830.
In my experience, Yamaha products usually beat the competition within a given market segment. But I have no experience with their vintage hi-fi, so I was excited to have a chance to work on this late-70s 50wpc amplifier.

It doesn't hurt that the CA-610 II is, in my view at least, one of the best-looking amps of the period. Clean lines, minimalist design, all brushed aluminum and wood-grain, I think it looks more Scandinavian than Japanese. In some ways it is almost reminiscent of Dieter Rams' 1960's pioneering work for Braun, minus the architectural high concept of course.

Look at this face! How could anyone not be smitten?








