A few observed "rules of thumb" that came out of my experience with these, in the Audio Engineering class I took at Georgia Tech under Dr. Wm. Marshall Leach, where designing one of these (on paper) was our class project (I wrote a little Q-BASIC program to calculate the parameters, since I got really tired of doing it on paper- I think I might have that program on a disk somewhere...), and out of building several of these in various configurations using that data (and other modeling programs later):
- For 6th-order bandpass (vented both sides), you want low-to-medium Qts (.15 to .35 or so), low-to-medium Fs (25-55 Hz) and whatever Vas you want, for the efficiency (and box volume) you want.
- These woofers do not have to have extremely high X-max... anything over 5-6mm is a reasonable candidate, for home sub use. Naturally, for us trying to bend people's spines in a PA environment, we go for massive X-max (and gigantic ports, as a consequence of the air-movement needed)... but, a good solid 1/4" (6.5mm) of X-max will give nice SPL levels at home, with a decent size woofer (10" or bigger).
-Having enough port area is pretty critical. While the SHAPE of the response at LOW volume won't change with a too-small port, the tuning DRASTICALLY starts to shift (usually, you start losing LF extension) when you start to over-run the ports.
-While I haven't gotten around to it yet, the idea of a PR-loaded 6th-order bandpass has ALWAYS been intriguing. The idea of NOT wasting lots of internal volume with vent diameter and length, and the easy, quick tune-ability of PRs are a big potential plus. It's just a matter of properly CALCULATING them. My take on this- I just model a vented box with the proper vent frequency, and look at where the impedance peaks are. Then, I model the same box with a PR, and try to make the dip between the peaks exactly match up, at the same frequency (which SHOULD be Fb, or very close). This should at least get you into the ballpark...
BTW: My take on the Tang-Band small woofers (6.5" sub and 5.25" sub) is that they'd probably be easier to tune in a 4th-order bandpass (one side sealed, one side ported) rather than a 6th order (both sides ported). This is due to the relatively-high Qts. However, it may be possible, with some significant tweaking of volumes and port frequencies on both chambers, to get them to behave well.
BTW^2": Most unlikely-seeming candidate for 6th-order bandpass- how about the ElectroVoice EVM12L?! That was Dr. Leach's class project example, that we used as a model! It would, in fact, give F3 of 30 and 120 Hz (or close thereabout) with 1ft^3 on the front chamber, and 2ft^3 on the rear. IIRC, tuning frequencies were around 60-80 Hz on the front chamber and 20-25 Hz on the rear...
Regards,
Gordon.