vintagecrank
Member
Can anybody vouch for this company? I have a vintage component I would liked to have completely restored?
Thank you in advance.
Thank you in advance.
I don't know what the tur around is for a level 3 Reconditioning is
I probably got the basic, "get it working again" job. But, having said that, I did replace all 41 electrolytic capacitors myself so I don't really know what "level" I wound up with.
Something I noticed on their website was a disclaimer that any sonic improvement derived from the "full meal deal" refurb may not be detectable by end users.
And yes, follow any after service instructions. There was a handwritten note included with my preamp instructing to exercise the push button switches. I interpreted that to mean from time to time in the future not immediately upon receiving. When one channel cut out within two days I called them and was set straight. Probably a good thing it was not Vince who answered otherwise I may have gotten an earful.
Thanks Aptone, do you have one of these by chance?
Can you clarify the problem with the button please. I'm sorry I just not sure what happened and very interested to learn![/QUOTE
Shortly after getting the pre back one channel quit. When I called Audio Proz, Ken (?) answered. It was explained that the compound they used on the switches had not done it's thing yet and the note enclosed with the returned unit was to advise me to exercise them ASAP. I did not realize that thinking instead it meant not to let the switches remain unused for any length of time. After getting clued in, I operated each push button about 50X each and cured the problem.
During the call, I got the impression they were using or had used with mine, something new that was more a paste than a liquid ie: DeOxit.
I bought a broken Apt-Holman preamp (one channel out, listed as "untested", but the picture had the balance control all the way to one side), and sent it to Audio Proz for the level 3, iirc. Got back a wonderful sounding unit, along with a bag of all the old parts. It worked fine for about a year, then broke, so I sent it in again. The breakage included the phono stage, with a no-longer-available transistor. When I got it back, I didn't like the phono stage anymore, so gave it to my brother, who doesn't do records. I thought they were good, but they can't restore everything.
That seems to be the bane of vintage SS - obsolete transistors and no direct replacements. Did you contact them after the second repair? I doubt they would substitute a substandard transistor but one can only use what exists. Personally, I would have called. Not to complain but to report on an observation and ask what difference one would expect from the modern transistors vs the originals and if that could be responsible for the change you experienced. Just speaking for myself, it would interest me to learn what characteristics led to the selection of the substitute(s). I don't know 5% of what other contributors on this forum do but it's enough to understand what Vince (if it was he who took my call) was talking about.
According to my information, Vince worked as a tech for APT Holman towards the end of their run. When they shut down he acquired a sizable amount of replacement parts for the amps and preamps. When those parts ran out 30 years later he was forced to substitute equal but modern parts different than what Holman voiced the preamp and particularly the phono stage with. Had the company still been around and under the control of the original designer when the original parts were discontinued the whole phono section would have been reworked from the ground up to keep his voicing vision intact. But since that is not the case Vince is left to substitute equal valued "modern" parts that suit him. sqlsavior is not the first person who has sent a unit to Vince since the original parts ran out that has disliked the phono stage. When I had my bought new in 1978 unit re-capped several years ago I had a recommended AK member, who was at one time Vince's boss, just do the preamp section and the properly functioning phono stage was left alone. When it was returned it worked as new with no change in voicing or function. If you agreed to anything above Level 1 then you have given Vince license to change the unit from it's original state. Whether or not you like it will be a personal decision since you never heard what the original preamp sounded like. The APT Holman phono stage from it's inception as part of the Advent 300 was one of the great accomplishments in modern audio and was the basis for the NAD phono stages for years to come.