Compared to the Nak OMS-2A I just picked up last week, the Nak CDC-4A is easily the better sounding player in every category. It is more open, dynamic and crisp with better detail retrieval which amounts to a more natural, livelier music with a deeper soundstage that has greater "air" or separation of instruments within a track giving you a broader sense of space within each song. If I hadn't done a side-by-side listening test after letting the caps reform for awhile, I'd say the OMS sounded very good. However, when comparing the two side-by-side it becomes apparent. I do not believe the majority of the pre Burrr-Brown PCM56 equipped cd players can go toe to toe with the TDA1541A/S1 based ones and come out on top. In fact, I've never heard that argument made. While listening to the OMS, I was reminded of my even older (PCM53JP Hitachi based) Realistic CD-1000. It sounds pretty good while listening for a short time until listener fatigue sets in and kind of puts a damper on extended listening with some sibilance and slight harshness of sound. The OMS uses a PCM54HP, and while it was pretty good piece of engineering for its day, it was just a pre-cursor to what would become BB's better, later DACS. In stock form, the OMS is easily outclassed by the CDC with its Philips chip. The OMS line uses either the PCM54HP or TDA1540 DACS in its lineup, while the CD Player series seems to have doubled-down on its use of the PCM1700. Case in point, I prefer the sound of my two PCM56P based Akai cd players (CD32 and CD52) to the OMS. Granted, the 2A was their least expensive cd player at the time but was still $499 back in '87 which was alot of money. It's a great sounding unit unless you have the luxury of directly comparing it to something better.
I am also aware of the perils of being too reductionist in terms of trying to typify one player from the next based solely on one component when there is always system synergy in play that helps create the final listening product or outcome. But I know for me, it's been a pretty reliable bellwether for getting a sense of sound expectation from a unit that has generally proven quite consistent. Also, no matter what gear we own, there is always going to be something better than what we have. It is an inescapable truth but one that shouldn't have to prevent us from enjoying what we're currently listening to.