I have several sets of headphones, including the Beyer Dynamic DT990 Pro (highly recommended) and Sennheiser HD6XX's (from Drop), HiFiMan HE4XX (Highly recommended), Audio Technica S700BT), Pioneer HDJ-X5 (waste of money), AKG K240 mk II (pretty good monitoring cans)I, plus a few other cheap headphones. I would highly suggest the Beyer 990's for a neutral monitoring headphone-type. No bloated fake mid-bass, just a clean and clear sound! I love the sound of them. Also highly recommended are the Sennheiser HD6XX's and the HiFiMan HE 4XX's! Each has their strengths, but I particularly love the planar magnetic sound of the HiFiMan's! The HD6XX's (Drop's version of an HD650) is an industry standard. If you want more opinions just say so...I am new to Headphones. What would be recommended $200 and below.
I have a Pioneer SX-980 and a TEAC Cassette deck and Reel to Reel from the 70's.
I have read some pretty good reviews on the Grado SR80E.
Also the Beyerdynamic DT 990 Pro and Sennheiser HD 560 S & HD599.
Thanks in Advance!
Revealing is the best word. Good source, good sound. Very light (wood models) .What are Grado's known for? I hear many who start with a pair of those and become enthralled in audio after hearing the difference Grados make in playback. The cans look so darn small I'm curious if they're comfy regardless of pads, but I'm sure new soft pads help. I've been meaning to check them out as I have 6XX's and ATH M50x's for this range. I too have heard great things about HE X4's.

Agree on both counts, Grado's Achille's Heel is comfort, they consider it an option apparently. As for the the HE-4X comfort is not (yet) an issue but like all HFM offerings better order third-party pad replacements in advance due to premature wear, this mostly concerns sub-$2K models however, the reference leagues usually come well endowed in this regard.I have both Grado SR-100's and Hifiman HE-4X. I prefer the sound of the HE-4x. I also found the original Grado cushions very uncomfortable. Replacements from Ear Zonk fixed that problem.
Great to see a photo thanks. Great to hear the endorsements as well I'm thinking Grado's may have to be my next move. Will look for Prestige model ~$125. I have been a little worried about their brightness, but I see feedback overtime has been responded to in Grado's more recent products. Worth a healthy listen for me.Revealing is the best word. Good source, good sound. Very light (wood models) .
Grado RS-2 with bigger and more comfortable pads I use most often. View attachment 2595238
Still a steal at that price point, Elegia may be the kid sister of all Focal phones (except for the Listen which is not in the same league) but it delivers the goods. One must keep in mind that the Elegia was designed to compete with similarly priced models from the likes of Audeze and Dan Clark Audio, just to name a few.Here’s my brief review of my new Focal Elegia that I’ve had for almost two weeks now. They are still breaking in but they are sounding good to me. Of course they were $369 not $200 so keep that in mind.
Indeed they are built on a solid pedigree. If one wonders why Focal phones all have the same looks there's your answer. They look like they mean business as Tyl Hertsens reported when he reviewed the Elear circa 2016 iirc, and haven't changed since because there is no reason to do so.The first thing you notice is they are BIG and HEAVY! But as @Caveman Carl mentioned they are comfortable and don’t feel heavy. The ergonomics are well executed.
Indeed they are supposed to sound somewhere between the Elear and Clear would if those were closed-backs. I see too many people compare them with the Stellia which is closed-back but uses beryllium drivers. Stellia has massive bass but cost over $3,000 so the comparison is hardly relevant. What is relevent however is that one would be hard-pressed to find a better designed closed-back under $500 (admittedly PDSF is higher than that figure). Some will bring up the ubiquitous HFM Sundara but it's an open-back planar and not everyone's cup of tea.I’m no headphone expert but the Elegia’s have a relatively flat sound.
Are you like me? I only read/watch reviews after making the purchase.Reviews I’ve read state the bass is on the light side and I’d agree with that.
Most upper-end cans use the Y-shaped connectors because it adds less cost to an already expensive item, and because it renders swapping cables more convenient owing to compatibility issues. But the opposite is true when dealing with studio phones, the single connector leaves the right hand unhindered for taking notes and such. It used to be a major irritant for me. But I find that you can avoid the "Y-cable curse" by running the cables over your back instead of front, leaving both hands free.One other point on the ergonomics is I prefer one wire running up the left side with the crossover wire in the headband.
So do I but with a caveat: the HE-4X is sometimes too revealing for its own good. By that I mean keep it away from poorly recorded or otherwise withered material or weathered electronics because it can be mercilessI have both Grado SR-100's and Hifiman HE-4X. I prefer the sound of the HE-4x.

So do I but with a caveat: the HE-4X is sometimes too revealing for its own good. By that I mean keep it away from poorly recorded or otherwise withered material or weathered electronics because it can be merciless![]()
I must admit I have never been impressed with Grados... I listened to a several years ago and they just didn't do it for me. Not to mention the pads are crap...^^^^ Grado's (and Alessandro's--which are modded Grados) are--and have always been--very easy to drive. They are all open: leak much sound and isolate almost not at all. Current models of Grado are almost never on sale. Beyond that, it gets a bit complicated for several reasons.
The first is that their are four lines of Grado headphones with different base sound signatures. In addition to that there have been multiple special editions that are not strictly in any of the lines. Second is that there are different generations of Grados, each of which has been a stepped tweak of their sound. Third is that the current and relatively new "x" generation has mixed in (among other changes) a new version flat pad (the "F" cushion) on some models.
The only line of Grado that falls within the $200 limit is the Prestige line. All "x" generation Prestige models feature a new (and presumably more comfortable--or at least less uncomfortable) headband compared to earlier generations. From bottom to top of the Prestige line are the SR-60, SR-90, SR-125, SR-225 & SR-325. Only the first three are within a $200 budget. The SR225, priced at $225, is the first major step up within the SR line. Many find the SR225 to be the best overall can within the Prestige line. The 225 keeps the upgraded cable from the 125 and adds a metal grill, more closely matched drivers and the "F" cushions.
The Prestige line has always had a tight sound stage and high impact that gives you the feeling of sitting on the stage with the band. They are a very good fit with (now classic) rock and electric blues. The brightness has been cut down in the last two generations and they have become more balanced in sound signature at each generational step. Imaging has also improved.
Unless you jump up to the 225, start for $99 with the 60 or spend $125 for the 90. You might also find a left over "e" generation 60 or 90 for less.