The two levers or cam followers are still not sufficently free. When you move them by hand, the two springs MUST return the levers to their rest positions, separately, each and every time, quickly, or you will have one or both problems with the arm landing at the 7" position all the time or the arm going back to the record before the table shuts off.
One of those levers (the one with steps on it) controls whether the arm sets down in the 12" or 7" position and the other one holds the arm at the arm rest at the end.
Although treating the pivot of these two levers with WD-40 or the like will temporarily fix the problem, the only long lasting fix is to disassemble the mechanism, clean all the old, hardened lubricant out of there, relube, and reassemble.
Also, be sure neither lever is even slightly bent or the two levers will interfere with one another. As I said, after reassembly, be sure the two levers return to their rest positions, separately, each and every time you move one by hand.
Doug
Other than the pitch control pot, you should clean the pitch pots on the circuit board, too. That may help!
Nice table! The 980's and 981's were really sharp looking and well built.
I had forgotten about the 'stylus setting'. What does that control actually do behind the scenes?
mindseye, you can turn the pitch control back and forth rapidly several times and then set the strobe. Often, this will move any dirt in there out of the way of the wiper and it will work again. It does sound like that pot is dirty.
My 1000 has the same control and it has done what you describe every so often and I just do as I described. If that doesn't work, you will have to get to the pot and clean it.
Also, don't turn the pots on the board unless you are prepared to readjust the oscillator. Look at the little bulb on the board. It should be steadily lit and fairly dim. If that's the case, the board and pots are probably OK. If the brightness of the bulb is pulsating, the board needs to be readjusted.
The stylus type control is connected to one end of the spring which applies anti-skate force. The other end of the spring is connected to the anti-skate ring, itself, with the indicator on it. The stylus type contol juist stretches the srping different amounts as a starting reference for the graduated control on the ring. This is done to compensate for the differences in skating forces of different stylii and allows the same scale to be used for them.
Doug
Thought I'd chime in here too. I really admire this series from BIC.
They're attractive with a slim-line profile, nicely built and they provide a great platform for good sound.
These models are a touch quirky too, with their programming feature. Despite the label, they're made in Michigan by Voice of Music for British Industries Corporation.
As they age, they suffer from the same "dried grease disease" as do many other vintage makes, eg. Garrard, Dual, etc. Easily remedied with some care and patience.
I keep on the lookout for the 960, 980 and 1000 as keepers.