I do, for various reasons. I always like to have at least one fully functional table with a low mass tonearm for my vintage high compliance carts. These are my best sounding carts overall, and I have several. So really, I like to have two tables with low mass arms in the rotation as it means less cartridge swapping and lets me A/B my various vintage carts.
Second, I also like to have at least one vintage Japanese direct drive table with a medium to high mass S-shaped arm that accepts standard SME style headshells. This let's me use medium and low compliance carts, mostly conicals (AT3600L, Shure SC35C, Shure M35X), and an occasional 0.4 x 0.7mil elliptical. This table is used for thrift store vinyl in less than pristine condition and I have a ready supply of inexpensive replacement styli on hand for these carts (I stocked up on the Shures before the prices went up).
Of course, I am always looking to upgrade, so these various tables have changed over time as something catches my eye (I'm very opportunistic when it comes to moving up the food chain). Currently, I have a pair of Harman Kardan T60s (one that is my main tale and one that needs a little work). Once both are working, I can quickly and easily A/B my various vintage high compliance carts in the same system with identical tables, same amp and same speakers from the same listening position. My current direct drive with a medium mass arm is a Denon DP-30L, a very nice, competent table, but it's at risk of being replaced by a Technics SL-1401 as soon as I get some tonearm issues sorted on that one.
I am also building one of the CNC phono stages so I can run three turntables (the pair of HK T60s and the Technics SL-1401) at once with my Yamaha SA-1000 integrated amp. At that point, I think I will have achieved my personal definition of vinyl bliss - at least until something else catches my eye!