So I had some success with the file available at cults3d.com. The guy who printed this for me was very helpful, and we ended up with three versions of the part.
Part A - was the file with that part I circled in red above removed. My part didn't have that so we removed it. I could not get the knurled brass bushing into the whole without breaking off some of the smaller arms the stick out. This was a failure.
Part B - included the change made in part A, plus he made the hole wider to 9.8mm, and thickened the wall outside the hole by 1mm. While the bushing was a nice tight fit, the extra width made the part too big for the tight fitting parts when installed. So, also a failure.
Part C - included the change made in part A, plus the widening of the hole to 9.8mm. This time everything seemed to fit, but I could still see some differences compared to the broken part I had. After assembling the tonearm, I could feel friction when the tonearm was positioned close to the spindle. I used the solder iron to melt some material in the new part to get clearance of all parts.
I'm not sure how many versions there are of this part. Maybe more than two? My SL-1400 mk2 has the brass knurled bushing and definitely does not have that part I circled above. Maybe that's for a SL-1300 mk2? I haven't tested the muting function yet, but it looks like that arm of the part is correct.
Again, if anyone has these .STL files please do share.
Part aside, I ended up the a super fast dropping tonearm when cueing. The lifting at the end of the record works, but I think it's safer for me to put the needle on the record than lowering it via the cueing arm. I used 300,000 damping oil, but I read that I might need 1,000,000 damping oil. not sure about this.
This was Part B.
Thanks
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