Thank you so much! I am going to be checking these out.![]()
A bit off topic, but do you have a library card? Reserving music through the EPL website is easy, and I think it is about $15 a year. A very easy, and affordable, way to sample music. The titles get delivered to your neighbourhood branch. I've even borrowed SACDs, MFSL and DCC discs, etc from them over the years.
Canuck, all I can say is WOWWWWW!~!!!!!
and you know how much I love my IMFs and Kefs!!!
Fantastic , no further comment!
mark
Wow, looks great, especially the before and after pics.
Now those exposed wood edges on the TL vent and around the drivers (woofer and supertweeter mainly look out of place. Wondering whether black stain/paint, Restor-A-Finish in the same color as the veneer, or veneering would be an option or just overkill? I suspect though that any amount of solvent or liquid the tint/stain is in that is adsorbed into the open particle board might actually be a problem or damage the particle board, even if evaporated.
If done, probably would have to seal the exposed wood/particle board first, then color it? Or the other way round? Or use a strip veneer on it?
Are the drivers held in by T-nuts/bolts or by wood screws?
I can't believe the veneers on these things. Not sure what these cost new, but IMF went all out. The restore job worked beautifully. The veneers look like new again, and they're fantastic veneers. I need to at least try the Feed N' Wax on my W90's. I have that as well as the Restore-A-Finish, but I don't want to use the R-A-F inside the house, and I'm not looking to lug these speakers outside either (At WELL-over 100lbs, you need two people to carry them... I already have someone coming over tomorrow just to help me get them up on 5" risers... Not throwing my back out again like I did last year).
Did you do the restore job INSIDE the house, or did you lug them outside? I'm wondering about fumes and all that.
I'm been trying to understand the design of the RSPM's. There's just the one woofer, right? No hidden woofer inside pointing downwards, or anything like that? Looks like they're doing the big, ported cab thing (giving the drivers plenty of cubic feet to work their magic). I took a peek at the design, but I have a hard time understanding what's going on there (on paper).
Deep transmission line woofer design, one of the nicest, along with another true mid transmission line, and tweeter plus super tweeter. Good info on www.imf-electronics.com where you may dig around and clic on interesing things there and of course cast your vote for the transmission line babe contest there when visiting. Forgot to ask owner how he likes 3 position front panel controls....Have you experimented and how did you like the results from the controls ? Regarding the request for source material have suggested trying Emerson, Lake and Palmer's 1st s/t album, quick track "Lucky Man" for total sonics and other trax. Also ELP's 2nd album "Tarkus" entire album for great listening and bass workout. Preferred formats in LP, (reel), 24-carat gold pressed cd (Mobile Fidelity Sound Lab), also ? LP from MFSL ? and just newly released "deluxe editions" of both cd's containing hi-res mixes, extra trax, original album, (5.1 mix) and additionally remastered versions all included. Have not heard those 2 new releases of these classic works yet, just released weeks ago. Also recommended the MFSL 24 carat gold pressed cd of Steely Dan "Aja" for great clarity, headroom and dynamics; believe maybe available also on MFSL LP too. Not sure of OP's listening tastes, but for start up auditioning of full range material, ELP's 1st 2 albums are in many folks' libraries, especially for test-listening new equipment and the RSPM speakers can really navigate the sensational bass on these recordings as well as a multitude of all the other musical attributes captured on record.
In particular, "transmission line" is the name of a specific audio speaker enclosure topology, in which sound from the back of the bass speaker chassis passes along a long (generally convoluted) path within the speaker enclosure. The energy is absorbed on this path, or emerges from the open end in phase with the sound radiated from the front of the driver, enhancing the output level at low frequencies.
Proper transmission line loudspeakers employ a tube-like resonant cavity whose length is set between 1/6 and 1/2 the wavelength of the fundamental resonant frequency of the loudspeaker driver being used. The cross-sectional area of the tube is typically comparable to the cross-sectional area of the driver's radiating surface area. This cross section is typically tapered down to approximately 1/4 of the starting area at the terminus or open end of the line. While not all lines use a taper, the standard classical transmission line employs a taper from 1/3 to 1/4 area (ratio of terminus area to starting area directly behind driver). This taper serves to dampen the buildup of standing waves within the line, which can create sharp nulls in response at the terminus output at even multiples of the driver's Fs.
Essentially, the goal of the transmission line is to minimize acoustical or mechanical impedance at frequencies corresponding to the driver's fundamental free air resonance. This simultaneously reduces stored energy in the driver's motion, reduces distortion, and critically damps the driver by maximizing acoustic output (maximal acoustical loading or coupling)at the terminus. This also minimizes the negative effects of acoustic energy that would otherwise (as with a sealed enclosure) be reflected back to the driver in a sealed cavity.
I was under the impression that transmission-line designs are speakers where the woofers, mids, and tweeters form a straight line (since a linear low/mid/tweeter array is supposed to be good), but apparently that's not the case. I'll have to look into that. Hell, I don't know...![]()
Thank you, those are about the same sentiments I have about this find.
Please do post in your IMF topic about your progress, would love to see those beauties come back to life!!
Man, you are so fortunate to get such a clean almost cherry pair of those!
i always wanted a pair of IMF or TDL. transmission lines are really an art and my attempt at home construction back in the 70's ended poorly. i also liked the early t-line designs of ESS (based on the british designs and kef drivers).
the most impressive t-line i ever heard was at the 1987 CES in las vegas. it was a dual line with two oval woofers that were supposed to be an improvement on the flat kef driver. incredible bass smoothness and with good power.
enjoy your IMFs!!

Thumbs up Joe Satriani - Dreaming #11 disc an all time fav ! Great taste ! Big TDL Reference Standard sure look wonderful (& monstrously heavy & large, !). Like posted here earlier, they had a design hand from someone from IMF or Fried also. Sure would love to hear an A-B test same volume, of them with the IMF RSPM MK IV. Probably ? close ? Maybe the TDL gets even closer to the "absolute sound". Be great to read if someone here has owned both , what they thought sonically; or someone who heard both.
Canuck, Those things are beautiful! I'll have to pop by one day for a listen. And I need to go out and buy some of that Restor-O-Wax (or whatever it's called) and do my IMFs. I can't believe the difference it made.