spideyjack
Addicted Member
Marty Gold And His Orchestra - Skin Tight
RCA
Other Worlds Other Sounds - Esquivel & His Orchestra
With a glass of red wine, Zoom Zoom Zoom Zooom.
Is this considered lounge? I found that artist: http://www.youtube.com/watch?v=ve7JmF1qz9M.
Jackie Gleason's early stuff with Bobby Hackett.
Vinyl Xanax:thmbsp:
Every week, The Bachelor Pad Radio Show features music every swinging bachelor needs to have. Lounge, cocktail, exotica, private-eye jazz, and even a touch of retro-swing from the likes of Esquivel, Martin Denny, Yma Sumac, Julie London, Les Baxter, Frank Sinatra, and many others. Tune in and enjoy!
Esquivel—Mini Skirt (Theme Music)
Three Suns—Colonel Bogey March
Kirby Stone Four—Baubles, Bangles and Beads
Martin Denny—Flotsam And Jetsam
Ferrante & Teicher—African Echoes
Jack Jones—My Kind of Town
Denny McLain—Cute
Si Zentner—I'm Always Chasing Rainbows
Jo Stafford—Midnight Sun
The Waitiki 7—Her Majesty's Pearl
Bob Thompson—On The Rocks
Jim Tyler & His Orchestra—Varsity Drag
Sonny Lester—La Paloma
Martini Kings—Rumble
Sam Butera & The Witnesses—French Poodle
Steve Lucky and the Rhumba Bums—Daddy-O
Les Baxter—Blue Jungle
Henry Mancini—Pink Panther Theme
Ricki Derek—The Shadow Of Your Smile
Julie London—Come On A My House
Esquivel—Boulevard Of Broken Dreams
Dean Martin—I Can't Give You Anything But Love
Diana Dors—Tired of Love
Nelson Riddle—New Naked City Theme
Al Hirt—What A Diff'rence A Day Made
Tikiyaki Orchestra—Dan-O's Day Off
Elliott Fisher—Mister Kiss Kiss Bang Bang
Xavier Cugat—Daiquiri
Earl Grant—Volare
Peggy Lee—C'est Magnifique
Ray Martin—Around The World
Buddy Cole—Don't Get Around Much Anymore
Jack Costanzo—Latin Fever
Mel Torme with Billy May—South Of The Border
Chris Connor/Sy Oliver's Orchestra—Chiquita from Chi-Wah-Wah
Palladium Big Band—I Concentrate On You
Steve Lawrence—Night And Day
Enoch Light—Begin The Beguine
I thought Gleason wanted music that was more like a mild ruffie, especially with titles like "Music to Change Her Mind". What did the girl think when a guy pulled that record out back in the 50's.
Throughout the 1950s and '60s, Gleason enjoyed a secondary music career, lending his name to a series of best-selling "mood music" albums with jazz overtones for Capitol Records. Gleason felt there was a ready market for romantic instrumentals. He recalled seeing Clark Gable play love scenes in movies, and the romance was, in his words, "magnified a thousand percent" by background music. Gleason reasoned, "If Gable needs music, a guy in Brooklyn must be desperate!"